Wamphyri! Brian Lumley

Clarke’s car was parked in a layby where the hedge and fence were cut back twenty-five yards down the road. He was on the field side of the hedge. He put his hand on the top bar preparatory to climbing over to the road, then thought better of it. Though he didn’t know it, that was his hidden talent coming into play. Instead of climbing the fence, he hurried through the long grass at the edge of the field towards his car. The grass was wet where it whipped his trousers, but he ignored it. It saved time this way and he was in a hurry now, eager to be away from the place. Only natural, he supposed, considering what he’d just learned. And he hardly gave it a thought that by the time he got to his car he was almost running.

But it was then, as he fumbled the key into the lock and turned it, that he heard something else running: the faint scuff of padded feet slapping the road, the scrabble of claws as something heavy jumped the fence back there where he’d been standing. Then he was into the car, slamming the door behind him, eyes wide and heart thumping as he gazed back into the night.

And two seconds later Viad hit the car!

He hit so hard, with forepaws, shoulder and head, that the glass of the window in Clarke’s door was starred into a cobweb pattern. The impact had sounded like a hammer blow, and Clarke knew that one more charge like that would shatter the glass to fragments and leave him totally unprotected. But he’d seen who, or what, his assailant was, and he had no intention of sitting here immobile and just waiting for it to happen.

Clarke turned the key in the ignition, revved, reversed a skidding three feet to bring the bonnet free of overhanging branches. Vlad’s second spring, aimed again at Clarke’s window, sent the dog sprawling on the bonnet directly in front of the windscreen. And now the young esper saw just how fortunate his escape had been. Out in the open — there was little he could have done against that!

Viad’s face was a savage black mask of hatred, a contorted, snarling, saliva-flecked visage of madness! Yellow eyes spotted with crimson pupils glared through the glass at Clarke with such a burning intensity that he almost fancied he could feel their heat. Then he was into first gear and skidding out on to the road.

As the car jerked and slewed forward, so the dog’s feet were jolted from under him. He crashed over on to his side on the bonnet and was sent sprawling into the darkness of the hedgerow as Clarke straightened the car up and sent it careening along the road. In his rearview mirror, he saw the dog emerge from the hedge and shake itself, glaring after the speeding car. Then Clarke was round a bend and Vlad lost to sight.

That wasn’t something he felt sorry about. Indeed, he was still shaking when he switched off the car’s engine in the hotel car park in Paignton. Following which . . . he flopped back in his seat and wearily lit a cigarette, which he smoked right down to the cork tip before securing the car and going in to make his report Frankie’s Franchise was wall to wall sleazy. It was a place for habitual wharf-rats, prostitutes and their pimps, pushers and Genoese low-life in general. And it was noisy. An old American juke-box, back in fashion, was blasting Little Richard’s raw ‘Tutti Frutti’ across the main room like a gale force wind. There was no smallest corner of the place that escaped the music’s blast, but in any one of the half-dozen arched alcoves you could at least hear yourself think. That was why Frankie’s was so ideally suitable: you couldn’t concentrate enough to hear anyone else think.

Alec Kyle and Carl Quint, Felix Krakovitch and Sergei Gulharov, sat at a small square table with their backs to the protective alcove walls. East and West faced each other across their drinks. Curiously, on the one side Kyle and Quint drank vodka, and on the other Krakovitch and Gulharov sipped American beers.