And yet his last act of evading Diktor had apparently changed the course of events. He was here and running the country, had been for many years, but Diktor had not showed up. Could it be that each act of “true” free will created a new and different future? Many philosophers had thought so.
This future appeared to have no such person as Diktor—the Diktor— in it, anywhere or anywhen.
As the end of his first ten years in the future approached, he became more and more nervous, less and less certain of his opinion. Damnation, he thought, if Diktor is going to show up it was high time that he did so. He was anxious to come to grips with him, establish which was to be boss.
He had agents posted throughout the country of the Forsaken Ones with instructions to arrest any man with hair on his face and fetch him forthwith to the palace. The Hall of the Gate he watched himself.
He tried fishing the future for Diktor, but had no significant luck. He thrice located a shadow and tracked it down; each time it was himself. From tedium and partly from curiosity he attempted to see the other end
of the process; he tried to relocate his original home, thirty thousand years in the past.
It was a long chore. The further the time button was displaced from the center, the poorer the control became. It took patient practice to be able to stop the image within a century or so of the period he wanted. It was in the course of this experimentation that he discovered what he had once looked for, a fractional control—a vernier, in effect. It was as simple as the primary control, but twist the bead instead of moving it directly.
He steadied down on the twentieth century, approximated the year by the models of automobiles, types of architecture and other gross evidence, and stopped in what he believed to be 1952. Careful displacement of the space controls took him to the university town where he had started— after several false tries; the image did not enable him to read road signs.
He located his boardinghouse, brought the Gate into his own room. It was vacant, no furniture in it.
He panned away from the room, and tried again, a year earlier. Success
—his own room, his own furniture, but empty. He ran rapidly back, looking for shadows.
There! He checked the swing of the image. There were three figures in the room, the image was too small, the light too poor for him to be sure whether or not one of them was himself. He leaned over and studied the scene.
He heard a dull thump outside the booth. He straightened up and looked over the side.
Sprawled on the floor was a limp human figure. Near it lay a crushed and battered hat.
He stood perfectly still for an uncounted time, staring at the two redundant figures, hat and man, while the winds of unreason swept through his mind and shook it. He did not need to examine the unconscious form to identify it. He knew.. . he knew—it was his younger self, knocked willy-nilly through the Time Gate.
It was not that fact in itself which shook him. He had not particularly expected it to happen, having come tentatively to the conclusion that he was living in a different, an alternative, future from the one in which he had originally transitted the Time Gate. He had been aware that it might happen nevertheless, that it did happen did not surprise him.
When it did happen, he himself had been the only spectator!
He was Diktor. He was the Diktor. He was the only Diktor!
He would never find Diktor, or have it out with him. He need never fear his coming. There never had been, never would be, any other person called Diktor, because Diktor never had been or ever would be anyone but himself.
In review, it seemed obvious that he must be Diktor, there were so many bits of evidence pointing to it. And yet it had not been obvious. Each point of similarity between himself and the Diktor, he recalled, had arisen from rational causes—usually from his desire to ape the gross characteristics of the “other” and thereby consolidate his own position of power and authority before the “other” Diktor showed up. For that reason he had established himself in the very apartments that “Diktor” had used—so that they would be “his” first.