The Circular Staircase By Mary Roberts Rinehart

There was no sign of an entrance–no levers, no hinges, to give a hint. Either the mantel or the roof, I decided, and after a half-hour at the mantel, productive of absolutely no result, I decided to try the roof.

I am not fond of a height. The few occasions on which I have climbed a step-ladder have always left me dizzy and weak in the knees. The top of the Washington monument is as impossible to me as the elevation of the presidential chair. And yet–I climbed out on to the Sunnyside roof without a second’s hesitation. Like a dog on a scent, like my bearskin progenitor, with his spear and his wild boar, to me now there was the lust of the chase, the frenzy of pursuit, the dust of battle. I got quite a little of the latter on me as I climbed from the unfinished ball-room out through a window to the roof of the east wing of the building, which was only two stories in height.

Once out there, access to the top of the main building was rendered easy–at least it looked easy–by a small vertical iron ladder, fastened to the wall outside of the ball-room, and perhaps twelve feet high. The twelve feet looked short from below, but they were difficult to climb. I gathered my silk gown around me, and succeeded finally in making the top of the ladder.

Once there, however, I was completely out of breath. I sat down, my feet on the top rung, and put my hair pins in more securely, while the wind bellowed my dressing-gown out like a sail. I had torn a great strip of the silk loose, and now I ruthlessly finished the destruction of my gown by jerking it free and tying it around my head.

From far below the smallest sounds came up with peculiar distinctness. I could hear the paper boy whistling down the drive, and I heard something else. I heard the thud of a stone, and a spit, followed by a long and startled meiou from Beulah. I forgot my fear of a height, and advanced boldly almost to the edge of the roof.

It was half-past six by that time, and growing dusk.

“You boy, down there!” I called.

The paper boy turned and looked around. Then, seeing nobody, he raised his eyes. It was a moment before he located me: when he did, he stood for one moment as if paralyzed, then he gave a horrible yell, and dropping his papers, bolted across the lawn to the road without stopping to look around. Once he fell, and his impetus was so great that he turned an involuntary somersault. He was up and off again without any perceptible pause, and he leaped the hedge–which I am sure under ordinary stress would have been a feat for a man.

I am glad in this way to settle the Gray Lady story, which is still a choice morsel in Casanova. I believe the moral deduced by the village was that it is always unlucky to throw a stone at a black cat.

With Johnny Sweeny a cloud of dust down the road, and the dinner- hour approaching, I hurried on with my investigations. Luckily, the roof was flat, and I was able to go over every inch of it. But the result was disappointing; no trap-door revealed itself, no glass window; nothing but a couple of pipes two inches across, and standing perhaps eighteen inches high and three feet apart, with a cap to prevent rain from entering and raised to permit the passage of air. I picked up a pebble from the roof and dropped it down, listening with my ear at one of the pipes. I could hear it strike on something with a sharp, metallic sound, but it was impossible for me to tell how far it had gone.

I gave up finally and went down the ladder again, getting in through the ball-room window without being observed. I went back at once to the trunk-room, and, sitting down on a box, I gave my mind, as consistently as I could, to the problem before me. If the pipes in the roof were ventilators to the secret room, and there was no trap-door above, the entrance was probably in one of the two rooms between which it lay–unless, indeed, the room had been built, and the opening then closed with a brick and mortar wall.

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