The Hammer and The Cross by Harry Harrison. Chapter 9, 10, 11, 12

But what would be the point of that? There was a point. It had something to do with the object, the giant construction, twice man-height over by one wall, just beyond his vision in the dimness.

Shef realized as his senses cleared that there were other figures looking at him, figures on the same enormous scale as the hall. He could not see them clearly, and he did not dare look up for more than moments from his work, but he caught their presence unmistakably. They were standing together and watching him, even discussing him, he thought. They were Thorvin’s gods, the gods of the Way.

Nearest to him was a broad and powerful shape, an immensely scaled-up Viga-Brand, giant biceps muscles rolling beneath a short-sleeved tunic. That must be Thor, thought Shef. His expression was scornful, hostile, faintly anxious. Behind the shape was another god—keen-eyed, sharp-faced, thumbs stuck into a silver belt, eyeing Shef with a kind of concealed approval, as if he were a horse to be bought, a thoroughbred going at a bargain price from a foolish owner.

That one is on my side, thought Shef. Or maybe he thinks I am on his.

Others clustered behind the two: tallest of them, and furthest away, a god leaning on a mighty spear with a triangular head.

Shef became aware of two other things. He was hamstrung. As he moved around the forge, his legs trailed behind him uselessly, making him take the weight on his arms and pull himself from one place to another. High stools, stocks of wood and benches were littered around in seemingly random fashion, but actually, he realized, to support him as he went from one workplace to another. He could prop himself on his legs, stand, like a man balancing on two stout props, but there was no spring, no movement at all from the thigh muscles to the calf. A dull ache spread upward from his knees.

And there was someone else watching him, not one of the mighty figures, but a tiny one, down in the shadows of the smoke-filled hall, like an ant, or a mouse peering out from the wainscoting. It was Thorvin! No, it was not Thorvin, but a smaller and a slighter man with a long face and sharp expression, both accentuated by the thinning hair falling back from the high forehead. But it was someone dressed like Thorvin, all in white, with the rowan berries round his neck. He had something of the same expression too, thoughtful, intensely interested, but here also, cautious and fearful. The small figure was trying to speak to him.

“Who are you, boy? Are you a wanderer from the realms of men, set for a while in Völund’s place? How have you come here, and by what fortune did you find the Way?”

Shef shook his head, pretending it was just a toss to keep the sparks out of his eyes. He tossed the wheel aside into a bucket of water and began to set to another piece of work. The three quick raps, the turn, the three raps again, and a glowing something flying through the air into the cold water, to be instantly replaced on the anvil by another. What he was doing Shef did not know, but it filled him with wild excitement and a furious impatient glee, like a man who would one day be free and did not want his jailer to know the joy inside him.

Shef realized that one of the giant figures was coming toward him—the tallest of them, the one with the spear. The mouse-man saw too and ducked back into the shadows, now visible only as the palest of blurs in the gloom.

A finger like the trunk of an ash turned Shef’s chin upward. One eye looked down at him, from a face like the blade of an axe: straight nose, jutting chin, sharp gray beard, wide, wide cheekbones. It was a face that would have made Ivar’s seem a relief, as something at least comprehensible, ravaged only by human passions like envy, hate and cruelty. This was far different: One touch of the thoughts behind that mask, Shef knew, and any human mind would go insane.

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