Confessions of a Crap Artist by Philip K. Dick

Then and there I saw the limitation of my systematic method. As a means of recording significant data it was unexcelled, but as a means of conveying that data to another person, it had no merit. Up to now, my recording and preservation of significant facts had been for my own use … but now I was gathering facts for the use of another person, in this case a man who had little or no scientific education. Looking back, I recalled that in the past a great number of facts that had impressed me had been conveyed in highly dramatized articles, such as those in the American Weekly, and other facts had been conveyed in fictional forms, such as in the stories I read in Thrilling Wonder and Astonishing.

Obviously I had a thing or two to learn. I left the hospital feeling very chagrined, and, for the first time in years, basically questioning myself and my methods.

A day or so later, while spending the afternoon alone in the house, I heard the doorbell chime. I had been folding the laundry that had come out of the clothes drier. Leaving the heaps of clothes on the table I went to open the door, thinking that possibly Fay was back from town and wanted me to carry something in from the can.

When I opened the door I found myself facing a woman that I had never seen before.

“Hello,” she said.

“Hello,” I said.

The woman was quite small, with a huge black pony tail of such heavy hair that I thought she must be a foreigner. Her face had a dark quality, like an Italian’s, but her nose had the bony prominence of an American Indian’s. She had quite a strong chin and large brown eyes that stared at me so hand and fixedly that I became nervous. After saying hello she said nothing at all but smiled. She had sharp teeth, like a savage’s, and that also made me uneasy. She wore a green shirt, like a man’s, out at the waist, and shorts, and gold sandals, and she carried a purse and a manila envelope and a pair of sunglasses. I saw parked in the driveway a new Ford station wagon painted bright red. In some respects the woman seemed to me breath-takingly beautiful, but at the same time I was aware that something was wrong with her proportions. Hen head was slightly too large for her shoulders –although it may have been an illusion due to her heavy black hair– and her chest was somewhat concave, actually hollow, not like a woman’s chest at all. And her hips were too small in proportion to her shoulders, and then, in order, her legs were too short for her hips, and her feet too small for her legs. So she resembled an inverted pyramid.

It came to me that although this woman was in her thirties, she had the figure of a somewhat underweight but very good-looking fourteen-year-old girl. Her body had not matured, only her face. She had not developed beyond a certain point, and this top-heavy effect was not an illusion. If you noticed only her face she seemed absolutely ravishingly beautiful, but if your gaze took in all of her, then you were conscious that there was something wrong with her, something fundamentally out of proportion.

Her voice had a rasping, husky quality, very low-pitched. Like her eyes it had a strong and intense authority to it, and I found myself unable to break away from her gaze. Although she had never seen me before –laid eyes on me, as they say– she acted as if she had expected to see me, as if I was familiar to her. Her smile had a sly certitude to it. After a moment she started forward and I stood aside; she came on into the house, gliding with very small steps and making no sound at all. Apparently she had been there before because she went without hesitation into the living room and put her purse down on one of the tables there, the same table on which Fay always put her purse. Then she turned to look back at me and said,

“Have you been having any pains in your head lately? Around your temples?” She put up her hand and traced a line across her forehead from eye to eye. “I have. Do you know what that is?” She came gliding toward me and stopped a short distance away. “That’s the crown of thorns,” she said. “We all have to wear it before the world can end and a new world take its place. I’m wearing it now. I’ve been wearing it since last Friday, when I ascended the cross and was crucified and then spent a night in the tomb.” Smiling at me, and keeping her large brown eyes fixed on me, she continued, “I slept the whole night outdoors in the cold and never even knew it. My husband and children didn’t know I was missing; it was as if no time had passed. I had been transfigured into eternity. The whole house vibrated — I saw it vibrate, my god, as if it was going to fly up into the sky like a spaceship.”

“I see,” I said, unable to take my eyes away from hers.

“Over the house,” she continued, “there was a huge blue light hanging, like crackling electric fine. I laid on the ground and that fire consumed me, from that spaceship. The whole house became a spaceship ready to go into space.”

I couldn’t help nodding.

In the same tone of voice she went on, “I’m Mrs. Hambro. Claudia Hambro. I live over in Inverness Park. You’re Fay’s brother, aren’t you?”

“Yes,” I said. “Fay isn’t here; she went into town.”

“I know,” Mrs. Hambro said. “I knew that when I woke up this morning.” She walked over to the window, looked out at the sheep, who were going by the fence. Then she turned and seated herself in a chain, crossing her bare legs and setting her purse on her lap; she opened her purse, got out a package of cigarettes, and lit up. “Why did you come here?” she said. “To Drake’s Landing. Do you know the reason?”

I shook my head.

“It’s the force that’s pulling us all together,” she said. “Throughout the world. There’s groups forming everywhere. The message is the same: suffer and die to save the world. Christ was not suffering for our sins, he was suffering to show us the way. We all have to suffer. We all have to ascend the cross to gain eternal life, each in his own way.” She blew smoke from her nostrils up at me. “Christ was from another planet. From a more evolved race. Earth is the most backward planet in the universe. At night I can lie awake –sometimes it really scares me– and listen to them talking. The other night they began to open my head. They cut a flap open this way and one that way.” With her hand she traced lines across her head. “And I heard this terrible noise; it was the loudest noise I have even heard. It absolutely deafened me. You know what it was? It was Aaron’s rod coming down; it appeared in the air before me. Since then I haven’t been able to look at the sun. The cosmic nay intensity is too great; it’s burning our minds out. By the end of May it’ll reach its ultimate and the world will come to an end, according to scientists. The poles are about to switch positions. Did you know that? San Francisco is getting closer to Los Angeles.”

“Yes,” I said. I remembered having read that in the newspaper.

“The most evolved beings of all live in the sun,” Mrs. Hambro went on. “They’ve been entering my head every night now. I’m an initiate. Soon I’ll know the whole mystery. It’s very exciting.” All at once she laughed, showing me her sharp-pointed teeth. “Do you think I’m out of my mind? Are you going to call the loony bin?”

“No,” I said.

She said, “I’ve suffered, but it’s worth it. None of us can hide from it; it’s destiny. You’ve been hiding all your life, haven’t you? But destiny brought you here. Look at this.” Putting her cigarette down on the edge of the coffee table she opened her manila envelope and brought out a folded-up paper; she unrolled it, and I saw an intricate pencil sketch of an old Chinaman. “That’s our guru,” she said. “We’ve never seen him, but Barbara Mulchy drew that under hypnotic suggestion when we asked to see He Who’s Leading us. No one has been able to read the inscription. It predates any known language.” She pointed to some Chinese-looking writing at the bottom of the picture. “He drew you up here to Drake’s Landing,” she said. “He’s been guiding you all your life.”

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