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Books of Blood by Clive Barker, Volume IV

It was a bitter blow, but he immediately took steps to make good his loss. He went to Rome and spoke with the Supreme Pontiff; he prayed night and day; he founded seminaries and leper colonies. God, however, declined to show so much as His toenail. Gregorius, it seemed, was forsaken.

Almost despairing, he took it into his head that he could only win his way back into the arms of his Maker if he put his soul into the direst jeopardy. The notion had some merit. Suppose, he thought, I could contrive a meeting with Satan, the Archfiend. Seeing me in extremis, would not God be obliged to step in and deliver me back into the fold?

It was a fine plot, but how was he to realize it? The Devil did not just come at a call, even for a tycoon such as Gregorius, and his researches soon proved that all the traditional methods of summoning the Lord of Vermin-the defiling of the Blessed Sacrament, the sacrificing of babes-were no more effective than his good works had been at provoking Yahweh. It was only after a year of deliberation that he finally fell upon his master plan. He would arrange to have built a hell on earth-a modern inferno so monstrous that the Tempter would be tempted, and come to roost there like a cuckoo in a usurped nest.

He searched high and low for an architect and found, languishing in a madhouse outside Florence, a man called Leopardo, whose plans for Mussolini’s palaces had a lunatic grandeur that suited Gregorius’s project perfectly. Leopardo was taken from his cell-a fetid, wretched old man-and given his dreams again. His genius for the prodigious had not deserted him.

In order to fuel his invention the great libraries of the world were scoured for descriptions of hells both secular and metaphysical. Museum vaults were ransacked for forbidden images of martyrdom. No stone was left unturned if it was suspected something perverse was concealed beneath.

The finished designs owed something to de Sade and to Dante, and something more to Freud and Krafft-Ebing, but there was also much there that no mind had conceived of before, or at least ever dared set to paper.

A site in North Africa was chosen, and work on Gregorius’s New Hell began. Everything about the project broke the records. Its foundations were vaster, its walls thicker, its plumbing more elaborate than any edifice hitherto attempted. Gregorius watched its slow construction with an enthusiasm he had not tasted since his first years as an empire builder. Needless to say, he was widely thought to have lost his mind. Friends he had known for years refused to associate with him. Several of his companies collapsed when investors took fright at reports of his insanity. He didn’t care. His plan could not fail. The Devil would be bound to come, if only out of curiosity to see this leviathan built in his name, and when he did, Gregorius would be waiting.

The work took four years and the better part of Gregorius’s fortune. The finished building was the size of half a dozen cathedrals and boasted every facility the Angel of the Pit could desire. Fires burned behind its walls, so that to walk in many of its corridors was almost unendurable agony. The rooms off those corridors were fitted with every imaginable device of persecution-the needle, the rack, the dark-that the genius of Satan’s torturers be given fair employ. There were ovens large enough to cremate families; pools deep enough to drown generations. The New Hell was an atrocity waiting to happen; a celebration of inhumanity that only lacked its first cause.

The builders withdrew and thankfully. It was rumored among them that Satan had long been watching over the construction of his pleasure dome. Some even claimed to have glimpsed him on the deeper levels, where the chill was so profound it froze the piss in your bladder. There was some evidence to support the belief in supernatural presences converging on the building as it neared completion, not least the cruel death of Leopardo, who had either thrown himself or-the superstitious argued-been pitched through his sixth-story hotel window. He was buried with due extravagance.

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