She stared from Spade to her husband with dumfounded blue eyes.
Her husband said lightly, “It’s nonsense, my dear. You know — ”
Spade did not let him finish that sentence. “You know he went out to smoke a cigarette in the corridor while waiting for the judge, and he knew there were telephone booths in the corridor. A minute would be all he needed.” He lit his cigarette and returned his lighter to his pocket.
Bliss said, “Nonsense!” more sharply. “Why should I want to kill Max?” He smiled reassuringly into his wife’s horrified eyes. “Don’t let this disturb you, dear. Police methods are sometimes — ”
“All right,” Spade said, “let’s look you over for scratches.”
Bliss wheeled to face him more directly. “Damned if you will!” He put a hand behind him.
Spade, wooden-faced and dreamy-eyed, came forward.
Spade and Effie Ferine sat at a small table in Julius’s Castle on Telegraph Hill. Through the window beside them ferryboats could be seen carrying lights to and from the cities’ lights on the other side of the bay.
“. . . hadn’t gone there to kill him, chances are,” Spade was saying; “just to shake him down for some more money; but when the fight started, once he got his hands on his throat, I guess, his grudge was too hot in him for him to let go till Max was dead. Understand, I’m just putting together what the evidence says, and what we got out of his wife, and the not much that we got out of him.”
Effie nodded. “She’s a nice, loyal wife.”
Spade drank coffee, shrugged. “What for? She knows now that he made his play for her only because she was Max’s secretary. She knows that when he took out the marriage license a couple of weeks ago it was only to string her along so she’d get him the photostatic copies of the records that tied Max up with the Graystone Loan swindle. She knows — Well, she knows she wasn’t just helping an injured innocent to clear his good name.”
He took another sip of coffee. “So he calls on his brother this afternoon to hold San Quentin over his head for a price again, and there’s a fight, and he kills him, and gets his wrist scratched by the pin while he’s choking him. Blood on the tie, a scratch on his wrist — that won’t do. He takes the tie off the corpse and hunts up another, because the absence of a tie will set the police to thinking. He gets a bad break there: Max’s new ties are on the front of the rack, and he grabs the first one he comes to. All right. Now he’s got to put it around the dead man’s neck — or wait — he gets a better idea. Pull off some more clothes and puzzle the police. The tie’ll be just as inconspicuous off as on, if the shirt’s off too. Undressing him, he gets another idea. He’ll give the police something else to worry about, so he draws a mystic sign he has seen somewhere on the dead man’s chest.”
Spade emptied his cup, set it down, and went on: “By now he’s getting to be a regular master-mind at bewildering the police. A threatening letter signed with the thing on Max’s chest. The afternoon mail is on the desk. One envelope’s as good as another so long as it’s typewritten and has no return address, but the one from France adds a
touch of the foreign, so out comes the original letter and in goes the threat. He’s overdoing it now; see? He’s giving us so much that’s wrong that we can’t help suspecting things that seem all right — the phone call, for instance.
“Well, he’s ready for the phone calls now — his alibi. He picks my name out of the private detectives in the phone book and does the Mr. Kruger trick; but that’s after he calls the blonde Elise and tells her that not only have the obstacles to their marriage been removed, but he’s had an offer to go in business in New York and has to leave right away, and will she meet him in fifteen minutes and get married? There’s more than just an alibi to that. He wants to make sure she is dead sure he didn’t kill Max, because she knows he doesn’t like Max, and he doesn’t want her to think he was just stringing her along to get the dope on Max, because she might be able to put two and two together and get something like the right answer.