Midnight by Dean R. Koontz

Low, hoarse voices hissed and muttered at the far end of the hall—then a bone-jarring crash slammed through the lodge, making her cry out and twitch in surprise. Another crash followed at once. She heard a door give way at another room.

A woman screamed, and a man shouted, but the oilier voices were what brought a chill of horror to Tessa. There were several of them, three or even four, and they were eerie and shockingly savage. The public corridor beyond her door was filled with harsh wolflike growls, murderous snarls, shrill and excited squeals, an icy keening that was the essence of blood hunger, and other less describable sounds, but worst of all was that those same inhuman voices, clearly belonging to beasts not men, nevertheless also spat out a few recognizable words: “… need, need … get her, get … get, get … blood, bitch, blood…”

Leaning against the door, holding on to it for support, Tessa tried to tell herself that the words she heard were from the man and woman whose room had been broken into, but she knew that was not true, because she also heard both a man and woman screaming. Their screams were horrible, almost unbearable, full of terror and agony, as if they were being beaten to death or worse, much worse, being torn apart, ripped limb from limb and gutted.

A couple of years ago Tessa had been in Northern Ireland, making a documentary about the pointlessness of the needless violence there, and she’d been unfortunate enough to be at a cemetery, at the funeral of one of the endless series of “martyrs”—Catholic or Protestant, it didn’t matter any more, both had a surfeit of them—when the crowd of mourners had metamorphosed into a pack of savages. They had streamed from the churchyard into nearby streets, looking for those of a different faith, and soon they’d come across two British plain clothes army officers patrolling the area in an unmarked car. By its sheer size, the mob blocked the car’s advance, encircled it, smashed in the windows, and dragged the would-be peacekeepers out onto the pavement. Tessa’s two technical assistants had fled, but she had waded into the melee with her shoulder-mounted videotape camera, and through the lens she had seemed to be looking beyond the reality of this world into hell itself. Eyes wild, faces distorted with hatred and rage, grief forgotten and bloodlust embraced, the mourners had tirelessly kicked the fallen Britons, then pulled them to their feet only to pummel and stab them, slammed them repeatedly against the car until their spines broke and their skulls cracked, then dropped them and stomped them and tore at them and stabbed them again, though by that time they were both dead. Howling and shrieking, cursing, chanting slogans that degenerated into meaningless chains of sounds, mindless rhythms, like a flock of carrion-eating birds, they plucked at the shattered bodies, though they weren’t like earthly birds, neither buzzards nor vultures, but like demons that had flown up from the pit, tearing at the dead men not only with the intention of consuming their flesh but with the hot desire to rip out and steal their souls. Two of those frenzied men had noticed Tessa, had seized her camera and smashed it, and had thrown her to the ground. For one terrible moment she was sure that they would dismember her in their frenzy. Two of them leaned down, grabbing at her clothes. Their faces were so wrenched with hatred that they no longer looked human, but like gargoyles that had come to life and had climbed down from the roofs of cathedrals. They had surrendered all that was human in themselves and let loose the gene-encoded ghosts of the primitives from whom they were descended. “For God’s sake, no!” she had cried. “For God’s sake, please!” Perhaps it was the mention of God or just the sound of a human voice that had not devolved into the hoarse gnarl of a beast, but for some reason they let go and hesitated. She seized that reprieve to scramble away from them, through the churning, blood-crazed mob to safety.

What she heard now, at the other end of the motel corridor, was just like that. Or worse.

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