Moller, a physicist and Romney’s coworker, showing me the results of these experiments, used the image of comparing the Senders to a tenor who is able to sing a note in such a way that a glass held before his mouth will shatter from the created resonance. What the man sings about has no bearing, obviously, on this consequence of his song. Similarly, the cut, color, and weight of the paper on which a letter is written need have no particular connection with its content. But a connection can equally well exist between the information proper and its physical medium. When, for example, we receive a small, sky-blue, subtly perfumed note from a woman, we hardly expect to find in it a torrent of abuse or a diagram of the city’s sewer system. The question of whether a connection exists, and whether its existence is of special significance, usually is decided by the culture, the context in which the communication takes place. The Romney-Moller Effect was one of our greatest achievements; yet at the same time, as was typical in the Project, it was a maddening puzzle that caused the scientists many a sleepless night. The number of theories that welled up on this score was no less than that of the theories that wound about, like a vine, the substance “derived” from the information itself, that is, from the content of the stellar message — the substance that was Frog Eggs. Whether between that “nuclear ooze” and the “biosympathy” of the neutrino code there was any connection — and if there was, what it meant — that was the question!
8
Those responsible for my being pulled into the Project were Baloyne, Baer, and Prothero. As I came to realize in the course of the first weeks, the task that was given me at the beginning, and crowned with a success that had been anticipated, was not the main reason they co-opted me onto the Science Council. The Project had plenty of specialists, and the finest, too; the rub was, it did not have the right specialists, for there were none in existence. I, who had already several times abandoned the purity of my mathematics, moving from one discipline to another across a vast area that stretched from cosmology to animal behavior, not only picked up in the process a great variety of information — that was not the important thing — but also had acquired the habit, in the course of these repeated relocations, of iconoclasm.
As a stranger from the outside, and therefore not bound emotionally to the sacred and time-honored rules of the territories I invaded, I found it easy to question what others, ensconced in their given science, never dreamed of challenging. Thus it happened that I did not build so often as I razed existing orders, the fruits of much labor and dedication. It was just such an individual that the directors of the Project wanted. The majority of the people in its ranks — the natural scientists, especially — were content to continue with their previous research, not overly concerned about whether or not that research would form a coherent whole relating to the informational Moloch that came from the stars, that begot a host of interesting, specific problems, and that actually led (as I have indicated) to important discoveries.
But at the same time the leadership — the Big Four — began to realize, if still somewhat dimly, that they were falling into the situation where the forest became harder and harder to see for the researching of the trees; that the established routine, now finely tuned and quite efficient in its performance of systematic operations, could engulf the Project itself, dissolving it in a sea of isolated facts and findings; and that in this way the chance would be lost of ever grasping what had taken place. Earth had received a signal from the stars, a message so packed with content that the few crumbs pecked from it were sufficient to nourish a multitude of research teams for years on end; and yet the message itself was wrapped in a haze whose impenetrability, veiled by a swarm of tiny achievements, grew less and less provoking. Perhaps at work here was simply a psychological defense mechanism; or perhaps it was the habit of people trained to uncover the laws behind a phenomenon and not pose questions as to what brought those and not other laws into the world.
To such questions philosophy and religion are traditionally supposed to supply answers, not the natural scientist, who severs himself from the temptation of trying to divine the motives behind Creation. But here it was just the opposite: the approach of the guesser of motives, so discredited in the historical development of the empirical sciences, became the last hope offered for victory. Granted, the attributing of anthropomorphic motives to the Causer of the properties of the atoms remained methodologically prohibited; but some similarity — even the most remote — between Those Who Sent the code and the code’s recipients was more than a fantasy to comfort the mind; it was a hypothesis on whose cutting edge hung the future of the entire Project. And I was certain of this from the first, from the moment I set foot on the HMV compound — certain that a lack of any similarity would render futile all efforts to understand the stellar message.
Not for a minute did I put stock in any of the conjectures about the signal. The telegraphed individual, the blueprint of the “great brain,” of the plasmic “informational machine,” of the synthetic “ruler” who was to conquer Earth — all this was borrowed from the poverty-stricken repertoire of ideas which civilization, in its current technological form, had at its disposal. These imaginings were a reflection — much like the themes of science-fiction novels — of society, and of society primarily in its American version, whose export outside the States prospered around the middle of the century. They were either fashionable novelties or else conceptions built on the game principle “it’s them or us” — and never did the insipidity of invention, its enchainment to Earth in the narrow channel of historical time, appear more obvious to me than when I heard these theories, seemingly bold but in reality pathetically naïve.
During the discussions held by the Project’s chief information theorist, Dr. Mackenzie, when I had managed — by putting down such notions — to antagonize those present, one of Mackenzie’s younger colleagues asked what, then, in my opinion, the signal was, for the vehemence of my refutations indicated that I must be in possession of the truth.
“Perhaps it is a Revelation,” I replied. “Holy Scripture need not be printed on paper and bound in gold-embossed cloth. It can be also a plasmatic glob. . . such as Frog Eggs.”
I was joking, but they, anxious to exchange their ignorance for something, for anything, as long as it bore the semblance of certainty, began to consider my words in all seriousness. And immediately, again, everything worked out nicely for them: the signal was the Word that becomes Flesh (meaning the effect that “favored biogenesis,” the Romney-Moller Effect), and whatever the motives that inclined someone to support the development of life on the galactic scale, they could not be “pragmatic,” selfish, technological. . . because, in order to take such action, one first had to regard biogenesis — throughout the Universe — as a phenomenon desirable and good. This was, so to speak, an act of “cosmic good will,” which, when seen in that light, amounted to an announcement (but active, enacting) of “Good Tidings,” remarkable in that it was capable of self-fulfillment — without the presence of cooperative ears.
I left them — they were in such a heat, they did not even notice — and went back to my apartment. The one thing I was certain of was the Romney-Moller Effect: that the stellar code increased the probability of the creation of life. Biogenesis was of course still possible without it, but a longer time would be required, and there would be, perhaps, a lower percentage of occurrences. This statement had in it something bracing — beings who operated like that, I could understand.
Was it possible to believe that the purely physical, life-giving aspect of the signal was completely independent of, totally divorced from, its content? That the signal should represent no information at all, no “sense” beyond its “protective” relation to life, was impossible — Frog Eggs, if nothing else, gave proof of that. Then could it be that the content was in some way parallel to what its medium effected? I knew that I was getting onto slippery ground. The notion of the code as a message which by its content as well was to “make happy,” “do good,” immediately suggested itself. And yet, as Voltaire put it, when the grain is shipped to the Sultan, does the Captain concern himself about the comfort of the mice on board?