The Early Short Fiction of Edith Wharton

No mortal foot hath bloodlessly essayed;

Dreams and illusions beacon from its keep,

But at the gate an Angel bares his blade;

And tales are told of those who thought to gain

At dawn its ramparts; but when evening fell

Far off they saw each fading pinnacle

Lit with wild lightnings from the heaven of pain;

Yet there two souls, whom life’s perversities

Had mocked with want in plenty, tears in mirth,

Might meet in dreams, ungarmented of earth,

And drain Joy’s awful chalice to the lees.

Experience.

I.

Like Crusoe with the bootless gold we stand

Upon the desert verge of death, and say:

“What shall avail the woes of yesterday

To buy to-morrow’s wisdom, in the land

Whose currency is strange unto our hand?

In life’s small market they have served to pay

Some late-found rapture, could we but delay

Till Time hath matched our means to our demand.”

But otherwise Fate wills it, for, behold,

Our gathered strength of individual pain,

When Time’s long alchemy hath made it gold,

Dies with us—hoarded all these years in vain,

Since those that might be heir to it the mould

Renew, and coin themselves new griefs again.

II.

O, Death, we come full-handed to thy gate,

Rich with strange burden of the mingled years,

Gains and renunciations, mirth and tears,

And love’s oblivion, and remembering hate,

Nor know we what compulsion laid such freight

Upon our souls—and shall our hopes and fears

Buy nothing of thee, Death? Behold our wares,

And sell us the one joy for which we wait.

Had we lived longer, life had such for sale,

With the last coin of sorrow purchased cheap,

But now we stand before thy shadowy pale,

And all our longings lie within thy keep—

Death, can it be the years shall naught avail?

“Not so,” Death answered, “they shall purchase sleep.”

Chartres.

I.

Immense, august, like some Titanic bloom,

The mighty choir unfolds its lithic core,

Petalled with panes of azure, gules and or,

Splendidly lambent in the Gothic gloom,

And stamened with keen flamelets that illume

The pale high-altar. On the prayer-worn floor,

By surging worshippers thick-thronged of yore,

A few brown crones, familiars of the tomb,

The stranded driftwood of Faith’s ebbing sea—

For these alone the finials fret the skies,

The topmost bosses shake their blossoms free,

While from the triple portals, with grave eyes,

Tranquil, and fixed upon eternity,

The cloud of witnesses still testifies.

II.

The crimson panes like blood-drops stigmatize

The western floor. The aisles are mute and cold.

A rigid fetich in her robe of gold

The Virgin of the Pillar, with blank eyes,

Enthroned beneath her votive canopies,

Gathers a meagre remnant to her fold.

The rest is solitude; the church, grown old,

Stands stark and gray beneath the burning skies.

Wellnigh again its mighty frame-work grows

To be a part of nature’s self, withdrawn

From hot humanity’s impatient woes;

The floor is ridged like some rude mountain lawn,

And in the east one giant window shows

The roseate coldness of an Alp at dawn.

Life.

Life, like a marble block, is given to all,

A blank, inchoate mass of years and days,

Whence one with ardent chisel swift essays

Some shape of strength or symmetry to call;

One shatters it in bits to mend a wall;

One in a craftier hand the chisel lays,

And one, to wake the mirth in Lesbia’s gaze,

Carves it apace in toys fantastical.

But least is he who, with enchanted eyes

Filled with high visions of fair shapes to be,

Muses which god he shall immortalize

In the proud Parian’s perpetuity,

Till twilight warns him from the punctual skies

That the night cometh wherein none shall see.

An Autumn Sunset

I

Leaguered in fire

The wild black promontories of the coast extend

Their savage silhouettes;

The sun in universal carnage sets,

And, halting higher,

The motionless storm-clouds mass their sullen threats,

Like an advancing mob in sword-points penned,

That, balked, yet stands at bay.

Mid-zenith hangs the fascinated day

In wind-lustrated hollows crystalline,

A wan valkyrie whose wide pinions shine

Across the ensanguined ruins of the fray,

And in her lifted hand swings high o’erhead,

Above the waste of war,

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