Robert Ludlum – Aquatain Progression

cold water, and then he plunged his face into it,

pouring the water through his hair over the back of

his neck. He felt a vibration, a sound! He whipped

his head up, gasping, frightened, his hand

insdncbvely reaching for his coat on a hook. A portly

middle-aged man nodded and went to a urinal.

Quickly Joel looked at the teeth marks on his arm;

they were like a dog bite. He drained the sink,

turned on the hot water faucet, and with a paper

towel squeezed and blotted the painful area until

blood emerged from the broken skin. It was the best

he could do; he had done much the same thing a

lifetime ago when attacking water rats swam through

the bars of his bamboo cage. Then in another kind

of panic, he had learned that rats could be

frightened. And killed. The man at the urinal turned

and went out the door, glancing uncomfortably at

Converse.

Joel layered a paper towel over the teeth marks,

put on his coat and combed his hair. He opened the

door and went

462 ROBERT LUDLUM

back to his table, once again annoyed by the blaring

television on the wall.

The menu, like the announcement about the

television, was in four languages, the last Oriental,

undoubtedly Japanese. He was tempted to go for

the largest, rarest piece of meat he could find, but

here his pilot’s control dictated otherwise. He’d had

no solid sleep in days oddly enough since his

imprisonment at I eifhelm’s compound, where the

sleep itself had been greatly induced by the huge

quantities of very decent food, all part of the

healing process for a deflecting pawn. A heavy meal

would make him drowsy, and one did not By a jet

going six hundred miles an hour in that condition.

At the moment his air speed was approaching Mach

I. He ordered filet of sole and rice; he could always

order twice. And one more whisky.

The voice! Oh, Christ. The voice! He was

hallucinating! He was going mad! He was hearing a

voice an echo of a voice he could not possibly be

hearing!

“. . . Actually, I think it’s a national disgrace, but

like so many others, I speak only English.”

“Frau Converse ”

“Miss Fraulein I think that’s

right Charpentier, if you don’t mmd.”

“Dames en heron . . .” a third voice broke in

quietly, authoritatively, speaking Dutch.

Converse gasped for the air he could not find,

gripping his wrist, closing his eyes with such

intensity that every muscle in his face was in pain,

twisting his neck away from the source of the

terrible, horrible hallucination.

“I’m in Berlin on business I’m a consultant for

a firm in New York ‘

“Mevrouw Con verse, of juffronw Charpen tier,

coals use . . . ~,

Joel was now sure that he was mad, insane! He

was hearing the impossible. Ilearing! He spun

around and looked up. The television screen! It was

Valerie! She was there!

“Whatever you S.ly, Fraulein Charpentier, will

be accurately translated, I can assure you.”

“Coals juJfrouw (>harpentier zoduist zei . . .” The

third voice, the voice in Dutch.

“I haven’t seen my former husband in several

years three or four, I’d say. Actually, we’re

strangers. I can only express the shock my whole

country feels….”

THE AQUITAINE PROGRESSION 463

‘7uffrouw Charpentier, de uroogere mevronw Con-

~erse . . . ”

‘ . . . he was a deeply disturbed man, subject to

extreme depressions, but I never imagined anything

like this.”

“Hid most mentaal gestoord zidn . . .”

“There’s no connection between us, and I’m

surprised you learned I was flying to Berlin. But I

appreciate the chance to clear the air, as we say.”

“Mevrouw Converse gelooft . . . ”

“In spite of the dreadful circumstances over which,

of ourse, I had no control, I’m delighted to be in

your beautiful city. Half-city, I guess, but yours is the

beautiful part. And I :lear the Bristol-Kempinski….

I’m terribly sorry, that’s what Ale call a ‘plug’ and I

shouldn’t. ‘

“It is a landmark, Fraulein Charpentier. It is not

verboten ver here. Do you feel at all threatened?”

“Mevrouw Converse, vault u rich bedreigd?”

“No, not really. We’ve had nothing to do with

each other or so long.”

My God! Val had come over to find him! She

was sending him a signal signals! She spoke every

bit as fluent German Is the interviewer! They kept in

touch every month; they had lunch together six

weeks ago in Boston! Everything she was saying was

a lie and in those lies was the code. Their coder

Reach me!

PART THREE

27

Joel was stunned, but he had to control his panic

and try to isolate the words, the phrases. The

message was in them! The Bristol-Kempinski was a

hotel in West Berlin, he knew that. It was something

else she had said, something that should trigger a

memory one of their memories. What was it?

I haven’t seen my former husband in years…. No,

only one of the lies. He was a deeply disturbed man….

Less a lie, but not what she was trying to tell him.

Actually, we’re strangers…. There’s no connection

between us….Another lie, but with some truth in it….

Stop it! What was it! … Before, earlier…. I’m a

consultant…. That was it! .

“May I speak with Miss Charpenher, pleased My

name is Mr. Whistletoe, Bruce Whistletoe. I’m the

confidential consultant for Springtime antiperspirant

for which your agency is doing some artwork, and it’s

urgent, most urgent!” Con molta forza.

Val’s secretary had been a talker, a marvelous

spreader of in-house gossip, and whenever Joel and

Valerie had wanted an extra hour for lunch or even

a day, he would make such a phone call. It never

failed. If a demanding vice-president (one of dozens)

wanted to know where she was, the excitable

secretary would tell of an urgent call from one of

those outside watchdogs of a very large account. It

was enough for any ulcer-prone executive, and

Valerie’s understated professionalism took care of

the rest. She would say “things” were under control

and rarely did a relieved account man pursue what

might give him an acid attack.

She was telling him to use the tactic in case the

police were monitoring her calls. He would have

done so in any event; she was simply reminding him,

warning him.

The interview was over, the last few minutes

obviously a recap in Dutch, the camera frozen on a

still frame of Vale

467

468 ROBERT LUDIUM

rie’s face. When had the tape been made? How

long had she been in Berlin? t~oddamn it, why

couldn’t he understand anything unless it was

spoken in English? When she lied about her

inability to speak German, Val had said it was a

national disgrace. She was right, but she might have

gone further; it was a national disorder rooted in

arrogance. He looked around the cafe for a

telephone; there was one on the rear wall several

feet from the door to the men’s room, but he hadn’t

the vaguest idea of how to use it! His frustrations

grew swirling into circles of panic. Suddenly he

heard his name.

”De Amerikaanse moordenuar Converse is

advocaut. Hid iseen ex-pilootuitl:te Vietnamese oorlog.

Fen anderadvocant hen Fransman, en e.en friend van

Converse. . .”

Joel looked up at the screen bewildered, at once

shocked then paralysed. There was a film clip, a

hand-held camera entered an office door and

focused on a body slumped over a desk, streams of

blood spreading from the head like a hideous

Medusa wig. Oh, Christ! It was Rene!

As the recognition came an insert appeared on

the upper left of the screen. It was a photograph of

Mattilon then another photograph was suddenly

inserted on the right. It was he, the

moordenaarAmerikoans, JoeLConverse. The Dutch

newscast had connected two events, the interview

with Val and a death in France. Neither language

nor diagrams were necessary. Rene had been killed

and he had been named the killer. It answered the

question; it was the reason Aquitaine had put out

the word that an assassin was heading for Paris.

He was a giver of death; it was his gift to new

and old friends. Rene Mattilon, Edward Beale. . .

Avery Fowler. And to enemies he did not know,

could not evaluate, either as enemies or as

individuals a man in a tan overcoat in a Paris cel-

lar, a guard above a riverbank on the Rhine, a pilot

on a train a memorably unmemorable face at the

base of a landfill pyramid, a chauffeur moments

later who had actually befriended him in a stone

house with bars in the windows . . . an old woman

who had played her role brilliantly in a raucous rail-

way car. Death. He was either the distant observer

or the execuboner, all in the unholy name of

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