The Chain of Aforgomon
Clark Ashton Smith
It is indeed strange that John Milwarp and his writings should have fallen so speedily into semi-oblivion. His books, treating of Oriental life in a somewhat flowery, romantic style, were popular a few months ago. But now, in spite of their range and penetration, their pervasive verbal sorcery, they are seldom mentioned; and they seem to have vanished unaccountably from the shelves of book-stores and libraries.
Even the mystery of Milwarp’s death, baffling to both law and science, has evoked but a passing interest, an excitement quickly lulled and forgotten.
I was well acquainted with Milwarp over a term of years. But my recollection of the man is becoming strangely blurred, like an image in a misted mirror. His dark, half-alien personality, his preoccupation with the occult, his immense knowledge of Eastern life and lore, are things I remember with such effort and vagueness as attends the recovery of a dream. Sometimes I almost doubt that he ever existed. It is as if the man, and all that pertains to him, were being erased from human record by some mysterious acceleration of the common process of obliteration.
In his will, he appointed me his executor. I have vainly tried to interest publishers in the novel he left among his papers: a novel surely not inferior to anything he ever wrote. They say that his vogue has passed. Now I am publishing as a magazine story the contents of the diary kept by Milwarp for a period preceding his demise.
Perhaps, for the open-minded, this diary will explain the enigma of his death. It would seem that the circumstances of that death are virtually forgotten, and I repeat them here as part of my endeavor to revive and perpetuate Milwarp’s memory.
Milwarp had returned to his house in San Francisco after a long sojourn in Indo-China. We who knew him gathered that he had gone into places seldom visited by Occidentals. At the time of his demise he had just finished correcting the typescript of a novel which dealt with the more romantic and mysterious aspects of Burma.
On the morning of April 2nd, 1933, his housekeeper, a middle-aged woman, was startled by a glare of brilliant light which issued from the half-open door of Milwarp’s study. It was as if the whole room were in flames. Horrified, the woman hastened to investigate. Entering the study, she saw her master sitting in an armchair at the table, wearing the rich, somber robes of Chinese brocade which he affected as a dressing-gown. He sat stiffly erect, a pen clutched unmoving in his fingers on the open pages of a manuscript volume. About him, in a sort of nimbus, glowed and flickered the strange light; and her only thought was that his garments were on fire.
She ran toward him, crying out a warning. At that moment the weird nimbus brightened intolerably, and the wan early dayshine, the electric bulbs that still burned to attest the night’s labor, were alike blotted out. It seemed to the housekeeper that something had gone wrong with the room itself; for the walls and table vanished, and a great, luminous gulf opened before her; and on the verge of the gulf, in a seat that was not his cushioned armchair but a huge and rough-hewn seat of stone, she beheld her master stark and rigid. His heavy brocaded robes were gone, and about him, from head to foot, were blinding coils of pure white fire, in the form of linked chains. She could not endure the brilliance of the chains, and cowering back, she shielded her eyes with her hands. When she dared to look again, the weird glowing had faded, the room was as usual; and Milwarp’s motionless figure was seated at the table in the posture of writing.
Shaken and terrified as she was, the woman found courage to approach her master. A hideous smell of burnt flesh arose from beneath his garments, which were wholly intact and without visible trace of fire. He was dead, his fingers clenched on the pen and his features frozen in a stare of tetanic agony. His neck and wrists were completely encircled by frightful burns that had charred them deeply. The coroner, in his examination, found that these burns, preserving an outline as of heavy links, were extended in long unbroken spirals around the arms and legs and torso. The burning was apparently the cause of Milwarp’s death: it was as if iron chains, heated to incandescence, had been wrapped about him.
Small credit was given to the housekeeper’s story of what she had seen. No one, however, could suggest an acceptable explanation of the bizarre mystery. There was, at the time, much aimless discussion; but, as I have hinted, people soon turned to other matters. The efforts made to solve the riddle were somewhat perfunctory. Chemists tried to determine the nature of a queer drug, in the form of a gray powder with pearly granules, to whose use Milwarp had become addicted. But their tests merely revealed the presence of an alkaloid whose source and attributes were obscure to Western science.
Day by day, the whole incredible business lapsed from public attention; and those who had known Milwarp began to display the forgetfulness that was no less unaccountable than his weird doom. The housekeeper, who had held steadfastly in the beginning to her story, came at length to share the common dubiety. Her account, with repetition, became vague and contradictory; detail by detail, she seemed to forget the abnormal circumstances that she had witnessed with overwhelming horror.
The manuscript volume, in which Milwarp had apparently been writing at the time of death, was given into my charge with his other papers. It proved to be a diary, its last entry breaking off abruptly. Since reading the diary, I have hastened to transcribe it in my own hand, because, for some mysterious reason, the ink of the original is already fading and has become almost illegible in places.
The reader will note certain lacunae, due to passages written in an alphabet which neither I nor any scholar of my acquaintance can transliterate. These passages seem to form an integral part of the narrative, and they occur mainly toward the end, as if the writer had turned more and more to a language remembered from his ancient avatar. To the same mental reversion one must attribute the singular dating, in which Milwarp, still employing English script, appears to pass from our contemporary notation to that of some premundane world.
I give hereunder the entire diary, which begins with an undated footnote:
This book, unless I have been misinformed concerning the qualities of the drug souvara, will be the record of my former life in a lost cycle. I have had the drug in my possession for seven months, but fear has prevented me from using it. Now, by certain tokens, I perceive that the longing for knowledge will soon overcome the fear. Ever since my earliest childhood I have been troubled by intimations, dim, unplaceable, that seemed to argue a forgotten existence. These intimations partook of the nature of feelings rather than ideas or images: they were like the wraiths of dead memories. In the background of my mind there has lurked a sentiment of formless, melancholy desire for some nameless beauty long perished out of time. And, coincidentally, I have been haunted by an equally formless dread, an apprehension as of some bygone but still imminent doom.
Such feelings have persisted, undiminished, throughout my youth and maturity, but nowhere have I found any clue to their causation. My travels in the mystic Orient, my delvings into occultism have merely convinced me that these shadowy intuitions pertain to some incarnation buried under the wreck of remotest cycles.
Many times, in my wanderings through Buddhistic lands, I had heard of the drug souvara, which is believed to restore, even for the uninitiate, the memory of other lives. And at last, after many vain efforts, I managed to procure a supply of the drug. The manner in which obtained it is a tale sufficiently remarkable in itself, but of no special relevance here. So far — perhaps because of that apprehension which I have hinted — I have not dared to use the drug.
March 9th, 1933. This morning I took souvara for the first time, dissolving the proper amount in pure distilled water as I had been instructed to do. Afterward I leaned back easily in my chair, breathing with a slow, regular rhythm. I had no preconceived idea of the sensations that would mark the drug’s initial effect, since these were said to vary prodigiously with the temperament of the users; but I composed myself to await them with tranquility, after formulating clearly in my mind the purpose of the experinent. For a while there was no change in my awareness. I noticed a slight quickening of the pulse, and modulated my breathing in conformity with this. Then, by slow degrees, I experienced a sharpening of visual perception. The Chinese rugs on the floor, the backs of the serried volumes in my bookcases, the very wood of chairs, table and shelves, began to exhibit new and unimagined colors. At the same time there were curious alterations of outline, every object seeming to extend itself in a hitherto unsuspected fashion. Following this, my surroundings became semi-transparent, like molded shapes of mist. I found that I could see through the marbled cover the illustrations in a volume of John Martin’s edition of Paradise Lost, which lay before me on the table.