THE BIG NOWHERE by James Ellroy

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Danny segued back to Krugman with a shower and change of clothes, Red Ted the stud in Karen Hiltscher’s sports jacket, pegged flannels and a silk shirt from Considine’s disguise kit. He drove to Beverly Hills middle-lane slow, checking his rear-view every few seconds for cars riding his tail too close and a no-face man peering too intently, shining his headlights too bright because deep down he wanted to be caught, wanted everyone to know WHY. No likely suspects appeared in the mirror; twice his trawling almost got him into fender benders. He arrived at Claire De Haven’s house forty-five minutes early; he saw Caddies and Lincoins in the driveway, muted lights glowing behind curtained windows and one narrow side dormer cracked for air, screened and shade covered–but open. The dormer faced a stone footpath and tall shrubs separating the De Haven property from the neighboring house; Danny walked over, squatted down and listened.

Words came at him, filtered through coughs and garbled interruptions. He picked out a man’s shout: “Cohen and his farshtunkener lackeys have to go nutso first”; Claire’s “It’s all in knowing when to squeeze.” A soft, mid-Atlantic drawl: “We have to give the studios an out to save face with, that’s why knowing when is so important. It has to hit the fan just right.”

Danny kept checking his blind side for witnesses; he heard a long digression on the ‘52 presidential election–who’d run, who wouldn’t–that degenerated into a childish shouting match, Claire finally dominating with her opinion of Stevenson and Taft, fascist minions of varying stripes. There was something about a movie director named Paul Doinelle and his “Cocteau-like” classics; then an almost complete duet: the soft-voiced man chuckling over “old flames,” a man with a stentorian Southern accent punch-lining, “But I got Claire.” Danny recalled the psychiatric files: Reynolds Loftis and Chaz Minear were lovers years ago; Considine told him that now Claire and Loftis were engaged to be married. He got stomach flip-flops and looked at his watch: 8:27, time to meet the enemy.

He walked around and rang the bell. Claire opened the door and said, “Right on time”; Danny saw that her makeup and slacks suit tamped down her wrinkles and showed off her curves better than the powder job and dress at the restaurant. He said, “You look lovely, Claire.”

Claire whispered, “Save it for later,” took his arm and led him into the living room, subtle swank offset by framed movie posters: Pinko titles from the grand jury package. Three men were standing around holding drinks: a Semitic-looking guy in tweeds, a small, trim number wearing a tennis sweater and white ducks, and a dead ringer composite for HIM–a silver-maned man pushing fifty, topping six feet by at least two inches, as lanky as Mal Considine but ten times as handsome. Danny stared at his face, thinking something about the set of his eyes was familiar, then looked away–queer or ex-queer or whatever, he was just an image–a Commie, not a killer.

Claire made the introductions. “Gentlemen, Ted Krugman. Ted, left to right we have Mort Ziffkin, Chaz Minear and Reynolds Loftis.”

Danny shook their hands, getting, “Hey there, slugger,” from Ziffkin, “A pleasure,” from Minear and a wry smile out of Loftis, an implicit aside: I allow my fiancée to dally with younger guys. He gave the tall man his strongest grip, snapping hard into Ted K. “The pleasure’s all mine, and I’m looking forward to working with you.”

Minear smiled; Ziffkin said, “Attaboy”; Loftis said, “You and Claire have a good strategy talk, but get her home early, you hear?”–a Southern accent, but no syrup and another aside: he was sleeping with De Haven tonight.

Danny laughed, knowing he’d just memorized Loftis’ features; Claire sighed, “Let’s go, Ted. Strategy awaits.”

They walked outside. Danny thought of rolling tails and steered Claire to his car. She said, “Where do you want to strategize”; her aside, her parody on Loftis playing cute. Danny opened the passenger door, getting an idea: prowl darktown with the protective coloration of a woman in tow. It was nearly two weeks since he’d gone strongarming down there, he probably wouldn’t be recognized in his non-cop outfit and HE was near the Southside strip just yesterday. “I like jazz. Do you?”

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