THE GLASS KEY by Dashiell Hammett

“He won’t be tried,” Ned Beaumont told her. Abruptly he sat up straight. He shut his eyes tight, opened them, and stared at her tense pale face. A glad light came into his eyes, gladness spread over his face. He laughed–not loud but in complete delight–and stood up exclaiming: “Judith herself!”

Janet Henry sat breathlessly still, looking at him with uncomprehending brown eyes in a blank white face.

He began to walk around the room in an irregular route, talking happily–not to her–though now and then he turned his head over his shoulder to smile at her. “That’s the game, of course,” he said. “She could put up with Paul–be polite to him–for the sake of the political backing her father needed, but that would have its limits. Or that’s all that would be necessary, Paul being so much in love with her. But when she decided Paul had killed her brother and was going to escape punishment unless she– That’s splendid! Paul’s daughter and his sweetheart both trying to steer him to the electric chair. He certainly has a lot of luck with women.” He had a slender pale-green-spotted cigar in one hand now. He halted in front of Janet Henry, clipped the end of the cigar, and said, not accusingly, but as if sharing a discovery with her: “You sent those anonymous letters around. Certainly you did. They were written on the typewriter in the room where your brother and Opal used to meet. He had a key and she had a key. She didn’t write them because she was stirred up by them. You did. You took his key when it was turned over to you and your father with the rest of his stuff by the police, sneaked into the room, and wrote them. That’s fine.” He began to walk again. He said: “Well, we’ll have to make the Senator get in a squad of good able-bodied nurses and lock you in your room with a nervous break-down. It’s getting to be epidemic among our politicians’ daughters, but we’ve got to make sure of the election even if every house in town has to have its patient.” He turned his head over his shoulder to smile amiably at her.

She put a hand to her throat. Otherwise she did not move. She did not speak.

He said: “The Senator won’t give us much trouble, luckily. He doesn’t care about anything–not you or his dead son–as much as he does about being re-elected and he knows he can’t do that without Paul.” He laughed. “That’s what drove you into the Judith role, huh? You knew your father wouldn’t split with Paul–even if he thought him guilty–till the election was won. Well, that’s a comforting thing to know–for us.”

When he stopped talking to light his cigar she spoke. She had taken her hand down from her throat. Her hands were in her lap. She sat erect without stiffness. Her voice was cool and composed. She said: “I am not good at lying. I know Paul killed Taylor. I wrote the letters.”

Ned Beaumont took the burning cigar from his mouth, came back to the lyre-end sofa, and sat down facing her. His face was grave, but without hostility. He said: “You hate Paul, don’t you? Even if I proved to you that he didn’t kill Taylor you’d still hate him, wouldn’t you?”

“Yes,” she replied, her light brown eyes steady on his darker ones, “I think I should.”

“That’s it,” he said. “You don’t hate him because you think he killed your brother. You think he killed your brother because you hate him.”

She moved her head slowly from side to side. “No,” she said.

He smiled skeptically. Then he asked: “Have you talked it over with your father?”

She bit her lip and her face flushed a little.

Ned Beaumont smiled again. “And he told you it was ridiculous,” he said.

Pink deepened in her cheeks. She started to say something, but did not.

He said: “If Paul killed your brother your father knows it.”

She looked down at her hands in her lap and said dully, miserably: “My father should know it, but he will not believe it.”

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