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MOONRAKER BY IAN FLEMING

The second point was that none of the faces in the photographs bore a moustache. Despite Drax’s explanations, this fact raised a second tiny question mark in Bond’s mind.

Bond got up from the bed and locked everything away, putting the Admiralty Chart and one of the files in his leather case. He turned the wheels of the combination lock and thrust the case far under his bed so that it rested directly beneath his pillow at the inside angle of the wall. Then he quietly washed and cleaned his teeth in the adjoining bathroom and eased the window wide open.

The moon was still shining : as it must have shone, Bond thought, when, aroused perhaps by some unusual noise, Tallon had climbed up to the roof, maybe only a couple of nights before, and had seen, out at sea, what he had seen. He would have had his glasses with him and Bond, remembering, turned back from the window and picked them up. They were a very powerful German pair, booty perhaps from the war, and the 7 x 50 on the top plates told Bond that they were night glasses. And then the careful Tallon must have walked softly (but not softly enough?) to the other end of the roof and had raised his glasses again, estimating the distance from the edge of the cliff to the object in the sea, and from the object to the Goodwin Lightship. Then he would have come back the way he had gone, and softly re-entered his room.

Bond saw Tallon, perhaps for the first tune since he had been in the house, carefully lock the door and walk over to the filing cabinet and take out the chart which he had hardly glanced at till then and on it softly mark the lines of his rough bearing. Perhaps he looked at it for a long while before putting the minute question mark beside it.

And what had the unknown object been? Impossible to say. A boat? A light? A noise?

Whatever it was Tallon had not been supposed to see it. And somebody had heard him. Somebody had guessed he had seen it and had waited until Tallon had left his room next morning. Then that man had come into his room and had searched it. Probably the chart had revealed nothing, . but there were the night glasses by the window.

That had been enough. And that night Tallon had died. Bond pulled himself up. He was going too fast, building up a case on the flimsiest evidence. Bartsch had killed Tallon and Bartsch was not the man who had heard the noise, the man who had left fingerprints on the chart, the man whose dossier Bond had put away in his leather case.

That man had been the oily ADC, Krebs, the man with the neck like a white slug. They were his prints on the chart. For a quarter of an hour Bond had compared the impressions on the chart with the prints on Krebs’s dossier. But who said Krebs had heard a noise or done anything about it if he had? Well, to begin with, he looked like a natural snooper. He had the eyes of a petty thief. And those prints of his had definitely been made on the chart after Tallon had studied it. Krebs’s fingers overlaid Tallon’s at several points.

But how could Krebs possibly be involved, with Drax’s eye constantly on him? The confidential assistant. But what about Cicero, the trusted valet of the British Ambassador in Ankara during the war? The hand in the pocket of the striped trousers hanging over the back of the chair. The Ambassador’s keys. The safe. The secrets. This picture looked very much the same.

Bond shivered. He suddenly realized that he had been standing for a long time in front of the open windows and that it was time to get some sleep.

Before he got into bed he took his shoulder-holster from the chair where it hung beside his discarded clothes and removed the Beretta with the skeleton grip and slipped it under his pillow. As a defence against whom? Bond didn’t know, but his intuition told him quite definitely that there was danger about. The smell of it was insistent although it was still imprecise and lingered only on the threshold of his subconscious, s, In fact he knew his feelings were based on a number of tiny question-marks which had materialized during the past twenty-four hous-the riddle of Drax; Bartsch’s ‘Heil Hitler”; the bizarre moustaches; the fifty worthy Germans; the chart; the night glasses; Krebs.

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Categories: Fleming, Ian
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