Crime and Punishment by Fyodor Dostoyevsky

He leaned his elbows on his knees and squeezed his head in his hands as in a vise.

“What suffering!” A wail of anguish broke from Sonia.

“Well, what am I to do now?” he asked, suddenly raising his head and looking at her with a face hideously distorted by despair.

“What are you to do?” she cried, jumping up, and her eyes that had been full of tears suddenly began to shine. “Stand up!” (She seized him by the shoulder, he got up, looking at her almost bewildered.) “Go at once, this very minute, stand at the cross-roads, bow down, first kiss the earth which you have defiled and then bow down to all the world and say to all men aloud, ‘I am a murderer!’ Then God will send you life again. Will you go, will you go?” she asked him, trembling all over, snatching his two hands, squeezing them tight in hers and gazing at him with eyes full of fire.

He was amazed at her sudden ecstasy.

“You mean Siberia, Sonia? I must give myself up?” he asked gloomily.

“Suffer and expiate your sin by it, that’s what you must do.”

“No! I am not going to them, Sonia!”

“But how will you go on living? What will you live for?” cried Sonia, “how is it possible now? Why, how can you talk to your mother? (Oh, what will become of them now?) But what am I saying? You have abandoned your mother and your sister already. He has abandoned them already! Oh, God!” she cried, “why, he knows it all himself. How, how can he live by himself! What will become of you now?”

“Don’t be a child, Sonia,” he said softly. “What wrong have I done them? Why should I go to them? What should I say to them? That’s only a phantom. . . . They destroy men by millions themselves and look on it as a virtue. They are knaves and scoundrels, Sonia! I am not going to them. And what should I say to them–that I murdered her, but did not dare to take the money and hid it under a stone?” he added with a bitter smile. “Why, they would laugh at me, and would call me a fool for not getting it. A coward and a fool! They wouldn’t understand and they don’t deserve to understand. Why should I go to them? I won’t. Don’t be a child, Sonia. . . .”

“It will be too much for you to bear, too much!” she repeated, holding out her hands in despairing supplication.

“Perhaps I’ve been unfair to myself,” he observed gloomily, pondering, “perhaps after all I am a man and not a louse and I’ve been in too great a hurry to condemn myself. I’ll make another fight for it.”

A haughty smile appeared on his lips.

“What a burden to bear! And your whole life, your whole life!”

“I shall get used to it,” he said grimly and thoughtfully. “Listen,” he began a minute later, “stop crying, it’s time to talk of the facts: I’ve come to tell you that the police are after me, on my track. . . .”

“Ach!” Sonia cried in terror.

“Well, why do you cry out? You want me to go to Siberia and now you are frightened? But let me tell you: I shall not give myself up. I shall make a struggle for it and they won’t do anything to me. They’ve no real evidence. Yesterday I was in great danger and believed I was lost; but to-day things are going better. All the facts they know can be explained two ways, that’s to say I can turn their accusations to my credit, do you understand? And I shall, for I’ve learnt my lesson. But they will certainly arrest me. If it had not been for something that happened, they would have done so to-day for certain; perhaps even now they will arrest me to-day. . . . But that’s no matter, Sonia; they’ll let me out again . . . for there isn’t any real proof against me, and there won’t be, I give you my word for it. And they can’t convict a man on what they have against me. Enough. . . . I only tell you that you may know. . . . I will try to manage somehow to put it to my mother and sister so that they won’t be frightened. . . . My sister’s future is secure, however, now, I believe . . . and my mother’s must be too. . . . Well, that’s all. Be careful, though. Will you come and see me in prison when I am there?”

“Oh, I will, I will.”

They sat side by side, both mournful and dejected, as though they had been cast up by the tempest alone on some deserted shore. He looked at Sonia and felt how great was her love for him, and strange to say he felt it suddenly burdensome and painful to be so loved. Yes, it was a strange and awful sensation! On his way to see Sonia he had felt that all his hopes rested on her; he expected to be rid of at least part of his suffering, and now, when all her heart turned towards him, he suddenly felt that he was immeasurably unhappier than before.

“Sonia,” he said, “you’d better not come and see me when I am in prison.”

Sonia did not answer, she was crying. Several minutes passed.

“Have you a cross on you?” she asked, as though suddenly thinking of it.

He did not at first understand the question.

“No, of course not. Here, take this one, of cypress wood. I have another, a copper one that belonged to Lizaveta. I changed with Lizaveta: she gave me her cross and I gave her my little ikon. I will wear Lizaveta’s now and give you this. Take it . . . it’s mine! It’s mine, you know,” she begged him. “We will go to suffer together, and together we will bear our cross!”

“Give it me,” said Raskolnikov.

He did not want to hurt her feelings. But immediately he drew back the hand he held out for the cross.

“Not now, Sonia. Better later,” he added to comfort her.

“Yes, yes, better,” she repeated with conviction, “when you go to meet your suffering, then put it on. You will come to me, I’ll put it on you, we will pray and go together.”

At that moment someone knocked three times at the door.

“Sofya Semyonovna, may I come in?” they heard in a very familiar and polite voice.

Sonia rushed to the door in a fright. The flaxen head of Mr. Lebeziatnikov appeared at the door.

CHAPTER V

Lebeziatnikov looked perturbed.

“I’ve come to you, Sofya Semyonovna,” he began. “Excuse me . . . I thought I should find you,” he said, addressing Raskolnikov suddenly, “that is, I didn’t mean anything . . . of that sort . . . But I just thought . . . Katerina Ivanovna has gone out of her mind,” he blurted out suddenly, turning from Raskolnikov to Sonia.

Sonia screamed.

“At least it seems so. But . . . we don’t know what to do, you see! She came back–she seems to have been turned out somewhere, perhaps beaten. . . . So it seems at least, . . . She had run to your father’s former chief, she didn’t find him at home: he was dining at some other general’s. . . . Only fancy, she rushed off there, to the other general’s, and, imagine, she was so persistent that she managed to get the chief to see her, had him fetched out from dinner, it seems. You can imagine what happened. She was turned out, of course; but, according to her own story, she abused him and threw something at him. One may well believe it. . . . How it is she wasn’t taken up, I can’t understand! Now she is telling everyone, including Amalia Ivanovna; but it’s difficult to understand her, she is screaming and flinging herself about. . . . Oh yes, she shouts that since everyone has abandoned her, she will take the children and go into the street with a barrel-organ, and the children will sing and dance, and she too, and collect money, and will go every day under the general’s window . . . ‘to let everyone see well-born children, whose father was an official, begging in the street.’ She keeps beating the children and they are all crying. She is teaching Lida to sing ‘My Village,’ the boy to dance, Polenka the same. She is tearing up all the clothes, and making them little caps like actors; she means to carry a tin basin and make it tinkle, instead of music. . . . She won’t listen to anything. . . . Imagine the state of things! It’s beyond anything!”