Instead he pulled out a piece of paper. It was the list that Diktor had given him, the things he was to obtain in the twentieth century. Up to the present moment there had been too much going on for him to look it over.
His eyebrows crawled up his forehead as he read. It was a funny list, he decided. He had subconsciously expected it to call for technical reference books, samples of modern gadgets, weapons. There was nothing of the sort. Still, there was a sort of mad logic to the assortment. After all, Diktor knew these people better than he did. It might be just what was needed.
He revised his plans, subject to being able to work the Gate. He decided to make one more trip back and do the shopping Diktor’s list called for
—but for his own benefit, not Diktor’s. ,He fumbled in the semi-darkness of the control booth, seeking the switch or control for the speculum. His hand encountered a soft mass. He grasped it, and pulled it out.
It was his hat.
He placed it on his head, guessing idly that Diktor had stowed it there, and reached again. This time he brought forth a small notebook. It looked like a find—very possibly Diktor’s own notes on the operation of the controls. He opened it eagerly.
It was not what he had hoped. But it did contain page after page of handwritten notes. There were three columns to the page; the first was in English, the second in international phonetic symbols, the third in a completely strange sort of writing. It took no brilliance for him to identify it as a vocabulary. He slipped it into a pocket with a broad smile; it might have taken Diktor months or even years to work out the relationship between the two languages; he would be able to ride on Diktor’s shoulders in the matter.
The third try located the control and the speculum lighted up. He felt again the curious uneasiness he had felt before, for he was gazing again into his own room and again it was inhabited by two figures. He did not want to break into that scene again, he was sure. Cautiously he touched one of the colored beads.
The scene shifted, panned out through the walls of the boardinghouse and came to rest in the air, three stories above the campus. He was pleased to have gotten the Gate out of the house, but three stories was too much of a jump. He fiddled with the other two colored beads and established that one of them caused the scene in the speculum to move toward him or away from him while the other moved it up or down.
He wanted a reasonably inconspicuous place to locate the Gate, some place where it would not attract the attention of the curious. This bothered him a bit; there was no ideal place, but he cçmpromised on a blind alley, a little court formed by the campus powerhouse and the rear wall of the library. Cautiously and clumsily he maneuvered his flying eye to the neighborhood he wanted and set it down carefully between the two buildings. He then readjusted his position so that he stared right into a blank wall. Good enough!
Leaving the controls as they were, he hurried out of the booth and stepped unceremoniously back into his own period.
He bumped his nose against the brick wall. “I cut that a little too fine,” he mused as he slid cautiously out from between the confining limits of the wall and the Gate. The Gate hung in the air, about fifteen inches from the wall and roughly parallel to it. But there was room enough, he decided
—no need to go back and readjust the controls. He ducked out of the areaway and cut across the campus toward the Students’ Co-op, wasting no time. He entered and went to the cashier’s window.
“Hi, Bob.”
“H’lo, Soupy. Cash a check for me?” “How much?”
“Twenty dollars.”
“Well—I suppose so. Is it a good check?”
“Not very. It’s my own.”
“Well, I might invest in it as a curiosity.” He counted out a ten, a five and five ones.