DARKFALL By Dean R. Koontz

The Jamisons’ apartment was in a twelve-story building on a cross street

that hadn’t yet been plowed. The street was mantled with six inches of

snow. Jack drove slowly forward and had no trouble for about twenty

yards, but then the wheels sank into a hidden drift that had completely

filled in a dip in the pavement. For a moment he thought they were

stuck, but he threw the car into reverse and then forward and then

reverse and then forward again, rocking it, until it broke free.

Two-thirds of the way down the block, he tapped the brakes, and the car

slid to a stop in front of the right building.

He flung open the door and scrambled out of the car.

An arctic wind hit him with sledgehammer force. He put his head down

and staggered around the front of the car, onto the sidewalk, barely

able to see as the wind picked up crystals of snow from the ground and

sprayed them in his face.

By the time Jack climbed the steps and pushed through the glass doors,

into the lobby, Rebecca was already there. Flashing her badge and photo

ID at the startled doorman, she said, “Police.”

He was a stout man, about fifty, with hair as white as the snow outside.

He was sitting at a Sheraton desk near the pair of elevators, drinking

coffee and taking shelter from the storm. He must have been a day-shift

man, filling in for the regular night-shift man (or perhaps new) because

Jack had never seen him on the evenings when he’d come here to pick up

the kids.

“What is it?” the doorman asked. “What’s wrong?”

This wasn’t the kind of building where people were accustomed to

anything being wrong; it was first-class all the way, and the mere

prospect of trouble was sufficient to cause the doorman’s face to turn

nearly as pale as his hair.

Jack punched the elevator call button and said, “We’re going up to the

Jamisons’ apartment. Eleventh floor.”

“I know which floor they’re on,” the doorman said, flustered, getting up

so quickly that he bumped the desk and almost knocked over his coffee

cup. “But why-”

One set of elevator doors opened.

Jack and Rebecca stepped into the cab.

Jack shouted back to the doorman: “Bring a passkey!

I hope to God we don’t need it.”

Because if we need it, he thought, that’ll mean no one’s left alive in

the apartment to let us in.

The lift doors shut. The cab started up.

Jack reached inside his overcoat, drew his revolver.

Rebecca pulled her gun, too.

Above the doors, the panel of lighted numbers indicated that they had

reached the third floor.

“Guns didn’t help Dominick Carramazza,” Jack said shakily, staring at

the Smith & Wesson in his hand.

Fourth floor.

“We won’t need guns anyway,” Rebecca said.

“We’ve gotten here ahead of Lavelle. I know we have.”

But the conviction had gone out of her voice.

Jack knew why. The journey from her apartment had taken forever. It

seemed less and less likely that they were going to be in time.

Sixth floor.

“Why’re the elevators so goddamned slow in this building?” Jack

demanded.

Seventh floor.

Eighth.

Ninth.

“Move, damnit!” he commanded the lift machinery, as if he thought it

would actually speed up if he ordered it to do so.

Tenth floor.

Eleventh.

At last the doors slid open, and Jack stepped through them.

Rebecca followed close behind.

The eleventh floor was so quiet and looked so ordinary that Jack was

tempted to hope.

Please, God, please.

There were seven apartments on this floor. The Jamisons had one of the

two front units.

Jack went to their door and stood to one side of it.

His right arm was bent and tucked close against his side, and the

revolver was in his right hand, held close to his face, the muzzle

pointed straight up at the ceiling for the moment, but ready to be

brought into play in an instant.

Rebecca stood on the other side, directly opposite him, in a similar

posture.

Let them be alive. Please. Please.

His eyes met Rebecca’s. She nodded. Ready.

Jack pounded on the door.

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