NIGHT CHILLS BY DEAN KOONTZ

He turned the corner onto Union Road. The police chief’s house was a quarter of a mile away, the last on the street, near the river. The garage, large enough for two cars and topped by a workman’s loft, lay fifty yards beyond the house. He pulled into the driveway and parked the station wagon in front of the garage.

“Where’s the canary cage?” he asked.

Rya said, “It was over there. Near the window. They’ve moved it.”

“Looks calm. Peaceful. Doesn’t seem like a murder took place half an hour ago.”

“Inside,” Rya said sharply. “They killed him inside.”

Jenny took hold of the girl’s hand and squeezed it. “Rya-”

“Inside.” Her face was set; she was resolute.

“Let’s have a look,” Paul said.

They got out of the car and crossed the freshly mown lawn to the back of the house.

Emma had evidently heard them drive up; for by the time they reached the kitchen stoop, she had the door open and was waiting for them. She wore a royal blue floor-length corduroy housecoat with a high neckline, round collar, and light blue corduroy belt at the waist. Her long hair was combed back and tucked behind her ears, held in place by a few bobby pins. She was smiling, pleased to see them.

“Hi,” Paul said awkwardly. He was suddenly at a loss for words. If even a tiny fraction of Rya’s tale were true, Emma would not be this serene. He began to feel foolish for having placed any faith whatsoever in such a bizarre story. He couldn’t imagine how he would ever tell Emma about it.

“Hi there,” she said cheerily. “Hello, Rya. Jenny, how is your father?”

“Fine, thanks,” Jenny said. She sounded quite as bewildered as Paul felt.

“Well,” Emma said, “I’m still in my robe. The breakfast dishes haven’t been washed. The kitchen’s a greasy mess. But if you don’t mind sitting down in a disaster zone, you’re welcome to visit.”

Paul hesitated. “Something wrong?” Emma asked. “Is Bob home?” “He’s at work.” “When did he leave?”

“Same as every day. A few minutes before nine.”

“He’s at the police station?”

“Or cruising around in the patrol car.” Emma no longer needed to ask if something was wrong; she knew. “Why?” Why indeed? Paul thought. Rather than explain, he said, “Is Mark here?”

“He was,” Emma said. “He and Jeremy went over to the basketball court behind the Union Theater.”

“When was that?”

“Half an hour ago.”

It seemed to him that she had to be telling the truth, for her statement could be verified or disproved so easily. If her husband had killed Mark, what could she hope to gain by such a flimsy lie? Besides, he didn’t think she was the sort of woman who could take part in the cover-up of a murder-certainly not with such apparent equanimity, not without showing a great deal of stress and guilt.

Paul looked down at Rya.

Her face was still a mask of stubbornness-and even more pale and drawn than it had been in the car. “What about Buster?” she asked Emma. Her voice was sharp and too loud. “Did they take Buster over to the court so he could play basket-ball with them?”

Understandably bewildered by the girl’s uncharacteristic nastiness and her intense reaction to such a simple statement,

Emma said, “The squirrel? Oh, they left him with me. Do you want the squirrel?” She stepped back, out of the doorway, “Come in.”

For a moment, recalling the tale of mindless violence that Rya had related just thirty minutes ago, Paul wondered if Bob Thorp was in the kitchen, waiting for him

But that was absurd. Emma was not aware that supposedly a boy had been slain in her kitchen this morning; he would have wagered nearly any sum on that. And in the light of Emma’s innocence, Rya’s story seemed altogether a fantasy-and not really a very good one, at that.

He went inside.

The canary cage stood in one corner, next to the flip-top waste can. Buster sat on his hind feet and busily nibbled an apple. His tail flicked straight up, and he went stiff as a wooden squirrel when he became aware of the guests. He assessed Paul and Rya and Jenny as if he had never seen them before, decided there was no danger, and returned to his breakfast.

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