The Regulators by Stephen King

The question was, what was she doing? And what was she going to do? She had loved Peter for the nine years of their marriage, even more after the miscarriage than before, if that was possible, and she still loved him. That didn’t change the fact that she already wanted to be with Gene again, doing things she had never even considered doing with Peter. Guilt was freezing half of her mind, lust was frying the other half, and in between, in a kind of shrinking twilight zone, was the reasonable, good-humored, rational woman she had always considered herself to be. She was having an adulterous affair, and the guy she was having it with was just as damned married as she was; she was on her way home to a good man who suspected nothing (She was sure he didn’t, prayed he didn’t, of course he didn’t, how could he?) with no underwear on under her skirt, she was still sore from their adventures, she didn’t quite know how all this had started or how she could want to continue anything so stupid and sordid, goddam Gene Martin didn’t have a brain in his head, except of course it wasn’t his head she was interested in, she could have cared less about his head, and what was she going to do? She didn’t know. She only knew one thing for sure, and that was how drug addicts felt, and she would never put them down again in her life. Just say no? Mother, please.

She drove with these chaotic thoughts swimming in her mind, the suburban streets passing like landmarks in a dream, hoping only that Peter wouldn’t be home when she got there, that he would have maybe gone over to Milly’s on the Square for ice cream (or maybe to Santa Fe to visit his mother for a few weeks, that would be great, that would maybe give her a chance to work through this awful fever). She didn’t notice the way the afternoon was darkening or the fact that many of the cars that passed her on the 290 were using their headlights; she didn’t hear the thunder or see the lightning. Neither did she see the yellow van parked near the corner of Bear Street and Poplar when she passed it.

What jerked her out of her reverie was seeing Brad and Belinda Josephson out in front of their house. Johnny Marinville was with them. Farther down the block she saw more people: David Carver, wearing a bathing suit that looked almost obscenely tight, standing on his walk, hands planted on his meaty hips… the Reed twins… Cammie, their mother… Susi Geller and a friend on their lawn with Kim Geller standing behind them…

A wild thought came to her: they knew. All of them knew. They were waiting for her, they were going to help Peter hang her from a sour apple tree or perhaps stone her the way the townspeople had stoned the woman in that Shirley Jackson story she’d read back in high school.

Don’t be stupid, the part of her that still belonged to her said. That part was dismayingly small these days, but it was still there. It’s not all about you, Mare; no matter what shit you’ve been rolling in, the world still doesn’t revolve just around you, so why don’t you just lighten up a little? You probably wouldn’t be half so paranoid if you weren’t riding around with no-

Oh shit. Was that Peter down at the end of the block? She couldn’t tell for sure, but she thought so. Peter and Old Doc from next door. They seemed to be covering something on the lawn of the house across from the little store.

Thunder bammed this time hard enough to make her jump and gasp. The first drops of rain spattered on to the glass of the windshield, sounding like flecks of metal. She realized she had been sitting here at the corner with the engine idling for… well, she didn’t know just how long, but for quite a while. The Josephsons and Johnny Marinville must have thought she’d lost her wits. Except the world really didn’t revolve just around her; they weren’t paying her any attention at all, she saw as she turned the corner. Belinda had given her that one little glance, and now she and the rest of them were looking back down the street again, at whatever her husband and old Billingsley were doing. At whatever they were covering.

Trying to see for herself, groping for the windshield wiper knob as more raindrops-big ones-began to spatter the glass, she didn’t have any idea that the yellow space-age van had followed her on to Poplar Street until it rear-ended her.

From Playthings, The International Merchandising Magazine of the Toy Industry, January 1994 (Vol. 94, No. 2), p. 96. Excerpted from Licensing ’94: An Overview, by John P. Muller:

Chapter Four

POPLAR STREET/4:09 P.M./JULY 15 1996

He sees everything.

That has been both his blessing and his curse in all his years-the world still falls on his eye as it falls upon the eye of a child, evenly, unchosen, as impartial as the weight of light.

He sees Mary’s Lumina at the corner and knows she is trying to puzzle out what she’s seeing-too many people standing in stiff, watching attitudes which don’t jibe with a lazy late-afternoon in July. When she starts to roll again, he sees the yellow van which is now behind her also starting to roll, hears another vicious crack of thunder, and feels the first cold splashes of rain on his hot forearms. As she starts down the street, he sees the yellow van suddenly speed up and knows what’s going to happen, but he still can’t believe it.

Watch out, old boy, he thinks. You get too busy watching her and you’re apt to get run down like a squirrel in the road.

He steps back, up on the sidewalk in front of the Josephsons” house, head still turned to the left, eyes wide. He sees Mary behind the wheel of her Lumina, but she isn’t looking at him-she’s looking down the street. Probably recognized her husband, the distance wasn’t too far to do that, probably wondering what he’s doing, and she isn’t seeing Johnny Marinville, isn’t seeing the weird yellow van with the polarized glass windows looming behind her, either.

“Mary, look out!” he yells. Brad and Belinda, now mounting their front steps, wheel around. At the same moment, the van’s high, blunt front end crashes into the rear of the Lumina, splintering the taillights, snapping the bumper and crimping the trunk. He sees Mary’s head snap back and then forward, like the head of a flower on a long stalk pushed back and forth by a high wind. The Lumina’s tires scream, and there is a loud dry bang as the right front blows out. The car veers left, the flat tire flapping, the hubcap running off the rim and streaking down the street like the Reed kids” Frisbee.

Johnny sees everything, hears everything, feels everything; input floods him and his mind insists on lining up each crazy increment, as if something coherent were happening here, something which could actually be narrated.

The stormy sky is coming apart, starting to release its cold reservoir. He sees spots darkening all over the sidewalk, feels drops hitting the back of his neck in an increasing tempo as Brad Josephson shouts “What the Christ!” behind him.

The van is still on the Lumina’s ass, bulldozing it, digging into its flimsy New Age back deck; there is a hideous metallic squall and then a thunk! as the trunk latch lets go and the lid flies up, disclosing a spare tire, some old newspapers, and an orange styrofoam cooler. The Lumina’s front end bounces up over the curb. The car crosses the sidewalk and comes to rest with its bumper against the fence between Billingsley’s house and the next one down the hill, Mary’s own.

Lightning-it’s close, very close-paints the street a momentary lurid violet, thunder follows like a mortar barrage, the wind begins to pick up, hissing in the trees, and the rain starts coming in sheets. Visibility is closing down fast, but there’s enough for him to see the yellow van picking up speed, racing away into the rain, and to see the Lumina’s driver’s side door open. A leg sticks out and then Mary Jackson emerges, looking as if she has absolutely no idea of where she is.

Brad is gripping his arm now with a very large and very wet hand, he’s asking if Johnny saw that, if he saw it, that yellow van deliberately rammed her, but Johnny barely hears him. Johnny can now see another van, this one with scooped sides and metal-flake blue paint. It comes looming out of the storm like the snout of a prehistoric beast, the rain running in rivers down a steep polarized windshield on which no wipers move. And suddenly he knows what is going to happen.

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