THE CRY OF THE HALIDON BY ROBERT LUDLUM

“I told you,” the young man whined. “You were having trouble. I tried

to help.”

“You bet your ass I had trouble! And not only with Customs. Where did

my luggage go? Our luggage? Who took it?”

“I don’t know. I swear I don’t!”

“Who told you to write that note?”

“No one told me! For God’s sake, you’re crazy!”

“Why did you put on that act last night?”

“What act?”

“You weren’t drunk-you were sober.”

“Oh, Christ Almighty, I wish you had my hangover.

Really—”

“Not good enough, Jimbo-mon. Let’s try again. Who told you to write

that note?”

“You won’t listen to me-”

“I’m listening. Why are you following me? Who told you to follow me

this morning?”

“By God, you’re insane!”

“By God, you’re fired!”

“No! … You can’t. Please.” Ferguson’s voice was frightened again, a

whisper.

“What did you say?” McAuliff placed his right hand against the wall,

over Ferguson’s frail shoulder. He leaned into the strange young man.

“I’d like to hear you’say that again. What can’t I do?”

“Please … don’t send me back. I beg you.” Ferguson was breathing

through his mouth; spots of saliva had formed on his thin lips. “Not

now.”

“Send you back? I don’t give a goddamn where you go!

I’m not your keeper, little boy.” Alex removed his hand from the wall

and yanked his jacket from under his left arm.

“You’re entitled to return-trip airfare. I’ll draw it for you this

afternoon, and pay for one more night at the Courtleigh.

After that, you’re on your own. Go wherever the hell you please. But

not with me; not with the survey.”

McAuliff turned and abruptly walked away. He entered the narrow

alleyway and took up his position in the line of laconic strollers. He

knew the stunned Ferguson would follow. It wasn’t long before he heard

him. The whining voice had the quality of controlled hysteria. Alex

did not stop or look back.

“McAuliff! Mr. McAuliff! Please!” The English tones echoed in the

narrow brick confines, creating a dissonant counterpoint to the tilting

hum of a dozen Jamaican conversations. “Please, wait…. Excuse me,

excuse me, please.

I’m sorry, let me pass, please. . .

“What you do, mon?! Don’t push me.”

The verbal objections did not deter Ferguson; the bodily obstructions

were somewhat more successful. Alex kept moving, hearing and sensing

the young man closing the gap slowly. It was eerily comic: a white man

chasing another white man in a dark, crowded passageway that was

exclusively-by civilized cautions-a native thoroughfare.

McAuliff was within feet of the exit to Duke Street when he felt

Ferguson’s hand gripping his arm.

“Please. We have to talk … not here.”

“Where?”

They emerged on the sidewalk. A long, horse-drawn wagon filled with

fruits and country vegetables was in front of them at the curb. The

sornbreroed owner was arguing with customers by a set of ancient scales;

several ragged children stole bananas from the rear of the vehicle.

Ferguson still held McAuliffs arm.

“Go to the Devon House. It’s a tourist-”

“I know.”

“There’s an outside restaurant.”

“When?”

“Fifteen minutes.”

The taxi drove into the long entrance of Devon House, a Georgian

monument to an era of English supremacy and white, European money.

Circular floral gardens fronted the spotless columns; rinsed graveled

paths wove patterns around an immense fountain. The small outdoor

restaurant was off to the side, the tables behind tall hedges, the

diners obscured from the front. There were only six tables, McAuliff

realized. A very small restaurant; a difficult place in which to follow

someone without being observed.

Perhaps Ferguson was not as inexperienced as he appeared to be.

“Well, hello, chap!”

Alex turned. James Ferguson had yelled from the central path to the

fountain; he now carried his camera and the cases and straps and meters

that went with it. “Hi,” said McAuliff, wondering what role the young

man intended to play now.

“I’ve got some wonderful shots. This place has quite a history, you

know.” Ferguson approached him, taking a second to snap Alex’s picture.

“This is ridiculous,” replied McAuliff quietly. “Who the hell are you

trying to fool?”

“I know exactly what I’m doing. Please cooperate.” And then Ferguson

returned to his play-acting, raising his voice and his camera

simultaneously. “Did you know that this old brick was the original

courtyard? It leads to the rear of the house, where the soldiers were

housed in rows of brick cubicles.”

“I’m fascinated.”

“It’s well past elevenses, old man,” continued an enthusiastic, loud

Ferguson. “What say to a pint? Or a rum punch?

Perhaps a spot of lunch.”

There were only two other separate couples within the small courtyard

restaurant. The men’s straw hats and bulging walking shorts

complemented the women’s Thinestoned sunglasses; they were tourists,

obviously unimpressed with Kingston’s Devon House. They would soon be

talking with each other, thought McAuliff, making happier plans to

return to the bar of the cruise ship or, at least, to a free-port strip.

They were not interested in Ferguson or himself, and that was all that

mattered.

The Jamaican rum punches were delivered by a bored waiter in a dirty

white jacket. He did not hum or move with any rhythmic punctuation,

observed Alex. The Devon House restaurant was a place of inactivity.

Kingston was not Montego Bay.

“I’ll tell you exactly what happened,” said Ferguson suddenly, very

nervously; his voice once more a panicked whisper. “And it’s everything

I know. I worked for the Craft Foundation, you knew all about that.

Right?”

“Obviously,” answered McAuliff. “I made it a condition of your

employment that you stay away from Craft. You agreed.”

“I didn’t have a choice. When we got off the plane, you and Alison

stayed behind; Whitehall and the Jensens went on ahead to the luggage

pickup. I was taking some infrared photographs of the airport…. I

was in between, you might say. I walked through the arrival gate, and

the first person I saw was Craft himself, the son, of course, not the

old fellow. The son runs the Foundation now. I tried to avoid him. I

had every reason to; after all, he sacked me. But I couldn’t. And I

was amazed-he was positively effusive.

Filled with apologies; what outstanding work I had done how he

personally had come to the airport to meet me when he heard I was with

the survey.” Ferguson swallowed a portion of his punch, darting his eyes

around the brick courtyard. He seemed to have reached a block, as if

uncertain how to continue.

pop,– “Go on,” said Alex. “All you’ve described is an unexpected

welcome wagon.”

“You’ve got to understand. it was all so strange-as you say,

unexpected. And as he was talking, this chap in uniform comes through

the gate and asks me if I’m Ferguson. I yes and he tells me you’ll be

delayed, you’re tied up; say that you want me to have your bags sent on

to the hotel. I should write a note to that effect so British Air will

release them. Craft offered to help, of course. It all seemed so

minor, quite plausible, really, and everything happened so fast. I

wrote the note and this chap said he’d take care of it.

Craft tipped him. Generously, I believe.”

“What kind of uniform was it?”

“I don’t know. I didn’t think. Uniforms all look alike when you’re out

of your own country.”

“Go on.

“Craft asked me for a drink. I said I really couldn’t. But he was

adamant, and I didn’t care to cause a scene, and you were delayed. You

do see why I agreed, don’t you?”

“Go on.”

“We went to the lounge upstairs … the one that looks out over the

field. It’s got a name. . .

“Observation.”

“What?”

“It’s called the Observation Lounge. Please go on.”

“Yes. Well, I was concerned. I mean, I told him there were my own

suitcases and Whitehall, the Jensens. And you, of course. I didn’t

want you wondering where I was …

especially under the circumstances.” Ferguson drank again; McAuliff held

his temper and spoke simply.

“I think you’d better get to the point, Jimbo-mon.”

“I hope that name doesn’t stick. It was a bad evening.”

“It will be a worse afternoon if you don’t go on.”

“Yes … Craft told me you’d be in Customs for another hour and the

chap in uniform would tell the others I was taking pictures; I was to go

on to the Courtleigh. I mean, it was strange. Then he changed the

subject–completely. He talked about the Foundation. He said they were

close to a major breakthrough in the baracoa fibers; that much of the

progress was due to my work. And, for reasons ranging from the legal to

the moral, they wanted me to come back to Craft. I was actually to be

given a percentage of the market development. Do you realize what that

could mean?”

“If this is what you had to tell me, you can join them today.”

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