Stephen King – Hearts In Atlantis

Stephen King – Hearts In Atlantis

HEARTS

IN

ATLANTIS

1

When I came to the University of Maine in 1966, there was still a Goldwater sticker, tattered and faded but perfectly readable (AuH2O-4-USA), on the old station wagon I inherited from my brother. When I left the University in 1970, I had no car. What I did have was a beard, hair down to my shoulders, and a backpack with a sticker on it reading RICHARD NIXON is A WAR CRIMINAL. The button on the collar of my denim jacket read I AIN’T NO FORTUNATE SON.

College is always a time of change, I guess, the last major convulsion of childhood, but I doubt there were ever changes of such magnitude as those faced by the students who came to their campuses in the late sixties.

Most of us don’t say much about those years now, not because we don’t remember them but because the language which we spoke back then has been lost. When I try to talk about the sixties – when I even try to think about them – I am overcome by horror and hilarity. I see bellbottom pants and Earth Shoes. I smell pot and patchouli, incense and peppermints. And I hear Donovan Leitch singing his sweet and stupid song about the continent of Atlantis, lyrics that still seem profound to me in the watches of the night, when I can’t sleep. The older I get, the harder it is to let go of that song’s stupidity and hold onto its sweetness. I have to remind myself that we were smaller then, small enough to live our brightly hued lives under the mushrooms, all the time believing them to be trees, shelter from the sheltering sky. I know that doesn’t make any real sense, but it’s the best I can do: hail Atlantis.

2

I finished my senior year living off-campus in LSD Acres, the rotting cabins down by the Stillwater River, but when I came to U of M in 1966 I lived in Chamberlain Hall, which was part of a three-dorm complex: Chamberlain (men), King (men), and Franklin (women). There was also a dining hall, Holyoke Commons, which stood a little apart from the dorms – not far, perhaps only an eighth of a mile, but it seemed far on winter nights when the wind was strong and the temperature dipped below zero. Far enough so that Holyoke was known as the Palace on the Plains.

I learned a lot in college, the very least of it in the classrooms. I learned how to kiss a girl and put on a rubber at the same time (a necessary but often overlooked skill), how to chug a sixteen-ounce can of beer without throwing up, how to make extra cash in my spare time (writing term papers for kids with more money than I, which was most of them), how not to be a Republican even though I had sprung from a long line of them, how to go into the streets with a sign held up over my head, chanting One two three four we won’t fight your fucking war and Hey hey LBJ how many kids did you kill today. I learned that you should try to get downwind of teargas and breathe slowly through a handkerchief or a bandanna if you couldn’t do that. I learned that when the nightsticks come out, you want to fall on your side, draw your knees up to your chest, and cover the back of your head with your hands. In Chicago, in 1968, I learned that cops can beat the shit out of you no matter how well you cover up.

But before I learned any of those things, I learned about the pleasures and dangers of Hearts. There were sixteen rooms holding thirty-two boys on the third floor of Chamberlain Hall in the fall of 1966; by January of 1967, nineteen of those boys had either moved or flunked out, victims of Hearts. It swept through us that fall like a virulent strain of influenza.

Only three of the young men on Three were comple tely immune, I think. One was my roommate, Nathan Hoppenstand. One was David ‘Dearie’ Dearborn, the floor-proctor. The third was Stokely Jones III, soon to be known to the citizenry of Chamberlain Hall as Rip-Rip. Sometimes I think it’s Rip-Rip I want to tell you about; sometimes I think it’s Skip Kirk (later known as Captain Kirk, of course), who was my best friend during those years; sometimes I think it’s Carol. Often I believe it’s the sixties themselves I want to talk about, impossible as that has always seemed to me. But before I talk about any of those things, I better tell you about Hearts.

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