Everything’s Eventual: 14 Dark Tales by Stephen King

STEPHEN KING

people in front of the New England Aquarium shark-tank at feeding time. Sirens were approaching, a lot of them.

I went across the street, reached for her shoulder, thought better of it. I settled for calling her name, instead.

She turned around, her eyes dulled with horror and shock. The front of her dress had turned into a grisly purple bib. She stank of blood and spent adrenaline.

“Leave me alone,” she said. “I never want to see you again, Steven.”

“You kicked my ass in there,” I said. “You kicked my ass and almost got me killed. Both of us. I can’t believe you, Diane.”

“I’ve wanted to kick your ass for the last fourteen months,” she said. “When it comes to fulfilling our dreams, we can’t always pick our times, can w—”

I slapped her across the face. I didn’t think about it, I just did it, and few things in my adult life have given me so much pleasure. I’m ashamed of that, but I’ve come too far in this story to tell a lie, even one of omission.

Her head rocked back. Her eyes widened in shock and pain, losing that dull, traumatized look.

“You bastard!” she cried, her hand going to her cheek. Now tears were brimming in her eyes. “Oh, you bastard! ”

“I saved your life,” I said. “Don’t you realize that? Doesn’t that get through? I saved your fucking life. ”

“You son of a bitch,” she whispered. “You controlling, judgemental, small-minded, conceited, complacent son of a bitch. I hate you.”

“Did you even hear me? If it wasn’t for the conceited, small-minded son of a bitch, you’d be dead now.”

“If it wasn’t for you, I wouldn’t have been there in the first place,”

she said as the first three police cars came screaming down Fifty-third Street and pulled up in front of the Gotham Café. Cops poured out of them like clowns in a circus act. “If you ever touch me again, I’ll scratch your eyes out, Steve,” she said. “Stay away from me.”

I had to put my hands in my armpits. They wanted to kill her, to reach out and wrap themselves around her neck and just kill her.

She walked seven or eight steps, then turned back to me. She was 344

EVERYTHING’S EVENTUAL

smiling. It was a terrible smile, more awful than any expression I had seen on the face of Guy the Demon Waiter. “I had lovers,” she said, smiling her terrible smile. She was lying. The lie was all over her face, but that didn’t make it hurt any less. She wished it was true; that was all over her face, too. “Three of them over the last year or so. You weren’t any good at it, so I found men who were.”

She turned and walked down the street, like a woman who was sixty-five instead of twenty-seven. I stood and watched her. Just before she reached the corner I shouted it again. It was the one thing I couldn’t get past; it was stuck in my throat like a chicken bone. “I saved your life! Your goddam life! ”

She paused at the corner and turned back to me. The terrible smile was still on her face. “No,” she said. “You didn’t.”

Then she went on around the corner. I haven’t seen her since, although I suppose I will. I’ll see her in court, as the saying goes.

I found a market on the next block and bought a package of Marlboros. When I got back to the corner of Madison and Fifty-third, Fifty-third had been blocked off with those blue sawhorses the cops use to protect crime-scenes and parade routes. I could see the restaurant, though. I could see it just fine. I sat down on the curb, lit a cigarette, and observed developments. Half a dozen rescue vehicles arrived—a scream of ambulances, I guess you could say. The chef went into the first one, unconscious but apparently still alive. His brief appearance before his fans on Fifty-third Street was followed by a body-bag on a stretcher—Humboldt. Next came Guy, strapped tightly to a stretcher and staring wildly around as he was loaded into the back of an ambulance. I thought that for just a moment his eyes met mine, but that was probably my imagination.

As Guy’s ambulance pulled away, rolling through a hole in the sawhorse barricade provided by two uniformed cops, I tossed the cigarette I’d been smoking in the gutter. I hadn’t gone through this day just to start killing myself with tobacco again, I decided.

I looked after the departing ambulance and tried to imagine the man inside it living wherever maître d’s live—Queens or Brooklyn or 345

STEPHEN KING

maybe even Rye or Mamaroneck. I tried to imagine what his own dining room might look like, what pictures might be on the walls. I couldn’t do that, but I found I could imagine his bedroom with relative ease, although not whether he shared it with a woman. I could see him lying awake but perfectly still, looking up at the ceiling in the small hours while the moon hung in the black firmament like the half-lidded eye of a corpse; I could imagine him lying there and listening to the neighbor’s dog bark steadily and monotonously, going on and on until the sound was like a silver nail driving into his brain. I imagined him lying not far from a closet filled with tuxedos in plastic dry-cleaning bags. I could see them hanging there like executed felons. I wondered if he did have a wife. If so, had he killed her before coming to work? I thought of the blob on his shirt and decided it was a possibility. I also wondered about the neighbor’s dog, the one that wouldn’t shut up. And the neighbor’s family.

But mostly it was Guy I thought about, lying sleepless through all the same nights I had lain sleepless, listening to the dog next door or down the street as I had listened to sirens and the rumble of trucks heading downtown. I thought of him lying there and looking up at the shadows the moon had tacked to the ceiling. Thought of that cry— Eeeeeee! —building up in his head like gas in a closed room.

“Eeeee,” I said . . . just to see how it sounded. I dropped the package of Marlboros into the gutter and began stamping it methodi-cally as I sat there on the curb. “Eeeee. Eeeee. Eeeeee.”

One of the cops standing by the sawhorses looked over at me.

“Hey, buddy, want to stop being a pain in the butt?” he called over.

“We got us a situation here.”

Of course you do, I thought. Don’t we all.

I didn’t say anything, though. I stopped stamping—the cigarette pack was pretty well dead by then, anyway—and stopped making the noise. I could still hear it in my head, though, and why not? It makes as much sense as anything else.

Eeeeeee.

Eeeeeee.

Eeeeeee.

346

That Feeling, You Can Only Say

What It Is in French

Floyd, what’s that over there? Oh shit.

The man’s voice speaking these words was vaguely familiar, but the words themselves were just a disconnected snip of dialogue, the kind of thing you heard when you were channel-surfing with the remote. There was no one named Floyd in her life. Still, that was the start. Even before she saw the little girl in the red pinafore, there were those disconnected words.

But it was the little girl who brought it on strong. “Oh-oh, I’m getting that feeling,” Carol said.

The girl in the pinafore was in front of a country market called Carson’s—BEER, WINE, GROC, FRESH BAIT, LOTTERY—crouched down with her butt between her ankles and the bright-red apron-dress tucked between her thighs, playing with a doll. The doll was yellow-haired and dirty, the kind that’s round and stuffed and boneless in the body.

“What feeling?” Bill asked.

“You know. The one you can only say what it is in French. Help me here.”

“Déjà vu,” he said.

“That’s it,” she said, and turned to look at the little girl one more time. She’ll have the doll by one leg, Carol thought. Holding it upside down by one leg with its grimy yellow hair hanging down.

But the little girl had abandoned the doll on the store’s splintery gray steps and had gone over to look at a dog caged up in the back 347

STEPHEN KING

of a station wagon. Then Bill and Carol Shelton went around a curve in the road and the store was out of sight.

“How much farther?” Carol asked.

Bill looked at her with one eyebrow raised and his mouth dimpled at one corner—left eyebrow, right dimple, always the same.

The look that said, You think I’m amused, but I’m really irritated. For the ninety trillionth or so time in the marriage, I’m really irritated. You don’t know that, though, because you can only see about two inches into me and then your vision fails.

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