Stephen King – Song of Susannah

first editions. They needed the ball inside the bag for the same reason Mia had needed it: because it opened the Unfound Door.

Eddie lifted it, started to turn, then froze. He was frowning . . .

“What is it?” Callahan asked.

“There’s something in here,” Eddie replied.

“The box — ”

“No, in the bag. Sewn into the lining. It feels like a little rock, or something.” Suddenly he seemed to be looking directly at Susannah, and she was aware that she was sitting on a park

bench. It was no longer voices from the depths of the cave she heard, but the watery hiss and

plash of the fountain. The cave was fading. Eddie and Callahan were fading. She heard Eddie’s

last words as if from a great distance: “Maybe there’s a secret pocket.”

Then he was gone.

TWO

She hadn’t gone todash at all, then. Her brief visit to the Doorway Cave had been some kind of

vision. Had Eddie sent it to her? And if he had, did it mean he’d gotten the message she’d tried to send him from the Dogan? These were questions Susannah couldn’t answer. If she saw him

again, she’d ask him. After she’d kissed him a thousand times or so, that was.

Mia picked up the red bag and ran her hands slowly down its sides. There was the shape of the box inside, yes. But halfway down there was something else, a small bulge. And Eddie was right: it felt like a stone.

She — or perhaps it was they, it no longer mattered to her — rolled the bag down, not liking

the intensified pulse from the thing hidden inside but setting her mind against it. Here it was, right in here . . . and something that felt like a seam.

She leaned closer and saw not a seam but some kind of a seal. She didn’t recognize it, nor

would Jake have done, but Eddie would have known Velcro when he saw it. She had heard a certain Z.Z. Top tribute to the stuff, a song called “Velcro Fly.” She got a fingernail into the seal and pulled with her fingertip. It came loose with a soft ripping sound, revealing a small pocket on the inside of the bag.

What is it? Mia asked, fascinated in spite of herself.

Well, let’s just see.

She reached in and brought out not a stone but a small scrimshaw turtle. Made of ivory, from

the look of it. Each detail of the shell was tiny and precisely executed, although it had been

marred by one tiny scratch that looked almost like a question-mark. The turtle’s head poked

halfway out. Its eyes were tiny black dots of some tarry stuff, and looked incredibly alive. She saw another small imperfection in the turtle’s beak — not a scratch but a crack.

“It’s old,” she whispered aloud. “So old.”

Yes, Mia whispered back.

Holding it made Susannah feel incredibly good. It made her feel safe, somehow.

See the Turtle, she thought. See the Turtle of enormous girth, on his shell he holds the earth.

Was that how it went? She thought it was at least close. And of course that was the Beam they

had been following to the Tower. The Bear at one end — Shardik. The Turtle at the other —

Maturin.

She looked from the tiny totem she’d found in the lining of the bag to the one beside the

fountain. Barring the difference in materials — the one beside her bench was made of dark metal with brighter coppery glints — they were exactly the same, right down to the scratch on the shell and the tiny wedge-shaped break in the beak. For a moment her breath stopped, and her heart

seemed to stop, also. She went along from moment to moment through this adventure —

sometimes even from day to day — without thinking much but simply driven by events and what

Roland insisted was ka. Then something like this would happen, and she would for a moment

glimpse a far bigger picture, one that immobilized her with awe and wonder. She sensed forces

beyond her ability to comprehend. Some, like the ball in the ghostwood box, were evil. But this .

. . this . . .

“Wow,” someone said. Almost sighed.

She looked up and saw a businessman — a very successful one, from the look of his suit —

standing there by the bench. He’d been cutting through the park, probably on his way to

someplace as important as he was, some sort of meeting or a conference, maybe even at the

United Nations, which was close by (unless that had changed, too). Now, however, he had come

to a dead stop. His expensive briefcase dangled from his right hand. His eyes were large and

fixed on the turtle in Susannah-Mia’s hand. On his face was a large and rather dopey grin.

Put it away!’ Mia cried, alarmed. He’ll steal it!

Like to see him try, Detta Walker replied. Her voice was relaxed and rather amused. The sun was out and she — all parts of she — suddenly realized that, all else aside, this day was

beautiful. And precious. And gorgeous.

“Precious and beautiful and gorgeous,” said the businessman (or perhaps he was a diplomat), who had forgotten all about his business. Was it the day he was talking about, or the scrimshaw turtle?

It’s both, Susannah thought. And suddenly she thought she understood this. Jake would have understood, too — no one better! She laughed. Inside her, Detta and Mia also laughed, Mia a bit against her will. And the businessman or diplomat, he laughed, too.

“Yah, it’s both,” the businessman said. In his faint Scandinavian accent, both came out boad.

“What a lovely thing you have!” Whad a loffly thing!

Yes, it was lovely. A lovely little treasure. And once upon a time, not so long ago, Jake Chambers had found something queerly similar. In Calvin Tower’s bookshop, Jake had bought a

book called Charlie the Choo-Choo, by Beryl Evans. Why? Because it had called to him. Later

— shortly before Roland’s ka-tet had come to Calla Bryn Sturgis, in fact — the author’s name

had changed to Claudia y Inez Bachman, making her a member of the ever-expanding Ka-Tet of

Nineteen. Jake had slipped a key into that book, and Eddie had whittled a double of it in Mid-

World. Jake’s version of the key had both fascinated the folks who saw it and made them

extremely suggestible. Like Jake’s key, the scrimshaw turtle had its double; she was sitting

beside it. The question was if the turtle was like Jake’s key in other ways.

Judging from the fascinated way the Scandinavian businessman was looking at it, Susannah

was pretty sure the answer was yes. She thought, Dad-a-chuck, dad-a-churtle, don’t worry, girl, you got the turtle! It was such a silly rhyme she almost laughed out loud.

To Mia she said, Let me handle this.

Handle what? I don’t understand —

I know you don’t. So let me handle it. Agreed?

She didn’t wait for Mia’s reply. She turned back to the businessman, smiling brightly, holding

the turtle up where he could see it. She floated it from right to left and noted the way his eyes followed it, although his head, with its impressive mane of white hair, never moved.

“What’s your name, sai?” Susannah asked.

“Mathiessen van Wyck,” he said. His eyes rolled slowly in their sockets, watching the turtle. “I am second assistant to the Swedish Ambassador to the United Nations. My wife has taken a

lover. This makes me sad. My bowels are regular once again, the tea the hotel masseuse

recommended worked for me, and this makes me happy.” A pause. Then: ‘Your skölpadda

makes me happy.”

Susannah was fascinated. If she asked this man to drop his trousers and evacuate his newly

regularized bowels on the sidewalk, would he do it? Of course he would.

She looked around quickly and saw no one in the immediate vicinity. That was good, but she

thought it would still behoove her to transact her business here as quickly as she could. Jake had drawn quite the little crowd with his key. She had no urge to do the same, if she could avoid it.

“Mathiessen,” she began, “you mentioned — ”

“Mats,” he said.

“Beg your pardon?”

“Call me Mats, if you would. I prefer it.”

“All right, Mats, you mentioned a — ”

“Do you speak Swedish?”

“No,” she said.

“Then we will speak English.”

“Yes, I’d prefer — ”

“I have quite an important position,” Mats said. His eyes never left the turtle. “I am meeting many important peoples. I am going to cocktail parties where good-looking women are wearing

‘the little black dress.’ ”

“That must be quite a thrill for you. Mats, I want you to shut your trap and only open it to speak when I ask you a direct question. Will you do that?”

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