“But will no one remain in the house, my lord?” asked Baptistin.
“Yes, the porter.”
“My lord will remember that the lodge is at a distance from the house.”
“Well?”
“The house might be stripped without his hearing the least noise.”
“By whom?”
“By thieves.”
“You are a fool, M. Baptistin. Thieves might strip the house — it would annoy me less than to be disobeyed.” Baptistin bowed.
“You understand me?” said the count. “Bring your comrades here, one and all; but let everything remain as usual, only close the shutters of the ground floor.”
“And those of the second floor?”
“You know they are never closed. Go!”
The count signified his intention of dining alone, and that no one but Ali should attend him. Having dined with his usual tranquillity and moderation, the count, making a signal to Ali to follow him, went out by the side-gate and on reaching the Bois de Boulogne turned, apparently without design towards Paris and at twilight; found himself opposite his house in the Champs-Elysees. All was dark; one solitary, feeble light was burning in the porter’s lodge, about forty paces distant from the house, as Baptistin had said. Monte Cristo leaned against a tree, and with that scrutinizing glance which was so rarely deceived, looked up and down the avenue, examined the passers-by, and carefully looked down the neighboring streets, to see that no one was concealed. Ten minutes passed thus, and he was convinced that no one was watching him. He hastened to the side-door with Ali, entered hurriedly, and by the servants’ staircase, of which he had the key, gained his bedroom without opening or disarranging a single curtain, without even the porter having the slightest suspicion that the house, which he supposed empty, contained its chief occupant.
Arrived in his bedroom, the count motioned to Ali to stop; then he passed into the dressing-room, which he examined. Everything appeared as usual — the precious secretary in its place, and the key in the secretary. He double locked it, took the key, returned to the bedroom door, removed the double staple of the bolt, and went in. Meanwhile Ali had procured the arms the count required — namely, a short carbine and a pair of double-barrelled pistols, with which as sure an aim might be taken as with a single-barrelled one. Thus armed, the count held the lives of five men in his hands. It was about half-past nine. The count and Ali ate in haste a crust of bread and drank a glass of Spanish wine; then Monte Cristo slipped aside one of the movable panels, which enabled him to see into the adjoining room. He had within his reach his pistols and carbine, and Ali, standing near him, held one of the small Arabian hatchets, whose form has not varied since the Crusades. Through one of the windows of the bedroom, on a line with that in the dressing-room, the count could see into the street.
Two hours passed thus. It was intensely dark; still Ali, thanks to his wild nature, and the count, thanks doubtless to his long confinement, could distinguish in the darkness the slightest movement of the trees. The little light in the lodge had long been extinct. It might be expected that the attack, if indeed an attack was projected, would be made from the staircase of the ground floor, and not from a window; in Monte Cristo’s opinion, the villains sought his life, not his money. It would be his bedroom they would attack, and they must reach it by the back staircase, or by the window in the dressing-room. The clock of the Invalides struck a quarter to twelve; the west wind bore on its moistened gusts the doleful vibration of the three strokes.
As the last stroke died away, the count thought he heard a slight noise in the dressing-room; this first sound, or rather this first grinding, was followed by a second, then a third; at the fourth, the count knew what to expect. A firm and well-practised hand was engaged in cutting the four sides of a pane of glass with a diamond. The count felt his heart beat more rapidly. Inured as men may be to danger, forewarned as they may be of peril, they understand, by the fluttering of the heart and the shuddering of the frame, the enormous difference between a dream and a reality, between the project and the execution. However, Monte Cristo only made a sign to apprise Ali, who, understanding that danger was approaching from the other side, drew nearer to his master. Monte Cristo was eager to ascertain the strength and number of his enemies.