Skeleton Crew by Stephen King

“In effect, you had started writing letters to the paper,” the writer said.

“Yes. I wrote that letter on a Friday night. On Saturday “morning I got up around eleven, hung over and only blurrily aware of what sort of mischief I’d been up to the night before. Great pangs of shame as I plugged everything back in. Greater pangs of shame—and fear—when I saw what I’d written to Reg. I looked all over the house for the original to that letter, hoping like hell I hadn’t mailed it. But I had. And the way I got through that day was by making a resolution to take my lumps like a man and go on the wagon. Sure I was.

“The following Wednesday there was a letter from Reg. One page, handwritten. Fornit Some Fornus doodles all over it. In the center, just this: ‘You were right. Thank you, thank you, thank you. Reg. You were right. Everything is fine now. Reg. Thanks a lot. Reg. Fornitis fine. Reg. Thanks. Reg.’ ”

“Oh, my,” the writer’s wife said.

“Bet his wife was mad,” the agent’s wife said.

“But she wasn’t. Because it worked.”

“Worked?” the agent said.

“He got my letter in the Monday-morning post. Monday afternoon he went down to the local powercompany office and told them to cut his power off. Jane Thorpe, of course, was hysterical. Her range ran on electricity, she did indeed have a blender, a sewing machine, a washer-dryer combination… well, you understand. On Monday evening I’m sure she was ready to have my head on a plate.

“But it was Reg’s behavior that made her decide I was a miracle worker instead of a lunatic. He sat her down in the living room and talked to her quite rationally. He said that he knew he’d been acting in a peculiar fashion. He knew that she’d been worried. He told her that he felt much better with the power off, and that he would be glad to help her through any inconvenience that it caused. And then he suggested that they go next door and say hello.”

“Not to the KGB agents with the radium in their van?” the writer asked.

“Yes, to them. Jane was totally floored. She agreed to go over with him but she told me that she was girding herself up for a really nasty scene. Accusations, threats, hysteria. She had begun to consider leaving Reg if he wouldn’t get help for his problem. She told me that Wednesday morning on the phone that she had made herself a promise: the power was the next-to-the-last straw. One more thing, and she was going to leave for New York. She was becoming afraid, you see. The thing had worsened by such degrees as to be nearly imperceptible, and she loved him, but even for her it had gotten as far as it could go. She had decided that if Reg said one strange word to the students next door, she was going to break up housekeeping. I found out much later that she had already asked some very circumspect questions about the procedure in Nebraska to effect an involuntary committal.”

“The poor woman,” the writer’s wife murmured.

“But the evening was a smashing success,” the editor said. “Reg was at his most charming… and according to Jane, that was very charming indeed. She hadn’t seen him so much on in three years. The sullenness, the secretiveness, they were gone. The nervous tics. The involuntary jump and look over his shoulder whenever a door opened. He had a beer and talked about all the topics that were current back in those dim dead days: the war, the possibilities of a volunteer army, the riots in the cities, the pot laws.

“The fact that he had written Underworld Figures came up, and they were… ‘author-struck’ was the way Jane put it. Three of the four had read it, and you can bet the odd one wasn’t going to linger any on his way to the library.” The writer laughed and nodded. He knew about that bit.

“So,” the editor said, “we leave Reg Thorpe and his wife for just a little while, without electrical power but happier than they’ve been in a good long time—”

“Good thing he didn’t have an IBM typewriter,” the agent said.

“—and return to Ye Editor. Two weeks have gone by. Summer is ending. Ye Editor has, of course, fallen off the wagon any number of times, but has managed on the whole to remain pretty respectable. The days have gone their appointed rounds. At Cape Kennedy, they are getting ready to put a man on the moon. The new issue of Logon’s, with John Lindsay on the cover, is out on the stands, and selling miserably, as usual. I had put in a purchase order for a short story called The Ballad of the Flexible Bullet,’ by Reg Thorpe, first serial rights, proposed publication January 1970, proposed purchase price $800, which was standard then for a Logon’s lead story.

“I got a buzz from my superior, Jim Dohegan. Could I come up and see him? I trotted into his office at ten in the morning, looking and feeling my very best. It didn’t occur to me until later that Janey Morrison, his secretary, looked like a wake in progress.

“I sat down and asked Jim what I could do for him, or vice versa. I won’t say the Reg Thorpe name hadn’t entered my mind; having the story was a tremendous coup for Logan’s, and I suspected a few congratulations were in order. So you can imagine how dumbfounded I was when he slid two purchase orders across the desk at me. The Thorpe story, and a John Updike novella we had scheduled as the February fiction lead. RETURN stamped across both.

“I looked at the revoked purchase orders. I looked at Jimmy. I couldn’t make any of it out. I really couldn’t get my brains to work over what it meant. There was a block in there. I looked around and I saw his hot plate. Janey brought it in for him every morning when she came to work and plugged it in so he could have fresh coffee when he wanted it. That had been the drill at Lagan’s for three years or more. And that morning all I could think of was, if that thing was unplugged, I could think. I know if that thing was unplugged, I could put this together.

“I said, ‘What is this, Jim?’

” I’m sorry as hell to have to be the one to tell you this, Henry,’ he said. ‘Lagan’s isn’t going to be publishing any more fiction as of January 1970.’ ” The editor paused to get a cigarette, but his pack was empty. “Does anyone have a cigarette?” The writer’s wife gave him a Salem.

“Thank you, Meg.” He lit it, shook out the match, and dragged deep. The coal glowed mellowly in the dark.

“Well,” he said, “I’m sure Jim thought I was crazy. I said, ‘Do you mind?’ and leaned over and pulled the plug on his hot plate.

“His mouth dropped open and he said, ‘What the hell, Henry?’

” ‘It’s hard for me to think with things like that going,’ I said. ‘Interference.’ And it really seemed to be true, because with the plug pulled, I was able to see the situation a great deal more clearly. ‘Does this mean I’m pinked?’ I asked him.

” ‘I don’t know,’ he said. ‘That’s up to Sam and the board. I just don’t know, Henry.’

“There were a lot of things I could have said. I guess what Jimmy was expecting was a passionate plea for my job. You know that saying, ‘He had his ass out to the wind’?… I maintain that you don’t understand the meaning of that phrase until you’re the head of a suddenly nonexistent department.

“But I didn’t plead my cause or the cause of fiction at Lagan’s. I pleaded for Reg Thorpe’s story. First I said that we could move it up over the deadline—put it in the December issue.

“Jimmy said, ‘Come on, Henry, the December ish is locked up. You know that. And we’re talking ten thousand words here.’

” ‘Nine-thousand-eight,’ I said.

” ‘And a full-page illo,’ he said. ‘Forget it.’ – ” ‘Well, we’ll scrap the art,’ I said. ‘Listen, Jimmy, it’s a great story, maybe the best fiction we’ve had in the last five years.’

“Jimmy said, ‘I read it, Henry. I know it’s a great story. But we just can’t do it. Not in December. It’s Christmas, for God’s sake, and you want to put a story about a guy who kills his wife and kid under the Christmas trees of America? You must be—’ He stopped right there, but I saw him glance over at his hot plate.

He might as well have said it out loud, you know?” The writer nodded slowly, his eyes never leaving the dark shadow that was the editor’s face.

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