The Walking Drum by Louis L’Amour

Sometimes I suspected her of dealing in magic, yet none of the signs were there, and reared as I had been in the old knowledge that is never written, the signs would be obvious enough. Had not each of my grandparents been buried with the oak and the mistletoe?

Our family memories went back to the time when a Druid temple topped the isle of Mont-Saint-Michel, long before any Christians came to build there. Had my ancestors not studied in the secret temples of the lost city of Tolente, destroyed by the Normans in 875? Had I not myself been consecrated times over? The first at Men Marz, a tall gray stone near Brignogan on the coast where I was born?

The Druids were gone, it was said, or had never been, but customs and traditions die hard on our rugged Armorican coast, and there were those who still go to the old places in the wilds of the Arre and Huelgoat.

Among those wooded hills, beside the foaming torrents, among the boulders there are places we of the old knowledge have not forgotten, nor shall we forget. It was there I had been taught the history of my people, a history that reaches back beyond the first Celts who came to Brittany. Some of them migrated to England and to Eire, fleeing before the Romans, only to return many years later to add to the Celtic population of Brittany.

Again I thought of Valaba. Did she ever come to the Street of the Booksellers? Would I see her there? Safia had not come, and might not come for days.

I would go to the Street of the Booksellers.

24

Stripping, I bathed in the small tub in a corner of the room. This was an old Visigothic house, and the bath had been added after the Moors arrived.

Constant exercise with the tumblers, swordplay, and wrestling had developed my back, shoulders, arms, and legs. I had grown no taller, for I achieved my height early, but I had filled out and was much broader and deeper in the chest. My waist was trim, my hips narrow, my legs strong but slim.

When I landed in Spain I had no beard to speak of; now I wore one trimmed in the latest style, and a mustache. After bathing, I trimmed my hair and beard. My hair was black with a tinge of red when seen in the light, a heritage from Celtic ancestors.

On the inspiration of the moment I donned my coat of chain mail. It was new, finely made of small links, bearing the mark of a great armorer from Toledo. It was remarkably light in weight. Then I slung my sword from my shoulder, which was the style of the Moor.

The street was empty but for a disconsolate donkey, and further along the street two camels lay where they had been saddled for a trip. Odd, for camels to be leaving at night.

The Street of the Booksellers was brightly lit. Here and there groups of students gathered, and strolling among them, I watched for Valaba but saw her not. A feeling of depression lay heavy upon me, nor could I shake it off. Several of the booksellers spoke, obviously willing to engage in discourse, but on this night I was not interested.

After a while, despairing of finding Valaba, I started back. Nothing had been gained by my walk. Valaba was busy elsewhere.

A beggar came from his corner to seek alms but when close he whispered, “O Mighty One! Return not. Fly! If your enemies are not there, they soon will be.”

Beggars were friendly with street players and singers, and by now I was considered one of them. Yet I dared not accept the warning, for Safia would be coming. All was dark and still when I neared my room, yet I detected a stirring in the shadows not far away.

Entering my room, blade in hand, I searched until sure I was alone, then I went to the corner where I could sit on my bed and not be seen, where I could read. My small light was hidden, and the door was left open a crack to detect any movement outside.

The book I chose was a rare volume from the library of the great mosque. The book had come to my hands in a strange way. I was searching a stack of uncatalogued manuscripts with a view to bringing them to some kind of order, when the stack toppled toward me, revealing a narrow door fitted into the wall. As nothing was kept there but old manuscripts, books collected but unlisted from the time of al-Hakem, it was possible the existence of the door was unknown to anyone in the library.

The door was locked, but my curiosity aroused, I picked the lock with a skill I had acquired from street people. Facing me was a small room, comfortably fitted but thick with undisturbed dust. It was a private study, perhaps that of al-Hakem himself. No doubt it was here that the caliph, one of the great scholars of the Arab world, had done his own research into ancient manuscripts.

Among the fifty or so books there were some with which I had long been familiar, but lying on the table in a sort of leather envelope was a book written in Arabic but translated from the Chinese of Tseng Kung-liang. The original title had been Wu Ching Tsung Yao, written in 1044. Translated the words meant A Compendium of Military Art.

Opening it, I had found a careful study of the military art of the Chinese and the Mongols as well. What most intrigued my interest was the description given of an explosive powder used by the Chinese in warfare. Included among notes at the back of the book was a formula for making this powder.

Nothing like this had been used by the Moors, and it was unknown in Christian Europe, but here in my hands lay the method of manufacture, information on its use, and something of its reactions when contained in bamboo, wood, or metal.

From notes written in a careful hand this book must have come into the hands of al-Hakem shortly before his death. Those caliphs who followed lacked his interest in books, and this room had been forgotten.

Pocketing the book, I had locked the door and piled the manuscripts into their original position. Many of the manuscripts were duplicates of others already translated, and it might be years before they were again disturbed.

Military art had been a major interest of mine, and the book I now held was a treasure. Such a book might easily win a man a kingdom. It might also blow high the walls of the castle of the Baron de Tournemine.

I had safely hidden it in another section of the library and had earlier in the week dared sneak into the great mosque to remove it for further study. Now I read this book once more, for it was my intention to commit the entire book to memory. The formula, which was the core and essence of the book, I had memorized within ten minutes of opening it for the first time, but there were other items of importance.

Yet I could not concentrate. My ears tuned to the slightest sound from the dark street outside, and I finally tucked the book inside my shirt and put out my candle. For some time I sat in the dark with a naked sword upon my knees, then suddenly I was sharply alert, listening.

Something or someone had fallen in the street outside. I heard hoarse panting and a sound of something dragging. A faint moaning, as of someone in dire pain, came to me, and I opened the door wider, the oiled hinges making no sound.

“Kerbouchard! Help me!”

It was Safia. Staggering to her feet she half fell across the threshold. Catching her with my free hand, I eased her to the floor. Sheathing my sword, I knelt beside her.

“Go!” she whispered. “They are coming! They made me talk, and they will kill you, they—!”

Despite the risk I lit the candle. Her robe was soaked with blood, and she had been beaten until the flesh was cut to the bone in places, and her feet were a pulp from a terrible beating upon the soles.

“They believe me dead. I could not let you—but go! I release you from your promise. I had no right—”

Slinging the sack which contained maps and some precious books over my shoulder, I wrapped her in a fresh robe and picked her up. Moving might kill her, but if found here, she would certainly be slain. Crawling through the window, I drew her to the wall beside me, then closed the window. Risking a fall, I carried her along the wall in utter darkness, leaves brushing my face and my clothing.

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