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MOONRAKER BY IAN FLEMING

‘In this way murder becomes an act of self-defence, virtuous and justified, and it will readily be seen what a dangerous weapon it can become in the handling and direction of organized crime by a “master-mind”.

Thilopon has been traced as the motive power behind the notorious Bar Mecca murder case and as a result of that unpleasant affair the police rounded up more than 5000 purveyors of the drug in a matter of weeks.

‘As usual Korean nationals are being blamed…”

Suddenly Bond rebelled. What the hell was he doing reading all this stuff? When would he conceivably require to know about a Japanese murder-drug called Philopon?

Inattentively he skimmed through the remaining pages, ticked himself off the distribution slip, and threw the docket into his out-tray.

His headache was still sitting over his right eye as if it had been nailed there. He opened one of the drawers of his desk and took out a bottle of Phensic. He considered asking his secretary for a glass of water, but he disliked being cossetted. With distaste he crunched two tablets between his teeth and swallowed down the harsh powder.

Then he lit a cigarette and got up and stood by the window. He looked across the green panorama far below him and, without seeing it, let his eyes wander aimlessly along the jagged horizon of London while his mind focused on the strange events of the night before.

And the more he thought about it, the stranger it all seemed.

Why should Drax, a millionaire, a public hero, a man with a unique position in the country, why should this remarkable man cheat at cards? What could he achieve by it? What could he prove to himself? Did he think that he was so much a law unto himself, so far above the common herd and their puny canons of behaviour that he could spit in the face of public opinion?

Bond’s mind paused. Spit in their faces. That just about described his manner at Blades. The combination of superiority and scorn. As if he was dealing with human muck so far beneath contempt that there was no need to put up even a pretence of decent behaviour in its company.

Presumably Drax enjoyed gambling. Perhaps it eased the tensions in him, the tensions that showed in his harsh voice, his nail-biting, the constant sweating. But he mustn’t lose. It would be contemptible to lose to these inferior people. So, at whatever risk, he must cheat his way to victory. As for the possibility of detection, presumably he thought that he could bluster his way out of any corner. If he thought about it at all. And people with obsessions, reflected Bond, were blind to danger. They even courted it in a perverse way. Kleptomaniacs would try to steal more and more difficult objects. Sex maniacs would parade their importunities as if they were longing to be arrested. Pyromaniacs often made no attempt to avoid being linked with their fire-raising.

But what obsession was it that was consuming this man? What was the origin of the compulsive urge that was driving him down the steep hill into the sea?

All the signs pointed to paranoia. Delusions of grandeur and, behind that, of persecution. The contempt in his face. The bullying voice. The expression of secret triumph with which he had met defeat after a moment of bitter collapse. . The triumph of the maniac who knows that whatever the facts may say he is right. Whoever may try to thwart him he can overcome. For him there is no defeat because of his secret power. He knows how to make gold. He can fly like a bird. He is almighty-the man in the padded cell who is God. Yes, thought Bond, gazing blindly out over Regent’s Park. That is the solution. Sir Hugo Drax is a raving paranoiac. That is the power which has driven him on, by devious routes, to make his millions. That is the mainspring of the gift to England of this giant rocket that will annihilate our enemies. Thanks to the all-powerful Drax.

But who can tell how near to breaking-point this man is? Who has penetrated behind that bluster, behind all that red hair on his face, who has read the signs as more than the effect of his humble origins or of sensitivity about his war wounds?

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Categories: Fleming, Ian
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