Fleming, Ian – Live and let die

The audience was silent. The drums began to step up the tempo. The bass drum kept its beat dead on the timing of the human pulse.

The girl’s naked stomach started slowly to revolve in time with the rhythm. She swept the black feathers across and behind her again, and her hips started to grind in time with the bass drum. The upper part of her body was motionless. The black feathers swirled again, and now her feet were shifting and her shoulders. The drums beat louder. Each part of her body seemed to be keeping a different time. Her lips were bared slightly from her teeth. Her nostrils began to flare. Her eyes glinted hotly through the diamond slits. It was a sexy, pug-like face — chienne was the only word Bond could think of.

The drums thudded faster, a complexity of interlaced rhythms. The girl tossed the big fan off the floor, held her arms up above her head. Her whole body began to shiver. Her belly moved faster. Round and round, in and out. Her legs straddled. Her hips began to revolve in a wide circle. Suddenly she plucked the sequin star off her right breast and threw it into the audience. The first noise came from the spectators, a quiet growl. Then they were silent again. She plucked off the other star. Again the growl and then silence. The drums began to crash and roll. Sweat poured off the drummers. Their hands fluttered like grey flannel on the pale membranes. Their eyes were bulging, distant. Their heads were slightly bent to one side as if they were listening. They hardly glanced at the girl. The audience panted softly, liquid eyes bulging and rolling.

The sweat was shining all over her now. Her breasts and stomach glistened with it. She broke into great shuddering jerks. Her mouth opened and she screamed softly. Her hands snaked down to her sides and suddenly she had torn away the strip of lace. She threw it into the audience. There was nothing now but a single black G-string. The drums went into a hurricane of sexual rhythm. She screamed softly again and then, her arms stretched before her as a balance, she started to lower her body down to the floor and up again. Faster and faster. Bond could hear the audience panting and grunting like pigs at the trough. He felt his own hands gripping the tablecloth. His mouth was dry.

The audience began to shout at her. ‘Cmon, G-G. Take it away, Baby. Cmon. Grind Baby, grind.’

She sank to her knees and as the rhythm slowly died so she too went into a last series of juddering spasms, mewing softly.

The drums came down to a slow tom-tom beat and shuffle. The audience howled for her body. Harsh obscenities came from different corners of the room.

The MC came on to the floor. A spot went on him.

‘Okay, folks, okay.’ The sweat was pouring off his chin. He spread his arms in surrender.

‘Da G-G AGREES!’

There was a delighted howl from the audience. Now she would be quite naked. ‘Take it off, G-G. Show yoself Baby. Cmon, cmon.’

The drums growled and stuttered softly.

‘But, mah friends,’ yelled the MC,’ she stipperlates -With da lights OUT!’

There was a frustrated groan from the audience. The whole room was plunged in darkness.

Must be an old gag, thought Bond to himself.

Suddenly all his senses were alert.

The howling of the mob was disappearing, rapidly. At the same time he felt cold air on his face. He ielt as if he was sinking.

‘Hey,’ shouted Leiter. His voice was close but it sounded hollow.

Christ! thought Bond.

Something snapped shut above his head. He put his hand out behind him. It touched a moving wall a foot from his back.

‘Lights,’ said a voice, quietly.

At the same time both his arms were gripped. He was pressed down in his chair.

Opposite him, still at the table, sat Leiter, a huge negro grasping his elbows. They were in a tiny square cell. To right and left were two more negroes in plain clothes with guns trained on them.

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