The Touchstone By Edith Wharton

“Only the last number of the Horoscope. I thought I’d left it on this table.” He said nothing, and she went on: “You haven’t seen it?”

“No,” he returned coldly. The magazine was locked in his desk.

His wife had moved to the mantel-piece. She stood facing him and as he looked up he met her tentative gaze. “I was reading an article in it–a review of Mrs. Aubyn’s letters,” she added, slowly, with her deep, deliberate blush.

Glennard stooped to toss his cigar into the fire. He felt a savage wish that she would not speak the other woman’s name; nothing else seemed to matter. “You seem to do a lot of reading,” he said.

She still earnestly confronted him. “I was keeping this for you– I thought it might interest you,” she said, with an air of gentle insistence.

He stood up and turned away. He was sure she knew that he had taken the review and he felt that he was beginning to hate her again.

“I haven’t time for such things,” he said, indifferently. As he moved to the door he heard her take a precipitate step forward; then she paused and sank without speaking into the chair from which he had risen.

Chapter XI

As Glennard, in the raw February sunlight, mounted the road to the cemetery, he felt the beatitude that comes with an abrupt cessation of physical pain. He had reached the point where self- analysis ceases; the impulse that moved him was purely intuitive. He did not even seek a reason for it, beyond the obvious one that his desire to stand by Margaret Aubyn’s grave was prompted by no attempt at a sentimental reparation, but rather by the vague need to affirm in some way the reality of the tie between them.

The ironical promiscuity of death had brought Mrs. Aubyn back to share the narrow hospitality of her husband’s last lodging; but though Glennard knew she had been buried near New York he had never visited her grave. He was oppressed, as he now threaded the long avenues, by a chilling vision of her return. There was no family to follow her hearse; she had died alone, as she had lived; and the “distinguished mourners” who had formed the escort of the famous writer knew nothing of the woman they were committing to the grave. Glennard could not even remember at what season she had been buried; but his mood indulged the fancy that it must have been on some such day of harsh sunlight, the incisive February brightness that gives perspicuity without warmth. The white avenues stretched before him interminably, lined with stereotyped emblems of affliction, as though all the platitudes ever uttered had been turned to marble and set up over the unresisting dead. Here and there, no doubt, a frigid urn or an insipid angel imprisoned some fine-fibred grief, as the most hackneyed words may become the vehicle of rare meanings; but for the most part the endless alignment of monuments seemed to embody those easy generalizations about death that do not disturb the repose of the living. Glennard’s eye, as he followed the way indicated to him, had instinctively sought some low mound with a quiet headstone. He had forgotten that the dead seldom plan their own houses, and with a pang he discovered the name he sought on the cyclopean base of a granite shaft rearing its aggressive height at the angle of two avenues.

“How she would have hated it!” he murmured.

A bench stood near and he seated himself. The monument rose before him like some pretentious uninhabited dwelling; he could not believe that Margaret Aubyn lay there. It was a Sunday morning and black figures moved among the paths, placing flowers on the frost-bound hillocks. Glennard noticed that the neighboring graves had been thus newly dressed; and he fancied a blind stir of expectancy through the sod, as though the bare mounds spread a parched surface to that commemorative rain. He rose presently and walked back to the entrance of the cemetery. Several greenhouses stood near the gates, and turning in at the first he asked for some flowers.

“Anything in the emblematic line?” asked the anaemic man behind the dripping counter.

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