MEN WITHOUT WOMEN BY ERNEST HEMINGWAY

Manuel waved back the men with the capes. Stepping back cautiously, they saw his face was white and sweating.

Didn’t they know enough to keep back? Did they want to catch the bull’s eye with the capes after he was fixed and ready? He had enough to worry about without that kind of thing.

The bull was standing, his four feet square, looking at the muleta. Manuel furled the muleta in his left hand. The bull’s eyes watched it. His body was heavy on his feet. He carried his head low, but not too low.

Manuel lifted the muleta at him. The bull did not move. Only his eyes watched.

He’s all lead, Manuel thought. He’s all square. He’s framed right. He’ll take it.

He thought in bullfight terms. Sometimes he had a thought and the particular piece of slang would not come into his mind and he could not realize the thought. His instincts and knowledge worked automatically, and his brain worked slowly and in words. He knew all about bulls. He did not have to think about them. He just did the right thing. His eyes noted things and his body performed the necessary measures without thought. If he thought about it, he would be gone.

Now, facing the bull, he was conscious of many things at the same time. There were the horns, the one splintered, the other smoothly sharp, the need to profile himself toward the left horn, lance himself short and straight, lower the muleta so the bull would follow it, and, going in over the horns, put the sword all the way into a little spot about as big as a five-peseta piece straight in back of the neck, between the sharp pitch of the bull’s shoulders. He must do all this, and must then come out from between the horns. He was conscious he must do all this, but his only thought was in words: “Corto y derecho.”

“Corto y derecho,” he thought, furling the muleta. Short and straight. Corto y derecho, he drew the sword out of the muleta, profiled on the splintered left horn, dropped the muleta across his body, so his right hand with the sword on the level with his eye made the sign of the cross, and, rising on his toes, sighted along the dipping blade of the sword at the spot high up between the bull’s shoulders.

Corto y derecho he lanced himself on the bull.

There was a shock, and he felt himself go up in the air. He pushed on the sword as he went up and over, and it flew out of his hand. He hit the ground and the bull was on him. Manuel, lying on the ground, kicked at the bull’s muzzle with his splippered feet. Kicking, kicking, the bull after him, missing him in his excitement, bumping him with his head, driving the horns into the sand. Kicking like a man keeping a ball in the air, Manuel kept the bull from getting a clean thrust at him.

Manuel felt the wind on his back from the capes flopping at the bull, and then the bull was gone, gone over him in a rush. Dark, as his belly went over. Not even stepped on.

Manuel stood up and picked up the muleta. Fuentes handed him the sword. It was bent where it had struck the shoulder-blade. Manuel straightened it on his knee and ran towards the bull, standing now beside one of the dead horses. As he ran, his jacket flopped where it had been ripped under the armpit.

“Get him out of there,” Manuel shouted to the gypsy. The bull had smelled the blood of the dead horse and ripped into the canvas cover with his horns. He charged Fuentes’s cape, with the canvas hanging from his splintered horn, and the crowd laughed. Out in the ring, he tossed his head to rid himself of the canvas. Hernandez, running up from behind him, grabbed the end of the canvas and neatly lifted it off the horn.

The bull followed it in a half-charge and stopped still. He was on the defensive again. Manuel was walking towards him with the sword and muleta. Manuel swung the muleta before him. The bull would not charge.

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