The Shifting Realities of Philip K. Dick. Selected Literary and Philosophical Writings by Philip K. Dick

This gracious gift serves to delineate for us — for me at least — some aspects of the Programmer. It causes me to comprehend him after a fashion. I think we cannot know what he is, but we can experience this functioning and so can ask, “What does he resemble?” Not “What is he?” but rather “What is he like?”

First and foremost, he controls the objects, processes, and events in our space-time world. This is, for us, the primary aspect, although intrinsically he may possess aspects of vaster magnitude but of less applicability to us. I have spoken of myself as a reprogrammed variable, and I have spoken of him as the Programmer and Reprogrammer. During a short period of time in March 1974, at the moment in which I was resynthesized, I was aware perceptually — which is to say aware in an external way — of his presence. At that time I had no idea what I was seeing? [sic; this question mark appears, in context, to be a typo]. It resembled plasmic energy. It had colors. It moved fast, collecting and dispersing. But what it was, what he was — I am not sure even now, except I can tell you that he had simulated normal objects and their processes so as to copy them and in such an artful way as to make himself invisible within them. As the Vedantists put it, he was the fire within the flint, the razor within the razor case. Later research showed me that in terms of group cultural experience, the name Brahman has been given to this omnipresent immanent entity. I quote a fragment of an American poem [“Brahma”] by Emerson; it conveys what I experienced:

They reckon ill who leave me out;

When me they fly I am the wings.

I am the doubter and the doubt,

And I the hymn the Brahman sings.

By this I mean that during that short period — a matter of hours or perhaps a day — I was aware of nothing that was not the Programmer. All the things in our pluriform world were segments or subsections of him. Some were at rest but many moved, and did so like portions of a breathing organism that inhaled, exhaled, grew, changed, evolved toward some final state that by its absolute wisdom it had chosen for itself. I mean to say, I experienced it as self-creating, dependent on nothing outside it because very simply there was nothing outside it.

As I saw this I felt keenly that through all the years of my life I had been literally blind; I remember saying over and over to my wife, “I’ve regained my sight! I can see again!” It seemed to me that up until that moment I had been merely guessing as to the nature of the reality around me. I understood that I had not acquired a new faculty of perception but had, rather, regained an old one. For a day or so I saw as we once all had, thousands of years ago. But how had we come to lose sight, this superior eye? The morphology must still be present in us, not only latent; otherwise I could not have reacquired it even briefly. This puzzles me yet. How was it that for forty-six years I did not truly see but only guessed at the nature of the world, and then briefly did see, but soon after, lost that sight and became semiblind again? The interval in which I actually saw was, evidently, the interval in which the Programmer was reworking me. He had moved forward as palpably sentient and alive, as set to ground; he had disclosed himself. Thus it is said that Christianity, Judaism, and Islam are revealed religions. Our God is the deus absconditus: the hidden god. But why? Why is it necessary that we be deceived regarding the nature of our reality? Why has he cloaked himself as a plurality of unrelated objects and his movements as a plurality of chance processes? All the changes, all the permutations of reality that we see are expressions of the purposeful growing and unfolding of this single entelechy; it is a plant, a flower, an opening rose. It is a humming hive of bees. It is music, a kind of singing. Obviously I saw the Programmer as he really is, as he really behaves, only because he had seized on me to reshape me, so I say, “I know why I saw him,” but I cannot say, “I know why I do not see him now, nor why anyone else does not.” Do we collectively dwell in a kind of laser hologram, real creatures in a manufactured quasi-world, a stage set within whose artifacts and creatures a mind moves that is determined to remain unknown?

A newspaper article about this speech could well be titled: AUTHOR CLAIMS TO HAVE SEEN GOD BUT CAN’T GIVE ACCOUNT OF WHAT HE SAW.

If I consider the term by which I designate him — the Programmer and Reprogrammer — perhaps I can extract from that a partial answer. I call him what I call him because that was what I witnessed him doing: He had previously programmed the lives here but now was altering one or more crucial factors — this in the service of completing a structure or plan. I reason along these lines: A human scientist who operates a computer does not bias nor warp, does not prejudice, the outcome of his calculations. A human ethnologist does not allow himself to contaminate his own findings by participating in the culture he studies. Which is to say, in certain kinds of endeavors it is essential that the observer remain occluded off from that which he observes. There is nothing malign in this, no sinister deception. It is merely necessary. If indeed we are, collectively, being moved along desired paths toward a desired outcome, the entity that sets us in motion along those lines, that entity which not only desires the particular outcome but that wills that outcome — he must not enter into it palpably or the outcome will be aborted. What, then, we must turn our attention to is — not the Programmer — but the events programmed. Concealed though the former is, the latter will confront us; we are involved in it — in fact, we are instruments by which it is accomplished.

There is no doubt in my mind as to the larger, historic purpose of the reprogramming that paid off so spectacularly and gloriously in 1974. Currently I am writing a novel about it; the novel is called V.A.L.I.S., the letters standing for “VAST ACTIVE LIVING INTELLIGENCE SYSTEM.” In the novel a government researcher who is very gifted but a little crazy formulates a hypothesis that declares that, located somewhere in our world, there exists a mimicking organism of high intelligence; it so successfully mimics natural objects and processes that humans are routinely unaware of it. When, due to chance or exceptional circumstances, a human does perceive it, he simply calls it “God” and lets it go at that. In my novel, however, the government researcher is determined to treat this vast, intelligent, mimicking entity the way a scientist would treat anything under scrutiny. His problem is, however, that by his own hypothesis he cannot detect the entity — certainly a frustrating experience for him.

But also in my novel I write about another person, unknown to this government researcher; that person has been having unusual experiences for which he has no theory. He has in fact been encountering Valis, who is in the process of reprogramming him. The two characters possess between them the whole truth: the correct but untestable hypothesis by one, the unexplained experiences by the other. And it is this other man, this nonscientific person, whom I identify with, because he, like me — he is beginning to retrieve blocked-off memories of another world, memories he cannot account for. But he has no theory. None at all.

In the novel I myself appear as a character, under my own name. I am a science fiction writer who has accepted a large advance payment for a yet unwritten novel and who must now come up with that novel before a deadline. I, in the book — I know both these men, Houston Paige, the government researcher with the theory, and Nicholas Brady, who is undergoing the unfathomable experiences. I begin to make use of material from both. My purpose is merely that of meeting my contractual deadline. But, as I continue to write about Houston Paige’s theory and Nicholas Brady’s experiences, I begin to see that everything fits together. I, in the novel, hold both key and lock, and no one else does.

You can see, I am sure, that it is inevitable, in my novel Valis, that eventually Houston Paige and Nicholas Brady meet. But this meeting has an odd effect on Houston Paige, he with the theory. Paige undergoes a total psychotic breakdown as a result of getting confirmation of his theory. He could imagine it but he cannot believe it. In his head his ingenious theory is dissociated from reality. And this is an intuition which I feel: that many of us believe in Valis or God or Brahman or the Programmer, but if we ever actually encountered it we could simply not handle it. It would be like a child driven mad by Christmas. He could sustain hoping and waiting, he could pray, he could wish, he could suppose and imagine and even believe; but the actual manifestation — that is too much for our small circuits. And yet the child grows up and there is the man. And those circuits — they grow, too. But to remember a different, discarded world? And to perceive the great planning mind that achieved that abolition, that unthreading of evil?

Pages: 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 51 52 53 54 55 56 57 58 59 60 61 62 63 64 65 66 67 68 69 70 71 72 73 74 75 76 77 78 79 80 81 82

Leave a Reply 0

Your email address will not be published. Required fields are marked *