Late in the day I saw a fallen stone with a waysign painted upon it. By matching the stone to its broken pedestal, I could see which way the arrow had originally pointed, and I indicated that direction to Yittleby. She ignored me. I tapped her on the neck, sat back in startlement as the huge beak swung around to face me. “Krerk,” she said, stamping one taloned foot. “Krerk.”
At that moment I heard a harsh, rumbling roar as of a great rockslide. As it went on, rumbling and roaring, I realized it was not the sound of stone. “Gnarlibar?” I whispered.
“Krerk,” both birds agreed, turning away from the line I had indicated. When the sound changed in intensity, the birds again changed direction, ascending a pile of rough stones. Halfway up they knelt and shook us off, gesturing with their beaks in an unmistakable communication. “Go on and see,” they were saying. “Take a good look.” They crouched where they were as we crawled to the top of the pile.
Below us was a kind of natural amphitheatre, broken at each compass point by a road entering the flat. Assembled on the slopes of the place were some hundreds of the shadow-people, their chatter and bell sounds almost inaudible beneath the ceaseless roaring. In the center of the place a single, gigantic krylobos danced, one twice the height of Yittleby or Yattleby, feet kicking high, feather topknot flying, wing-arms extended in a fever of wild leaping and finger snapping. The roaring grew even louder, and through the four road entrances of the place came four beasts.
Jinian clutched at me. My only thought was that this was what Chance had wanted me to Shift to and he had been quite mad. They were like badgers, low, short-legged, very wide. They were furry, had no tails, had a wide head split from side to side by a mouth so enormous either Yittleby or Yattleby would have fit within it as one bite. They came leat, that is to say, from the four directions at once, each uttering that mountain-shattering roar. The giant krylobos went on dancing. Queynt’s two birds came to crouch beside us, conversing in low krerks of approval, whether at the dance, the dancer, or the attack, I could not tell.
As the gnarlibars reached the center, the krylobos leapt upward, high, wing-fingers snapping, long legs drawn up tight to his body, neck whipping in a circular motion. Yittleby said to Yattleby, “Kerawh,” in a tone indicating approval. “Whit kerch,” Yattleby agreed, settling himself more comfortably.
The gnarlibars whirled, spinning outward, each counter-clockwise, in an incredible dance as uniform in motion as though they had been four bodies with one mind. The krylobos dropped into the circle they had left among them, spun, cried a long, complicated call, and then launched upward once more as the four completed their turn and collided at the center in a whirling frenzy of fur.
“Krylobos, bos, bos,” cried the shadowmen over an ecstasy of flute and bell sounds. “Gnarlibar, bar, bar,” called another faction, cheering the beasts as they spun once more and retreated. In the center the enormous bird continued his dance, her dance, wing-fingers snapping like whip cracks, taloned feet spinning and turning. “Bos, bos, bos,” said Yittleby, conversationally. I had raised up to get a better view, and she brought her beak down sharply upon my head. “Whit kerch,” she instructed. I understood. I was to keep low.
The circus went on. I did not understand the rules, but it was evidently a very fine contest of its kind. When the gnarlibars withdrew after an hour or so, roaring still in a way to shake the stones, Yittleby and Yattleby rose to lead us down into the amphitheatre. Almost at once I heard familiar voices crying, “Peter, eater, ter, ter,” and my legs were seized in a tight embrace. Flute sound trilled, there was much shrieking and singing in which I caught a few familiar words of the shadow language. One small figure pounded itself proudly upon its chest and said, “Proom. Proom.” I remembered him and introduced Jinian with much ceremony. She was immediately surrounded by her own coterie all crying “Jinian, ian, an an,” to her evident discomfort.
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