William Gibson. Neuromancer

“Case, what’s wrong with you?” Armitage said, as the waiter was seating them at his table in the Vingtieme Siecle. It was the smallest and most expensive of several floating restaurants on a small lake near the Intercontinental. Case shuddered. Bruce hadn’t said anything about after ef- fects. He tried to pick up a glass of ice water, but his hands were shaking. “Something I ate, maybe.” “I want you checked out by a medic,” Armitage said. “Just this hystamine reaction,” Case lied. “Get it when I travel, eat different stuff, sometimes.” Armitage wore a dark suit, too formal for the place, and a white silk shirt. His gold bracelet rattled as he raised his wine and sipped. “I’ve ordered for you,” he said. Molly and Armitage ate in silence, while Case sawed shakily at his steak, reducing it to uneaten bite-sized fragments, which he pushed around in the rich sauce, finally abandoning the whole thing. “Jesus,” Molly said, her own plate empty, “gimme that. You know what this costs?” She took his plate. ‘They gotta raise a whole animal for years and then they kill it. This isn’t vat stuff.” She forked a mouthful up and chewed. “Not hungry,” Case managed. His brain was deep-fried. No, he decided, it had been thrown into hot fat and left there and the fat had cooled, a thick dull grease congealing on the wrinkled lobes, shot through with greenish-purple flashes of pain. “You look fucking awful,” Molly said cheerfully. Case tried the wine. The aftermath of the betaphenethylam- ine made it taste like iodine. The lights dimmed. “Le Restaurant Vingtieme Siecle,” said a disembodied voice with a pronounced Sprawl accent, “proudly presents the hol- ographic cabaret of Mr. Peter Riviera. ” Scattered applause from the other tables. A waiter lit a single candle and placed it in the center of their table, then began to remove the dishes. Soon a candle flickered at each of the restaurant’s dozen tables, and drinks were being poured. “What’s happening?” Case asked Armitage, who said noth- ing. Molly picked her teeth with a burgundy nail. “Good evening,” Riviera said, stepping forward on a small stage at the far end of the room. Case blinked. In his discomfort, he hadn’t noticed the stage. He hadn’t seen where Riviera had come from. His uneasiness increased. At first he assumed the man was illuminated by a spotlight. Riviera glowed. The light clung around him like a skin, lit the dark hangings behind the stage. He was projecting. Riviera smiled. He wore a white dinner jacket. On his lapel, blue coals burned in the depths of a black carnation. His fin- gernails flashed as he raised his hands in a gesture of greeting, an embrace for his audience. Case heard the shallow water lap against the side of the restaurant. “Tonight,” Riviera said, his long eyes shining, “I would like to perform an extended piece for you. A new work.” A cool ruby of light formed in the palm of his upraised right hand. He dropped it. A gray dove fluttered up from the point of impact and vanished into the shadows. Someone whistled. More applause. “The title of the work is ‘The Doll.'” Riviera lowered his hands. “I wish to dedicate its premiere here, tonight, to Lady 3Jane Marie-France Tessier-Ashpool.” A wave of polite ap- plause. As it died, Riviera’s eyes seemed to find their table. “And to another lady.” The restaurant’s lights died entirely, for a few seconds, leaving only the glow of candles. Riviera’s holographic aura had faded with the lights, but Case could still see him, standing with his head bowed. Lines of faint light began to form, verticals and horizontals, sketching an open cube around the stage. The restaurant’s lights had come back up slightly, but the framework surrounding the stage might have been constructed of frozen moonbeams. Head bowed, eyes closed, arms rigid at his sides, Riviera seemed to quiver with concentration. Suddenly the ghostly cube was filled, had become a room, a room lacking its fourth wall, allowing the audience to view its contents. Riviera seemed to relax slightly. He raised his head, but kept his eyes closed. “I’d always lived in the room,” he said. “I couldn’t remember ever having lived in any other room.” The room’s walls were yellowed white plaster. It contained two pieces of furniture. One was a plain wooden chair, the other an iron bedstead painted white. The paint had chipped and flaked, revealing the black iron. The mattress on the bed was bare. Stained ticking with faded brown stripes. A single bulb dangled above the bed on a twisted length of black wire. Case could see the thick coating of dust on the bulb’s upper curve. Riviera opened his eyes. “I’d been alone in the room, always.” He sat on the chair, facing the bed. The blue coals still burned in the black flower on his lapel. “I don’t know when I first began to dream of her,” he said, “but I do remember that at first she was only a haze, a shadow.” There was something on the bed. Case blinked. Gone. “I couldn’t quite hold her, hold her in my mind. But I wanted to hold her, hold her and more….” His voice carried perfectly in the hush of the restaurant. Ice clicked against the side of a glass. Someone giggled. Someone else asked a whispered ques- tion in Japanese. “I decided that if I could visualize some part of her, only a small part, if I could see that part perfectly, in the most perfect detail….” A woman’s hand lay on the mattress now, palm up, the white fingers pale. Riviera leaned forward, picked up the hand, and began to stroke it gently. The fingers moved. Riviera raised the hand to his mouth and began to lick the tips of the fingers. The nails were coated with a burgundy lacquer. A hand, Case saw, but not a severed hand; the skin swept back smoothly, unbroken and unscarred. He remembered a tattooed lozenge of vatgrown flesh in the window of a Ninsei surgical boutique. Riviera was holding the hand to his lips, licking its palm. The fingers tentatively caressed his face. But now a second hand lay on the bed. When Riviera reached for it, the fingers of the first were locked around his wrist, a bracelet of flesh and bone. The act progressed with a surreal internal logic of its own. The arms were next. Feet. Legs. The legs were very beautiful. Case’s head throbbed. His throat was dry. He drank the last of the wine. Riviera was in the bed now, naked. His clothing had been a part of the projection, but Case couldn’t remember seeing it fade away. The black flower lay at the foot of the bed, still seething with its blue inner flame. Then the torso formed, as Riviera caressed it into being, white, headless, and perfect, sheened with the faintest gloss of sweat. Molly’s body. Case stared, his mouth open. But it wasn’t Molly; it was Molly as Riviera imagined her. The breasts were wrong, the nipples larger, too dark. Riviera and the limbless torso writhed together on the bed, crawled over by the hands with their bright nails. The bed was thick now with folds of yellowed, rotting lace that crumbled at a touch. Motes of dust boiled around Riviera and the twitching limbs, the scurrying, pinching, caressing hands. Case glanced at Molly. Her face was blank; the colors of Riviera’s projection heaved and turned in her mirrors. Armitage was leaning forward, his hands round the stem of a wineglass, his pale eyes fixed on the stage, the glowing room. Now limbs and torso had merged, and Riviera shuddered. The head was there, the image complete. Molly’s face, with smooth quicksilver drowning the eyes. Riviera and the Molly- image began to couple with a renewed intensity. Then the image slowly extended a clawed hand and extruded its five blades. With a languorous, dreamlike deliberation, it raked Riviera’s bare back. Case caught a glimpse of exposed spine, but he was already up and stumbling for the door. He vomited over a rosewood railing into the quiet waters of the lake. Something that had seemed to close around his head like a vise had released him now. Kneeling, his cheek against the cool wood, he stared across the shallow lake at the bright aura of the Rue Jules Verne. Case had seen the medium before; when he’d been a teenager in the Sprawl, they’d called it, ”dreaming real.” He remem- bered thin Puerto Ricans under East Side streetlights, dreaming real to the quick beat of a salsa, dreamgirls shuddering and turning, the onlookers clapping in time. But that had needed a van full of gear and a clumsy trode helmet. What Riviera dreamed, you got. Case shook his aching head and spat into the lake. He could guess the end, the finale. There was an inverted symmetry: Riviera puts the dreamgirl together, the dreamgirl takes him apart. With those hands. Dreamblood soaking the rotten lace. Cheers from the restaurant, applause. Case stood and ran his hands over his clothes. He turned and walked back into the Vingtieme Siecle. Molly’s chair was empty. The stage was deserted. Armitage sat alone, still staring at the stage, the stem of the wineglass between his fingers. “Where is she?” Case asked. “Gone,” Armitage said. “She go after him?” “No.” There was a soft tink. Armitage looked down at the glass. His left hand came up holding the bulb of glass with its measure of red wine. The broken stem protruded like a sliver of ice. Case took it from him and set it in a water glass. “Tell me where she went, Armitage.” The lights came up. Case looked into the pale eyes. Nothing there at all. “She’s gone to prepare herself. You won’t see her again. You’ll be together during the run.” “Why did Riviera do that to her?” Armitage stood, adjusting the lapels of his jacket. “Get some sleep, Case.” “We run, tomorrow?” Armitage smiled his meaningless smile and walked away, toward the exit. Case rubbed his forehead and looked around the room. The diners were rising, women smiling as men made jokes. He noticed the balcony for the first time, candles still flickering there in private darkness. He heard the clink of silverware, muted conversation. The candles threw dancing shadows on the ceiling. The girl’s face appeared as abruptly as one of Riviera’s projections, her small hands on the polished wood of the bal- ustrade; she leaned forward, face rapt, it seemed to him, her dark eyes intent on something beyond. The stage. It was a striking face, but not beautiful. Triangular, the cheekbones high yet strangely fragile-looking, mouth wide and firm, balanced oddly by a narrow, avian nose with flaring nostrils. And then she was gone, back into private laughter and the dance of candles. As he left the restaurant, he noticed the two young French- men and their girlfriend, who were waiting for the boat to the far shore and the nearest casino.

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