The Shadow of the Lion by Mercedes Lackey & Eric Flint & Dave Freer. Chapter 7, 8, 9, 10

A quick turn in the water, a powerful thrust of the tail; the boy was seized before he could flee and dragged into the dark waters. The rest, once the monster overcame the urge to feed, was quick. By the time sunrise came, the blood would have vanished and the fish would see to all but the largest pieces. And those, once spotted, would be useless to any investigator.

The monster was not concerned with investigation, in any event. In what was left of a once-divine brain, it understood enough to know that its master would be pleased by the deed. The small murder, added to the greater one still to come this night, would increase the city’s fear. Among the canalers, at least, even if Venice’s mighty never learned of an urchin’s disappearance.

The only thing the master cared about was that the monster itself not be seen by any survivor. And so, as the monster drove quietly through the canals, the one eye that remained to it never ceased scanning the banks. Still blue, that eye, and still as piercing as ever—even if the mind behind it was only a remnant of what it had once been. But none of the few people walking alongside the canals ever spotted it.

* * *

The shaman trailed behind, staying as far back as he could without losing sight of the monster completely. Which—in the murky waters of the Venetian canals—meant following much closer than he liked. He had to force down, time and again, the urge to follow using scent alone. The struggle was fierce, because the temptation was so great. In his fishform, in the water, the shaman’s sense of smell—taste, really—was much better than the monster’s, for anything except the scent the monster was tracking.

But . . . in the end, the shaman was more terrified of his master than he was of the monster. His master had made clear that he wanted a full report, and had demonstrated the depth of his desire by feeding the shaman the cooked skin of a retainer who had failed to satisfy him. Spiced with substances which had almost gagged the shaman at the time, and still made him shudder.

So, the shaman stayed within eyesight of the monster, however terrified it was of the creature. If the monster spotted him . . . it would interpret its master’s command to “leave no trace” in the most rigorous manner. The shaman might be able to evade the monster—here in the water, he in his fishform and the monster in the shape it possessed. But he had no doubt at all that if the monster caught him, he would be destroyed—just as easily and quickly as the monster had destroyed the street urchin. A creature it might be today, but . . . the monster had once been a god, after all.

No longer, however. That once-god had been broken by a greater one. So, however reluctantly, the shaman stayed within eyesight.

Just barely.

* * *

The final destination loomed into sight, just as the master had planted the image in the monster’s brain. One of Venice’s great houses, its walls rising sheer from the Grand Canal.

Once it entered the Grand Canal, the monster submerged completely and continued swimming several feet below the surface—much too deep in those murky waters, even in daylight, to be spotted by anyone in a boat. The Grand Canal, at any hour of the day or night, bore a certain amount of traffic. The monster could hold its breath long enough to swim through the great waterway and enter the side canal that flanked the house.

It did so, emerging slowly and carefully to the surface. Unlike a crocodile, the monster could not simply lift its eye above the water. Half the misshapen head had to surface before it could see enough.

Then, for several minutes, it did nothing but study the situation; maintaining its position by slow sweeps of the tail and breathing as silently as it could.

It dismissed the side door without a thought. There was no way to enter through that portal without alerting the house, and the monster was not certain it could slaughter all the inhabitants before someone fled beyond its reach. Not in such a great house, which would be full of servants as well as family members. The one imperative was that it not be seen by anyone who could tell the tale afterward.

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