Ernest Hemingway: Green Hills of Africa

The others started back to camp with Pop and M’Cola. There was no meat in camp, and I wanted to hunt back in a circle with Droopy to see if we could kill a piece. I was beginning to feel strong again after the dysentery and it was a pleasure to walk in the easy rolling country, simply to walk, and to be able to hunt, not knowing what we might see and free to shoot for the meat we needed. Then, too, I liked Droopy and liked to watch him walk. He strode very loosely and with a slight lift, and I liked to watch him and to feel the grass under my soft-soled boots and the pleasant weight of the rifle, held just back of the muzzle, the barrel resting on my shoulder, and the sun hot enough to sweat you well as it burned the dew from the grass; with the breeze starting and the country like an abandoned New England orchard to walk through. I knew that I was shooting well again and I wanted to make a shot to impress Droopy.

From the top of one rise we saw two kongoni showing yellow on a hillside about a mile away and I motioned to Droop that we would go after them. We started down and in a ravine jumped a waterbuck bull and two cows. Waterbuck was the one animal we might get that I knew was worthless as meat and I had shot a better head than this one carried. I had the sights on the buck as he tore away, remembered about the worthless meat, and having the head, and did not shoot.

‘No shoot kuro?’ Droopy asked in Swahili. {‘Doumi sana}. A good bull.’

I tried to tell him that I had a better one and that it was no good to eat.

He grinned.

{‘Piga kongoni m’uzuri.’}

Piga’ was a fine word. It sounded exactly as the command to fire should sound or the announcement of a hit. ‘M’uzuri’, meaning good, well, better, had sounded too much like the name of a state for a long time, and walking I used to make up sentences in Swahili with Arkansas and M’usuri in them, but now it seemed natural, no longer to be italicized, just as all the words came to seem the proper and natural words and there was nothing odd or unseemly in the stretching of the ears, in the tribal scars, or in a man carrying a spear. The tribal marks and the tattooed places seemed natural and handsome adornments and I regretted not having any of my own. My own scars were all informal, some irregular and sprawling, others simply puffy welts. I had one on my forehead that people still commented on, asking if I had bumped my head, but Droop had handsome ones beside his cheekbones and others, symmetrical and decorative, on his chest and belly. I was thinking that I had one good one, a sort of embossed Christmas tree, on the bottom of my right foot that only served to wear out socks, when we jumped two reedbuck. They went off through the trees and then stood at sixty yards, the thin, graceful buck looking back, and I shot him high and a touch behind the shoulder. He gave a jump and went off very fast.

‘Piga.’ Droopy smiled. We had both heard the whunk of the bullet.

‘Kufa,’ I told him. ‘Dead.’

But when we came up to him, lying on his side, his heart was still beating strongly, although to all appearances he was dead. Droopy had no skinning knife and I had only a penknife to stick him with. I felt for the heart behind the foreleg with my fingers and feeling it beating under the hide slipped the knife in but it was short and pushed the heart away. I could feel it, hot and rubbery against my fingers, and feel the knife push it, but I felt around and cut the big artery and the blood came hot against my fingers. Once bled, I started to open him, with the little knife, still showing off to Droopy, and emptying him neatly took out the liver, cut away the gall, and laying the liver on a hummock of grass, put the kidneys beside it.

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