Sue Grafton – “A” is for Alibi

I could smell the Chinese food from the coffee shop and the odor of chicken chow mein mingled oddly with the perfumed jet trail left by a woman who passed me in a royal blue polyester print pantsuit that made her look like a piece of walking wallpaper. I watched idly as she began to feed quarters into a slot machine in the lobby. The blackjack tables were off to my left. I asked one of the pit bosses about Sharon Napier and was told she’d be in at 11:00 in the morning. I hadn’t really expected to run into her that night, but I wanted to get a feel for the place.

The casino hummed, the croupiers at the craps tables shoveling chips back and forth with a stick like some kind of tabletop shuffleboard with rules of its own. I once made a tour of the Nevada Dice Company, watching with something close to reverence as the sixty-pound cellulose nitrate slabs, an inch thick, were cured and cut into cubes, slightly bigger than the finished size, hardened, buffed and drilled on all sides, a white resinous compound applied to the sunken dots with special brushes. The dice, in process, looked like tiny squares of cherry Jell-O that might have been served up like some sort of low-cal dessert. I watched people place their bets. The Pass line, the Don’t Pass line, Come, Don’t Come, the Field, the Big 6 and the Big 8 were mysteries of another kind and I couldn’t, for the life of me, penetrate the catechism of wins, losses, numbers being rattled out in a low chant of intense concentration and surprise. Over it all there hung a pale cloud of cigarette smoke, infused with the smell of spilled Scotch. The darkened mirrors above the tables must have been scanned by countless pairs of eyes, restlessly raking the patrons below for telltale signs of chicanery. Nothing could escape notice. The atmosphere was that of a crowded Woolworth’s at Christmas, where the throngs of frantic shoppers couldn’t be trusted not to lift an item now and then. Even the employees might lie, cheat, and steal, and nothing could be left to chance. I felt a fleeting respect for the whole system of checks and balances that keeps so much money flowing freely and allows so little to slip back into the individual pockets from which it has been coaxed. A sudden feeling of exhaustion came over me. I walked back out to the street again and found a cab.

The “Middle Eastern” decor of the Bagdad halted abruptly at the door to my room. The carpet was dark green cotton shag, the wallpaper lime-green foil in a pattern of overlapping palms, flocked with small clumps that might have been dates or clusters of fruit bats. I locked the door, kicked off my shoes, and pulled down the chenille spread, crawling under the covers with relief. I put a quick call through to my answering service and another to a groggy Arlette, leaving my latest location with the number where I could be reached.

I woke up at 10:00 A.M., feeling the first faint stages of a headache as though I had a hangover in the making before I’d even had a drink. Vegas tends to affect me that way, some combination of tension and dread to which my body responds with all the symptoms of incipient flu. I took two Tylenols and showered for a long time, trying to wash away the roiling whisper of nausea. I felt like I’d eaten a pound of cold buttered popcorn and washed it down with bulk saccharin.

I stepped out of my motel room, the light causing me to squint. The air, at least, was fresh and there was, by day, the sense of a town subdued and shrunken, flattened out again to its true proportions. The desert stretched away behind the motel in a haze of pale gray, fading to mauve at the horizon. The wind was mild and dry, the promise of summer heat only hinted at in the distant shimmering sunlight that sat on the desert floor in flat pools, evaporating on approach. Occasional patches of sagebrush, nearly silver with dust, broke up the long low lines of treeless wasteland fenced in by distant hills.

I stopped off at the post office and left a fifty-dollar money order for my friend and then I checked out the address he had given me. Sharon Napier lived in a two-story apartment complex on the far side of town, salmon-pink stucco eroding around the edges as though animals had crept up in the night to gnaw the comers away. The roof was nearly flat, peppered with rocks, the iron railings sending streaks of rust down the sides of the building. The landscaping was rock and yucca and cactus plants. There were only twenty units, arranged around a kidney-shaped pool that was separated from the parking area by a dun-colored cinder-block wall. A couple of young kids were splashing about in the pool and a middle-aged woman was standing in front of her apartment up on the landing, a grocery bag wedged between her hip and the door as she let herself in. A Chicano boy hosed down the walks. The buildings on either side of the complex were single-family dwellings. There was a vacant lot across the street in back.

Sharon’s apartment was on the ground floor, her name was neatly embossed on the mailbox on a white plastic strip. Her drapes were drawn, but some of the hooks had come loose at the top, causing the lined fabric to bow inward and sag, forming a gap through which I could see a beige Formica table and two beige upholstered plastic kitchen chairs. The telephone sat on one comer of the table, resting on a pile of papers. Beside it was a coffee cup with a waxy crescent of hotpink lipstick on the rim. A cigarette, also rimmed with pink, had been extinguished in the saucer. I glanced around. No one seemed to be paying any particular attention to me. I walked quickly through a passageway that connected the courtyard to the rear of the apartment building.

Sharon’s apartment number was marked on the rear door, too, and there were four other back doors at intervals, the rear entrances emptying into little rectangles surrounded by shoulder-high cinder-block walls designed, I suspected, to create the illusion of small patios. The trash containers were lined up on the walkway outside the wall. Her kitchen curtains were drawn. I eased onto her little patio. She had arranged six geraniums in pots along the back step. There were two aluminum folding chairs stacked against the wall, a pile of old newspapers by the back door. There was a small window up on the right and a larger window beyond that. I couldn’t judge whether it might be her bedroom or her neighbor’s. I looked out across the vacant lot and then eased out of the patio, turning left along the walk, which opened out onto the street again. I got back in my car and headed for the Fremont.

I felt as if I’d never left. The lady in royal blue was still pasted to the quarter slot machine, her hair sculpted into a glossy mahogany scrollwork on top of her head. The same crowd seemed to be pressed to the craps table as though by magnetic force, the croupier pushing chips back and forth with his little stick as if it were a flat-bottomed broom and someone had made an expensive mess. Waitresses circulated with drinks and a heavyset man, whom I guessed to be plainclothes security, wandered about trying to look like a tourist whose luck had gone bad. I could hear the sounds of a female vocalist in the Carnival Lounge, singing a slightly flat but lusty medley of Broadway show tunes. I caught a glimpse of her, emoting to a half-deserted room, her face a bright powder pink under the spotlight.

Sharon Napier was not hard to find. She was tall, maybe five ten or better in her high-heeled shoes. She was the sort of woman you noticed from the ground up: long shapely legs looking slender in black mesh hose, a short black skirt flaring slightly at the tops of her thighs. She had narrow hips, a flat stomach, and her breasts were pushed together to form pronounced mounds. The bodice of her black outfit was tight and low-cut, her name stitched above her left breast. Her hair was an ashen blonde, pallid under the houselights; her eyes an eerie green, a luminous shade I guessed to be from tinted contact lenses. Her skin was pale and unblemished, the oval of her face as white as eggshell and as finely textured. Her lips were full and wide, the bright pink lipstick emphasizing their generous proportions. It was a mouth built for unnatural acts. Something about her demeanor promised cool improvisational sex for the right price and it would not be cheap.

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