The Glimpses Of The Moon By Edith Wharton

He stood up from a bench on which he had been lounging in the Luxembourg gardens, and hailed a taxi. Dusk had fallen, and he meant to go back to his hotel, take a rest, and then go out to dine. But instead, he threw Susy’s address to the driver, and settled down in the cab, resting both hands on the knob of his umbrella and staring straight ahead of him as if he were accomplishing some tiresome duty that had to be got through with before he could turn his mind to more important things.

“It’s the easiest way,” he heard himself say.

At the street-corner–her street-corner–he stopped the cab, and stood motionless while it rattled away. It was a short vague street, much farther off than he had expected, and fading away at the farther end in a dusky blur of hoardings overhung by trees. A thin rain was beginning to fall, and it was already night in this inadequately lit suburban quarter. Lansing walked down the empty street. The houses stood a few yards apart, with bare-twigged shrubs between, and gates and railings dividing them from the pavement. He could not, at first, distinguish their numbers; but presently, coming abreast of a street-lamp, he discovered that the small shabby facade it illuminated was precisely the one he sought. The discovery surprised him. He had imagined that, as frequently happened in the outlying quarters of Passy and La Muette, the mean street would lead to a stately private hotel, built upon some bowery fragment of an old country-place. It was the latest whim of the wealthy to establish themselves on these outskirts of Paris, where there was still space for verdure; and he had pictured Susy behind some pillared house-front, with lights pouring across glossy turf to sculptured gateposts. Instead, he saw a six-windowed house, huddled among neighbours of its kind, with the family wash fluttering between meagre bushes. The arc-light beat ironically on its front, which had the worn look of a tired work-woman’s face; and Lansing, as he leaned against the opposite railing, vainly tried to fit his vision of Susy into so humble a setting.

The probable explanation was that his lawyer had given him the wrong address; not only the wrong number but the wrong street. He pulled out the slip of paper, and was crossing over to decipher it under the lamp, when an errand-boy appeared out of the obscurity, and approached the house. Nick drew back, and the boy, unlatching the gate, ran up the steps and gave the bell a pull.

Almost immediately the door opened; and there stood Susy, the light full upon her, and upon a red-checked child against her shoulder. The space behind them was dark, or so dimly lit that it formed a black background to her vivid figure. She looked at the errand-boy without surprise, took his parcel, and after he had turned away, lingered a moment in the door, glancing down the empty street.

That moment, to her watcher, seemed quicker than a flash yet as long as a life-time. There she was, a stone’s throw away, but utterly unconscious of his presence: his Susy, the old Susy, and yet a new Susy, curiously transformed, transfigured almost, by the new attitude in which he beheld her.

In the first shock of the vision he forgot his surprise at her being in such a place, forgot to wonder whose house she was in, or whose was the sleepy child in her arms. For an instant she stood out from the blackness behind her, and through the veil of the winter night, a thing apart, an unconditioned vision, the eternal image of the woman and the child; and in that instant everything within him was changed and renewed. His eyes were still absorbing her, finding again the familiar curves of her light body, noting the thinness of the lifted arm that upheld the little boy, the droop of the shoulder he weighed on, the brooding way in which her cheek leaned to his even while she looked away; then she drew back, the door closed, and the street-lamp again shone on blankness.

“But she’s mine!” Nick cried, in a fierce triumph of recovery …

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