The Great and Secret Show by Barker, Clive. Part seven. Chapter 7, 8

VII

The book in Hotchkiss’s hands was called Preparing for Armageddon, and it was a manual instructing faithful brethren on how to do just that, a step-by-step guide to surviving the imminent Apocalypse. There were chapters on Livestock, on Water and Grain, on Clothing and Bedding, Fuel, Heat and Light. There was a five-page checklist entitled Commonly Stored Foods that ran the gamut from Molasses to Venison jerky. And as if to whip up fear in any procrastinators who might be tempted to put off their preparations, the book interspersed these lists with photographs of calamities that had occurred across America. Most of them were natural phenomena. Forest fires raging, unchecked and uncheckable; hurricanes laying towns flat in their passage. There were several pages given over to a flood in Salt Lake City in May of 1983, accompanied by pictures of Utahans building walls of sandbags to contain the water. But the image that loomed largest amid this catalogue of final acts was the mushroom cloud. There were several photographs of that cloud, underneath one of which Hotchkiss found the simple legend:

The first atom-bomb was detonated at 0530 hours July 16, 1945, at a location named Trinity by the bomb’s creator, Robert Oppenheimer. With that detonation, Mankind’s last age began.

There was no further explanation. The purpose of the book was not to explain the atomic bomb and its construction, but to offer guidance on how the members of the Church of Jesus Christ of Latter-day Saints might survive it. No matter. He didn’t need details. All he needed was that one word, Trinity, in some other context than Father, Son and Holy Ghost. Here it was. The Three-in-One reduced to a single place— a single event, indeed. This was the Trinity that superseded all others. In the imagination of the twentieth century the mushroom cloud loomed larger than God.

He stood up, Preparing for Armageddon in his hand, and crossed through the chaos of discarded books to the front of the store. Awaiting him outside was a sight that stopped him in his tracks. There were dozens of animals running free in the lot. Puppies rolling around, mice running for cover with kittens on their tails; lizards basking on the hot asphalt. He looked along the row of store-fronts. A parrot flew out through the open door of Ted Elizando’s store. Hotchkiss didn’t know Ted at all, but he knew the stories about the man. As a source of gossip himself he’d always attended closely to what was said about others. Elizando had lost his mind, his wife and his baby. Now he was losing his little ark in the Mall as well; setting it free.

The task of getting the information on Trinity to Tesla Bombeck was more important than offering words of comfort or warning to Elizando, even if he’d had any words to offer. The man clearly knew what danger he was in or he wouldn’t have been releasing his stock. And as to comfort: what words were there to offer? Decision made, Hotchkiss started across the lot to his car, only to be stopped again, not by a sight this time but by a sound: a short, anguished human cry. Its source was the pet store.

He was at the open door in ten seconds. Inside there were more animals underfoot, but no sign of their liberator. He called the man’s name.

“Elizando? Are you OK?”

There was no answer, and it occurred to Hotchkiss that the man had killed himself. Set the animals free then slit his wrists. He picked up his speed, weaving through the displays, the perches and the cages. Halfway down the store he saw Elizando’s body slumped on the far side of a sizeable cage. The occupants, a small flock of canaries, were panicked, fluttering back and forth, feathers dashed from their wings against the wire.

Hotchkiss dropped the book and went to Ted’s aid.

“What have you done?” he said as he approached. “Jesus, man, what have you done?”

As he got closer to the body he realized his error. This was no suicide. The wounds on his face—which was pressed against the wire—were not self-inflicted. They were traumatic; cobs of flesh torn out of his cheek and neck. The blood had spilled through the mesh and covered the bottom of the canaries’ cage, but it had ceased to pump with any gusto. He’d been dead for several minutes.

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