The Necromantic Tale by Clark Ashton Smith

Now, in that other life, the Sir Roderick who was reading in the old library came to these words:

“No man knew how it happed; but anon there were dreade whispers and foule rumours regarding the Ladye Elinore; and people said that she was a witch. And in their time these rumours reached the eare of Sir Roderick.”

A horror crept upon the happy dream–a horror scarce to be comprehended in this modern age. There were formless evil wings that came to brood above Hagdon Hall; and the very air was poisoned with malignant murmurs. Day by day, and night by night, the baronet was tortured with a vile, unholy suspicion of the woman he loved. He watched her with a fearful anxiety, with eyes that dreaded to discern a new and more ominous meaning in her strange beauty. Then, when he could bear it no longer, he taxed her with the infamous things he had heard, hoping she would deny them and by virtue of her denial restore fully his former trust and peace of mind.

To his utter consternation, the Lady Elinor laughed in his face, with a soft, siren-like mirth, and made open avowal that the charges were true.

“And I trow,” she added, “that you love me too well to disown or betray me; that for my sake, if need be, you will become a veritable wizard, even as I am a witch; and will share with me the infernal sports of the Sabbat.”‘

Sir Roderick pleaded, he cajoled, he commanded, he threatened; but ever she answered him with voluptuous laughter and Circean smiles; and ever she told him of those delights and privileges which are procurable only through damnation, through the perilous aid of demons and succubi. Till, through his exceeding love for her, even as she had foretold, Sir Roderick suffered himself to become an initiate in the arts of sorcery; and sealed his own pact with the powers of evil, that he might in all things be made forever one with her that he loved so dearly.

It was an age of dark beliefs and of practises that were no less dark; and witchcraft and sorcery were rampant throughout the land, among all classes. But in the Lilith-like Elinor there was a spirit of soulless, depravity beyond that of all others; and beneath the seduction of her love the hapless Sir Roderick fell to depths wherefrom no man could return, and made mortgage of his soul and brain and body to Satan. He learned the varying malefic usages to which a waxen image could be put; he memorized the formulas that summon frightful things from their abode in the nethermost night, or compel the dead to do the abominable will of necromancers. And he was taught the secrets whereof it is unlawful to tell or even hint; and came to know the maledictions and invultuations which are lethal to more than the mortal flesh. And Hagdon Hall became the scene of pandemonian revels, of rites that were both obscene and blasphemous; and the terror and turpitude of hellish things were effluent therefrom on all the countryside. And amid her coterie of the damned, amid the witches and sorcerers and incubi that fawned upon her, the Lady Elinor exulted openly; and Sir Roderick was her partner in each new enormity or baleful deed. And in this atmosphere of noisome things, of Satanic crime and sacrilege, the child Ralph was alone innocent, being too young to be harmed thereby as yet. But anon the scandal of it all was a horror in men’s souls that could be endured no longer; and the justice of the law, which made a felony of witchcraft, was called upon by the people of Hagdon.

It was no new thing for members of the nobility to be tried on such a charge before the secular or ecclesiastical courts. Such cases, in which the accusations were often doubtful or prompted by mere malice, had sometimes been fought at length. But this time the guilt of the defendants was so universally maintained, and the reprobation arouse thereby so profound, that only the briefest and most perfunctory trial was accorded them. They were sentenced to be burnt at the stake; the sentence to be carried out on the following day.

It was a chill, dank morning in autumn when Sir Roderick and Lady Elinor were borne to the place of execution and were tied to their respective stakes, with piles of dry fagots at their feet. They were set facing each other, so that neither might lose any detail of their mutual agony. A crowd was gathered about them, thronging the entire common –a crowd whose awful silence was unbroken by any outcry or murmur. So deep was the terror wrought by this infamous couple, that no one dared to execrate or mock them even in the hour of their downfall. Sir Roderick’s brain was benumbed by the obloquy and shame and horror of his situation, by a realization of the ultimate depths to which he had fallen, of the bitter doom that was now imminent. He looked at his wife, and thought of how she had drawn him down from evil to evil through his surpassing love for her; and then he thought of the frightful searing pains that would convulse her soft body; and thinking of these he forgot his own fate.

Then, in a dim, exiguous manner, he remembered that somewhere in another century there sat another Sir Roderick who was reading all this in an old manuscript. If he could only break the necromantic spell of the tale, and re-identify himself with that other Sir Roderick, he would be saved from the fiery doom that awaited him, but if he could not deny the spell, he would surely perish, even as a falling man who reaches bottom in a dream is said to perish.

He looked again, and met the gaze of the Lady Elinor. She smiled across her bonds and fagots, with all the old seduction that had been so fatal to him. In the re-attained duality of his consciousness, it seemed as if she were aware of his intention and had willed to deter him. The ache and anguish of a deadly lure was upon him, as he closed his eyes and tried very hard to picture the old library and the very sheet of parchment which his other self was now perusing. If he could do this, the whole diabolical illusion would vanish, the process of visualization and sympathetic identification which had been carried to an hallucinative degree, would return to that which is normally experienced by the reader of an absorbing tale.

There was a crackling at his feet, for some one had lit the fagots. Sir Roderick opened his eyes a little, and saw that the pile at Lady Elinor’s feet had likewise been lit. Threads of smoke were rising from each pile, with tiny tongues of flame that grew longer momently. He did not lift his eyes to the level of Lady Elinor’s face. Resolutely he closed them again, and sought to re-summon the written page.

He was aware of a browing warmth underneath his soles; and now, with an agonizing flash of pain, he felt the licking of the flames about his ankles. But somehow, by a desperate effort of his will, like one who awakens voluntarily from a clutching nightmare, he saw before him the written words he was trying to visualize:

“And both were burned at the stake on Hagdonne Common for their crimes against God and man.”

The words wavered, they receded and drew near on a page that was still dim and enormous. But the crackling at his feet had ceased; the air was no longer dank and chill, no longer charged with acrid smoke. There was a moment of madly whirling vertigo and confusion; and then Sir Roderick’s two selves were re-united, and he found that he was sitting in the library chair at Hagdon, staring with open eyes at the last sentences of the manuscript in his hands.

He felt as if he had been through some infernal ordeal that had lasted many years; and he was still half obsessed by emotions of sorrow and regret and horror that could belong only to a dead progenitor. But the whole thing was manifestly a dream, albeit terrible and real to a degree that he had never before experienced. He must have fallen asleep over the old record. . . . But why, then, if it were only a dream, did his ankles still pain him so frightfully, as if they had been seared by fire?

He bent down and examined them: beneath the Twentieth Century hose in which they were attired, he found the upward-flaring marks of recent burns!

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