The Hammer and The Cross by Harry Harrison. Jar1. Chapter 3, 4, 5

None of them—except Wulfgar, and he no longer cared—knew the weight of despair, and dismay that came upon her whenever she thought of the sin that she and Alfgar committed every time they lay together, the sin of incest that must surely mark their souls and bodies forever. No one at all knew that she was a murderess as well. Twice in the winter she had felt the life swell within her, though—thank God—she had never felt it quicken. If she had, she might not have had the strength to go into the woods, find the dog’s mercury, the birthwort, and drink the bitter drench that she made from it to kill the child of shame in her own womb.

And even that was not what had made her face drawn and lined beyond its years, her walk stooped and shuffling like that of an old woman. It was the memory of pleasure that she hugged to herself. That hot morning in the woods, the leaves above her head, the warm skin and thrusting flesh in her arms: the sense of release and freedom.

An hour, it had lasted. The memory of it blotted out the rest of her young life. How strange he had looked when she had seen him again. The one eye, the fierce face, the air of pain mastered. The moment he handed her back…

Godive’s eyes dropped lower and she half ran across the space kept clear outside the pavilion, crowded now with Burgred’s personal guard, his hearth-band, and with the hundred officers and errand-runners of the Mercian army marching stolidly on Norfolk at their king’s command. Her skirts brushed past the group standing idly listening to a blind minstrel and his attendant. Dimly, without thinking of it, she heard that they were listening to a lay of Sigemund the Dragon-slayer: She had heard it before in her father’s hall.

Shef watched her go with a curious chill at his heart. Good, she was there, with her husband, in the camp. Very good; she had failed completely to recognize him, though not six feet away. Bad that she looked so ill and frail. Worse that when he saw her his heart had not turned over as he expected, as it had done every time he had seen her since the day he had known she was a woman. Something was missing in himself. Not his eye. Something in his heart.

Shef dismissed the thought as he finished his song and Hund, his attendant, pushed forward quickly, bag outstretched in appeal. The listening warriors pushed the little man from one to the other as he moved round the ring, but in little more than good nature. His bag filled a little with bread, a lump of hard cheese, half an apple, whatever they had about them. This was no way to work, of course. What a sensible pair would have done was to wait till evening, approach the lord after dinner and ask permission to entertain the company. Then there would be a chance of proper food afterward, a bed for the night, maybe even a gift of money or a bag filled with breakfast.

But their own ineptitude fitted their cover. Shef knew he could never have passed for a professional minstrel. He meant instead to look like a part of the debris of war that covered all England: a younger son crippled in battle, cast out by his lord, turned away as useless by his family, and now trying to keep from starvation by singing memories of glory. Hund’s skill had created a story on Shef’s body that anyone could read by looking at him. First he had carefully and artistically painted a great scar on Shef’s face, the slash-mark of an axe or a sword across the eyes. Then he had bandaged the fake scar with the filthy rags of an English army-leech, letting only the edges of it hint at what lay underneath. Then he had splinted and strapped Shef’s legs beneath his wide breeches so that it was impossible for him to bend a knee; and finally, as a refinement of torment, strapped a metal bar to his back to prevent any free movement.

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