Jack Higgins – Confessional

There was something in the eyes, a mockery that sharpened Kelly like a razor’s edge as he went outside and started across the square. The band were on another hymn, the crowd sang, showing no disposition to move in spite of the rain. He glanced over his shoulder and saw that Murphy was standing at the top of the steps outside the pub. Strange, that, and then he waved several times, as if signalling someone and with a sudden roar, the stripped Land Rover came out of a side street into the square and skidded broadside on.

Kelly started to run, slipped on the damp cobbles and went down on one knee. The butt of a Sterling drove painfully into his kidneys. As he cried out, the driver, who he now saw was a sergeant, put a foot hard on Kelly’s outstretched hand and picked up the carrier bag. He turned it upside down and a cheap wooden kitchen clock fell out. He kicked it, like a football, across the square into the crowd which scattered.

‘No need for that!’ he shouted. ‘It’s a dud!’ He leaned down, grabbing Kelly by the long hair at the back of the neck. ‘You never learn, do you, your bloody lot? You can’t trust anybody, my son. They should have taught you that.’

Kelly gazed beyond him, at Murphy, standing on the steps outside the bar. So – an informer. Still Ireland’s curse, not that he was angry. Only cold now – ice cold and the breath slow, in and out of his lungs.

The sergeant had him by the scruff of the neck, up on his knees, crouched like an animal. He leaned, running his hands under the armpits and over the body, searching for a weapon,

then rammed Kelly against the Land Rover, still on his knees.

‘All right, hands behind you. You should have stayed back home in the bogs.’

Kelly started to get up, his two hands on the butt of the Browning handgun he had taped so carefully to the inside of the leg above the left ankle. He tore it free and shot the sergeant through the heart. The force of the shot lifted the sergeant off his feet and he slammed into the constable standing nearest to him. The man spun round, trying to keep his balance and Kelly shot him in the back, the Browning already arc-ing towards the third policeman, turning in alarm on the other side of the Land Rover, raising his submachine gun, too late as Kelly’s third bullet caught him in the throat, driving him back against the wall.

The crowd were scattering, women screaming, some of the band dropping their instruments. Kelly stood perfectly still, very calm amidst the carnage and looked across the square at Murphy, who still stood at the top of the steps outside the bar as if frozen.

The Browning swept up as Kelly took aim and a voice shouted over a loudspeaker in Russian, booming in the rain, ‘No more, Kelly! Enough!’

Kelly turned, lowering his gun. The man with the loudhailer advancing down the street wore the uniform of a colonel in the KGB, a military greatcoat slung from his shoulders against the rain. The man at his side was in his early thirties, tall and thin with stooped shoulders and fair hair. He wore a leather trenchcoat and steel-rimmed spectacles. Behind them, several squads of Russian soldiers, rifles at the ready, emerged from the side streets and doubled down towards the square. They were in combat fatigues and wore the flashes of the Iron Hammer Brigade of the elite special forces command.

‘That’s a good boy! Just put the gun down!’ the colonel called. Kelly turned, his arm swung up and he fired once, an amazing shot considering the distance. Most of Murphy’s left ear disintegrated. The fat man screamed, his hand going to the side of his head, blood pumping through his fingers.

‘No, Mikhail! Enough!’ the man in the leather overcoat

cried. Kelly turned towards him and smiled. He said, in Russian, ‘Sure, Professor, anything you say,’ and placed the Browning carefully down on the bonnet of the Land Rover.

‘I thought you said he was trained to do as he was told,’ the colonel demanded.

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