Once more the snow-mound convulsed, like a giant ice-bear dying of fits. The bear died to a music of sistrums and triangles, as there clashed together and shattered the flashing ice crystals which had grown in unnatural numbers and size on Mara’s and Fafhrd’s cloaks during their dialogue.
The short day raced toward night, as if even the gods who govern the sun and stars were impatient to see the Show.
Hringorl conferred with his three chief henchmen, Hor, Harrax, and Hrey. There was scowling and nodding, and Fafhrd’s name was mentioned.
The youngest husband of the Snow Clan, a vain and thoughtless cockerel, was ambushed and snowballed unconscious by a patrol of young Snow Wives who had seen him in brazen converse with a Mingol stage girl. Thereafter, a sure casualty for the two-day run of the Show, he was tenderly but slowly nursed back toward life by his wife, who had been the most enthusiastic of the snowballers.
Mara, happy as a snow dove, dropped in on this household and helped. But as she watched the husband so helpless and the wife so tender, her smiles and dreamy grace vanished. She grew tense and, for an athletic girl, fidgety. Thrice she opened her lips to speak, then pursed them, and finally left without saying a word.
In the Women’s Tent, Mor and her coven put a spell on Fafhrd to bring him home and another to chill his loins, then went on to discuss weightier measures against the whole universe of sons, husbands, and actresses.
The second enchantment had no effect on Fafhrd, probably because he was taking a snow-bath at the time—it being a well-known fact that magic has little effect on those who are already inflicting upon themselves the same results which the spell is trying to cause. After parting with Mara, he had stripped, plunged into a snowbank, then rubbed every surface, crack and cranny of his body with the numbing powdery stuff. Thereafter he used thickly needled pine branches to dust himself off and beat his blood back into motion. Dressed, he felt the pull of the first enchantment, but opposed it and secretly made his way into the tent of two old Mingol traders, Zax and Effendrit, who had been his father’s friends, and he snoozed amidst a pile of pelts until evening. Neither of his mother’s spells was able to follow him into what was, by trading custom, a tiny area of Mingol territory, though the Mingols’ tent did begin to sag with an unnaturally large number of ice crystals, which the Mingol oldsters, wizened and nimble as monkeys, beat off janglingly with poles. The sound penetrated pleasantly into Fafhrd’s dream without arousing him, which would have irked his mother had she known—she believed that both pleasure and rest were bad for men. His dream became one of Vlana dancing sinuously in a dress made of a net of fine silver wires, from the intersections of which hung myriads of tiny silver bells, a vision which would have irked Mor beyond endurance; fortunate indeed that she was not at that moment using her power of reading minds at a distance.
Vlana herself slumbered, while one of the Mingol girls, paid a half smerduk in advance by the injured actress, renewed the snow-bandages as necessary and, when they looked dry, wet Vlana’s lips with sweet wine, of which a few drops trickled between. Vlana’s mind was a-storm with anticipations and plots, but whenever she waked, she stilled it with an Eastern circle-charm that went something like, “Creep, sleep; rouse, drowse; browse, soughs; slumber, umber; raw, claw; burnt, earn’d; cumber, number; left, death; cunt, won’t; count, fount; mount, down’t; leap, deep; creep, sleep,” and so on back around the incestuous loop. She knew that a woman can get wrinkles in her mind as well as her skin. She also knew that only a spinster looks after a spinster. And finally she knew that a trouper, like a soldier, does well to sleep whenever possible.
Vellix the Venturer, idly slipping about, overheard some of Hringorl’s plottings, saw Fafhrd enter his tent of retreat, noted that Essedinex was drinking beyond his wont, and eavesdropped for a while on the Master of the Show.
In the girls’ third of the actors’ fish-shaped tent, Essedinex was arguing with the two Mingol girls, who were twins, and a barely nubile Ilthmarix, about the amount of grease they proposed to smear on their shaven bodies for tonight’s performance.
“By the black bones, you’ll beggar me,” he wailingly expostulated. “And you’ll look no more lascivious than lumps of lard.”
“From what I know of Northerners, they like their women well larded, and why not outside as well as in?” the one Mingol girl demanded.
“What’s more,” her twin added sharply, “if you expect us to freeze off our toes and tits, to please an audience of smelly old bearskins, you’ve got your head on upside-down.”
“Don’t worry, Seddy,” the Ilthmarix said, patting his flushed cheek and its sparse white hairs, “I always give my best performance when I’ll all gooey. We’ll have them chasing us up the walls, where we’ll pop from their grabs like so many slippery melon seeds.”
“Chasing—?” Essedinex gripped the Ilthmarix by her slim shoulder. “You’ll provoke no orgies tonight, do you hear me? Teasing pays. Orgies don’t. The point is to—”
“We know just how far to tease, daddy-pooh,” one of the Mingol girls put in.
“We know how to control them,” her sister continued.
“And if we don’t, Vlana always does,” the Ilthmarix finished.
As the almost imperceptible shadows lengthened and the mist-wreathed air grew dark, the omnipresent crystals seemed to be growing even a little more swiftly. The palaver at the trading tents, which the thick snowy tongue of the forest shut off from the home tents, grew softer-voiced, then ceased. The unending low chant from the Women’s Tent became more noticeable, and also higher pitched. An evening breeze came from the north, making all the crystals tinkle. The chanting grew gruffer and the breeze and the tinkling ceased, as if on command. The mist came wreathing back from east and west, and the crystals were growing again. The women’s chanting faded to a murmur. All of Cold Corner grew tautly and expectantly silent with the approach of night.
Day ran away over the ice-fanged western horizon, as if she were afraid of the dark.
In the narrow space between the actors’ tents and Godshall there was movement, a glimmer, a bright spark that sputtered for nine, ten, eleven heartbeats, then a flash, a flaring, and there rose up—slowly at first, then swifter and swifter—a comet with a brushy tail of orange fire that dribbled sparks. High above the pines, almost on the edge of heaven—twenty-one, twenty-two, twenty-three—the comet’s tail faded and it burst with a thunderclap into nine white stars.
It was the rocket signaling the first performance of the Show.
Godshall on the inside was a tall, crazy longship of chill blackness, inadequately lit and warmed by an arc of candles in the prow, which all the rest of the year was an altar, but now a stage. Its masts were eleven vast living pines thrusting up from the ship’s bow, stern, and sides. Its sails—in sober fact, its walls—were stitched hides laced tautly to the masts. Instead of sky overhead, there were thickly interthrusting pine branches, white with drifting snow, beginning a good five man’s-heights above the deck.
The stern and waist of this weird ship, which moved only on the winds of imagination, were crowded with Snow Men in their darkly colorful furs and seated on stumps and thick blanket rolls. They were laughing with drink and growling out short talk and jokes at each other, but not very loudly. Religious awe and fear touched them on entering Godshall, or more properly, God’s Ship, despite or more likely because of the profane use to which it was being put tonight.
There came a rhythmic drumming, sinister as the padding of a snow-leopard and at first so soft that no man might say exactly when it began, except that one moment there was talk and movement in the audience and the next none at all, only so many pairs of hands gripping or lightly resting on knees, and so many pairs of eyes scanning the candlelit stage between two screens painted with black and gray whorls.
The drumming grew louder, quickened, complicated itself into weaving arabesques of tapped sound, and returned to the leopard’s padding.
There loped onto the stage, precisely in time with the drum beats, a silver-furred, short-bodied, slender feline with long legs, long ears a-prick, long whiskers, and long, white fangs. It stood about a yard high at the shoulder and rump. The only human feature was a glossy mop of long, straight black hair falling down the back of its neck and thence forward over its right shoulder.
It circled the stage thrice, ducking its head and sniffing as if on a scent and growling deep in its throat.