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Books of Blood by Clive Barker, Volume IV

THE BODY POLITIC

WHENEVER HE woke, Charlie George’s hands stood Perhaps he would be feeling too hot under the blankets and

have to throw a couple over to Ellen’s side of the bed. Perhaps he might even get up, still half-asleep, and pad through to the kitchen to pour himself a tumbler of iced apple juice. Then back to bed, slipping in beside Ellen’s gentle crescent, to let sleep drift over him. They’d wait then, until his eyes had flickered closed and his breathing become regular as clockwork, and they were certain he was sound asleep. Only then, when they knew consciousness was gone, would they dare to begin their secret lives again.

FOR months now Charlie had been waking up with an uncomfortable ache in his wrists and hands.

“Go and see a doctor,” Ellen would tell him, unsympathetic as ever. ‘Why won’t you go and see a doctor?”

He hated doctors, that was why. Who in their right minds would trust someone who made a profession out of poking around in sick people?

“I’ve probably been working too hard,” he told himself.

“Some chance,” Ellen muttered.

Surely that was the likeliest explanation. He was a packager by trade; he worked with his hands all day long. They got tired. It was only natural.

“Stop fretting, Charlie,” he told his reflection one morning as he slapped some life into his face, “your hands are fit for anything.”

So, night after night, the routine was the same. It goes like this:

The Georges are asleep, side by side in their marital bed. He on his back, snoring gently; she curled up on his left-hand side. Charlie’s head is propped up on two thick pillows. His jaw is slightly ajar, and beneath the vein-shot veil of his lids his eyes scan some dreamed adventure. Maybe a fire fighter tonight, perhaps a heroic dash into the heart of some burning brothel. He dreams contentedly; sometimes frowning, sometimes smirking.

There is a movement under the sheet. Slowly, cautiously it seems, Charlie’s hands creep up out of the warmth of the bed and into the open air. Their index fingers weave like nailed heads as they meet on his undulating abdomen. They clasp each other in greeting, like comrades-in-arms. In his sleep Charlie moans. The brothel has collapsed on him. The hands flatten themselves instantly, pretending innocence. After a moment, once the even rhythm of his breathing has resumed, they begin their debate in earnest.

A casual observer, sifting at the bottom of the Georges’ bed, might take this exchange as a sign of some mental disorder in Charlie. The way his hands twitch and pluck at each other, stroking each other now, now seeming to fight. But there’s clearly some code or sequence in their movements, however spasmodic. One might almost think that the slumbering man was deaf and dumb, and talking in his sleep. But the hands are speaking no recognizable sign language; nor are they trying to communicate with anyone but each other. This is a clandestine meeting, held purely between Charlie’s hands. There they will stay through the night, perched on his stomach, plotting against the body politic.

CHARLIE wasn’t entirely ignorant of the sedition that was simmering at his wrists. There was a fumbling suspicion in him that something in his life was not quite right. Increasingly, he had the sense of being cut off from common experience, becoming more and more a spectator to the daily (and nightly) rituals of living, rather than a participant. Take, for example, his love life.

He had never been a great lover, but neither did he feel he had anything to apologize for. Ellen seemed satisfied with his attentions. But these days he felt dislocated from the act. He would watch his hands traveling over Ellen, touching her with all the intimate skill they knew, and he would view their maneuvers as if from a great distance, unable to enjoy the sensations of warmth and wetness. Not that his digits were any less agile. Quite the reverse. Ellen had recently taken to kissing his fingers and telling him how clever they were. Her praise didn’t reassure him one iota. If anything, it made him feel worse to think that his hands were giving such pleasure when he was feeling nothing.

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Categories: Clive Barker
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