“I will show you my real wealth,” he told his son. “Give me a chariot, and I will take you to it.”
But on his last journey, unlike little Hanuman, Paravana rode in a decrepit ox-cart. The Chronicles record that it had a damaged wheel which squeaked all the way – the sort of detail that must be true, because no historian would have bothered to invent it.
To Kalidasa’s surprise, his father ordered the cart to carry him to the great artificial lake that irrigated the central kingdom, the completion of which had occupied most of his reign. He walked along the edge of the huge bund and gazed at his own statue, twice life-size, that looked out across the waters.
“Farewell, old friend,” he said, addressing the towering stone figure which symbolised his lost power and glory, and which held forever in its hands the stone map of this inland sea. “Protect my heritage.”
Then, closely watched by Kalidasa and his guards, he descended the spillway steps, not pausing even at the edge of the lake. When he was waist deep he scooped up the water and threw it over his head, then turned towards Kalidasa with pride and triumph.
“Here, my son,” he cried, waving towards the leagues of pure, life-giving water, “here – here is all my wealth!”
“Kill him!” screamed Kalidasa, mad with rage and disappointment.
And the soldiers obeyed.
So Kalidasa became the master of Taprobane, but at a price that few men would be willing to pay. For, as the Chronicles recorded, always he lived “in fear of the next world, and of his brother”. Sooner or later, Malgara would return to seek his rightful throne.
For a few years, like the long line of kings before him, Kalidasa held court in Ranapura. Then, for reasons about which history is silent, he abandoned the royal capital for the isolated rock monolith of Yakkagala, forty kilometres away in the jungle. There were some who argued that he sought an impregnable fortress, safe from the vengeance of his brother. Yet in the end he spurned its protection – and, if it was merely a citadel, why was Yakkagala surrounded by immense pleasure gardens whose construction must have demanded as much labour as the walls and moat themselves? Above all, why the frescoes?
As the narrator posed this question, the entire western face of the rock materialised out of the darkness – not as it was now, but as it must have been two thousand years ago. A band starting a hundred metres from the ground, and running the full width of the rock, had been smoothed and covered with plaster, upon which were portrayed scores of beautiful women – life-size, from the waist upwards. Some were in profile, others full-face, and all followed the same basic pattern.
Ochre-skinned, voluptuously bosomed, they were clad either in jewels alone, or in the most transparent of upper garments. Some wore towering and elaborate head-dresses – others, apparently, crowns. Many carried bowls of flowers, or held single blossoms nipped delicately between thumb and forefinger. Though about half were darker-skinned than their companions, and appeared to be hand-maidens, they were no less elaborately coifed and bejeweled.
“Once, there were more than two hundred figures. But the rains and winds of centuries have destroyed all except twenty, which were protected by an overhanging ledge of rock…”
The image zoomed forward; one by one the last survivors of Kalidasa’s dream came floating out of the darkness, to the hackneyed yet singularly appropriate music of Anitra’s Dance. Defaced though they were by weather, decay and even vandals, they had lost none of their beauty down the ages. The colours were still fresh, unfaded by the light of more than half a million westering suns. Goddesses or women, they had kept alive the legend of the Rock.
“No one knows who they were, what they represented, and why they were created with such labour, in so inaccessible a spot. The favourite theory is that they were celestial beings, and that all Kalidasa’s efforts here were devoted to creating a heaven on earth, with its attendant goddesses. Perhaps he believed himself a God-King, as the Pharaohs of Egypt had done; perhaps that is why he borrowed from them the image of the Sphinx, guarding the entrance to his palace.”
Now the scene shifted to a distant view of the Rock, seen reflected in the small lake at its base. The water trembled, the outlines of Yakkagala wavered and dissolved. When they had reformed, the Rock was crowned by walls and battlements and spires, clinging to its entire upper surface. It was impossible to see them clearly; they remained tantalisingly out of focus, like the images in a dream.
No man would ever know what Kalidasa’s aerial palace had really looked like, before it was destroyed by those who sought to extirpate his very name.
“And here he lived, for almost twenty years, awaiting the doom that he knew would come. His spies must have told him that, with the help of the kings of southern Hindustan, Malgara was patiently gathering his armies.”
“And at last Malgara came. From the summit of the Rock, Kalidasa saw the invaders marching from the north. Perhaps he believed himself impregnable; but he did not put it to the test. For he left the safety of his great fortress, and rode out to meet his brother, in the neutral ground between the two armies. One would give much to know what words they spoke, at that last encounter. Some say they embraced before they parted; it may be true.”
“Then the armies met, like the waves of the sea. Kalidasa was fighting on his own territory, with men who knew the land, and at first it seemed certain that victory would go to him. But then occurred another of those accidents that determine the fate of nations.”
“Kalidasa’s great war elephant, caparisoned with the royal banners, turned aside to avoid a patch of marshy ground. The defenders thought that the king was retreating. Their morale broke; they scattered, as the Chronicles record, like chaff from the winnowing fan.”
“Kalidasa was found on the battlefield, dead by his own hand. Malgara became king. And Yakkagala was abandoned to the jungle, not to be discovered again for seventeen hundred years.”
5. Through the Telescope
“My secret vice,” Rajasinghe called it, with wry amusement but also with regret. It had been years since he had climbed to the summit of Yakkagala, and though he could fly there whenever he wished, that did not give the same feeling of achievement. To do it the easy way by-passed the most fascinating architectural details of the ascent; no-one could hope to understand the mind of Kalidasa without following his footsteps all the way from Pleasure Garden to aerial Palace.
But there was a substitute which could give an ageing man considerable satisfaction. Years ago he had acquired a compact and powerful twenty-centimetre telescope; through it he could roam the entire western wall of the Rock, retracing the path he had followed to the summit so many times in the past. When he peered through the binocular eyepiece, he could easily imagine that he was hanging in mid-air, close enough to the sheer granite wall to reach out and touch it.
In the late afternoon, as the rays of the westering sun reached beneath the rock overhang that protected them, Rajasinghe would visit the frescoes, and pay tribute to the ladies of the court. Though he loved them all, he had his favourites; sometimes he would talk silently to them, using the most archaic words and phrases that he knew-well aware of the fact that his oldest Taprobani lay a thousand years in their future.
It also amused him to watch the living, and to study their reactions as they scrambled up the Rock, took photographs of each other on the summit, or admired the frescoes. They could have no idea that they were accompanied by an invisible-and envious-spectator, moving effortlessly beside them like a silent ghost, and so close that he could see every expression, and every detail of their clothing. For such was the power of the telescope that, if Rajasinghe had been able to lip-read, he could have eavesdropped on the tourists’ conversation.
If this was voyeurism, it was harmless enough – and his little “vice” was hardly a secret, for he was delighted to share it with visitors. The telescope provided one of the best introductions to Yakkagala, and it had often served other useful purposes. Rajasinghe had several times alerted the guards to attempted souvenir hunting, and more than one astonished tourist had been caught carving his initials on the face of the Rock.
Rajasinghe seldom used the telescope in the morning, because the sun was then on the far side of Yakkagala and little could be seen on the shadowed western face. And, as far as he could recall, he had never used it so soon after dawn, while he was still enjoying the delightful local custom of “bed-tea”, introduced by the European planters three centuries ago. Yet now, as he glanced out of the wide picture-window that gave him an almost complete view of Yakkagala, he was surprised to see a tiny figure moving along the crest of the Rock, partly silhouetted against the sky. Visitors never climbed to the top so soon after dawn – the guard wouldn’t even unlock the elevator to the frescoes for another hour. Idly, Rajasinghe wondered who the early bird could be.