The Genius by Theodore Dreiser

Mrs. Hibberdell was glad. At least there would be no disturbance here. She feared Carlotta, feared Eugene, but she saw no reason for complaint. In her presence all was seemingly formal and at times almost distant. She did not like to say to her daughter that she should not come to her own home now that Eugene was here, and she did not like to tell him to leave. Carlotta said she liked him fairly well, but that was nothing. Any married woman might do that. Yet under her very eyes was going forward the most disconcerting license. She would have been astounded if she had known the manner in which the bath, Carlotta’s chamber and Eugene’s room were being used. The hour never struck when they were beyond surveillance but what they were together.

Eugene grew very indifferent in the matter of his work. From getting to the point where he was enjoying it because he looked upon it as a form of exercise which was benefiting him, and feeling that he might not have to work indefinitely if he kept up physical rehabilitation at this pace, he grew languid about it and moody over the time he had to give to it. Carlotta had the privilege of a certain automobile and besides she could afford to hire one of her own. She began by suggesting that he meet her at certain places and times for a little spin and this took him away from his work a good portion of the time.

“You don’t have to work every day, do you?” she asked him one Sunday afternoon when they were alone. Simpson and Mrs. Hibberdell had gone out for a walk and they were in her room on the second floor. Her mother’s was on the third.

“I don’t have to,” he said, “if I don’t mind losing the money they pay. It’s fifteen cents an hour and I need that. I’m not working at my regular profession, you must remember.”

“Oh, chuck that,” she said. “What’s fifteen cents an hour? I’ll give you ten times that to come and be with me.”

“No, you won’t,” he said. “You won’t give me anything. We won’t go anywhere on that basis.”

“Oh, Eugene, how you talk. Why won’t you?” she asked. “I have lots of it—at least lots more than you have just now. And it might as well be spent this way as some other. It won’t be spent right anyhow—that is not for any exceptional purpose. Why shouldn’t you have some of it? You can pay it back to me.”

“I won’t do it,” said Eugene. “We won’t go anywhere on that basis. I’d rather go and work. It’s all right, though. I can sell a picture maybe. I expect to hear any day of something being sold. What is it you want to do?”

“I want you to come automobiling with me tomorrow. Ma is going over to her sister Ella’s in Brooklyn. Has that shop of yours a phone?”

“Sure it has. I don’t think you’d better call me up there though.”

“Once wouldn’t hurt.”

“Well, perhaps not. But we’d better not begin that, or at least not make a practice of it. These people are very strict. They have to be.”

“I know,” said Carlotta. “I won’t. I was just thinking. I’ll let you know. You know that river road that runs on the top of the hill over there?”

“Yes.”

“You be walking along there tomorrow at one o’clock and I’ll pick you up. You can come this once, can’t you?”

“Sure,” said Eugene. “I can come. I was just joking. I can get some money.” He had still his hundred dollars which he had not used when he first started looking for work. He had been clinging to it grimly, but now in this lightened atmosphere he thought he might spend some of it. He was going to get well. Everything was pointing that way. His luck was with him.

“Well, I’ll get the car. You don’t mind riding in that, do you?”

“No,” he said. “I’ll wear a good suit to the shop and change over there.”

She laughed gaily, for his scruples and simplicity amused her.

“You’re a prince—my Prince Charming,” she said and she flung herself in his lap. “Oh, you angel man, heaven-born! I’ve been waiting for you I don’t know how long. Wise man! Prince Charming! I love you! I love you! I think you’re the nicest thing that ever was.”

Eugene caressed her gently.

“And you’re my wise girl. But we are no good, neither you nor I. You’re a wastrel and a stray. And I—I hesitate to think what I am.”

“What is a wastrel?” she asked. “That’s a new one on me. I don’t remember.”

“Something or someone that can be thrown away as useless. A stray is a pigeon that won’t stay with the flock.”

“That’s me,” said Carlotta, holding out her firm, smooth arms before her and grinning mischievously. “I won’t stay with any flock. Nix for the flocks. I’d rather be off with my wise man. He is nice enough for me. He’s better nor nine or ten flocks.” She was using corrupt English for the joy of it. “Just me and you, Prince Charming. Am I your lovely wastrel? Do you like strays? Say you do. Listen! Do you like strays?”

Eugene had been turning his head away, saying “scandalous! terrible, you’re the worst ever,” but she stopped his mouth with her lips.

“Do you?”

“This wastrel, yes. This stray,” he replied, smoothing her cheek. “Ah, you’re lovely, Carlotta, you’re beautiful. What a wonderful woman you are.”

She gave herself to him completely.

“Whatever I am, I’m yours, wise man,” she went on. “You can have anything you want of me, do anything you please with me. You’re like an opiate to me, Eugene, sweet! You stop my mouth and close my eyes and seal my ears. You make me forget everything I suppose I might think now and then but I don’t want to. I don’t want to! And I don’t care. I wish you were single. I wish I were free. I wish we had an island somewhere together. Oh, hell! Life is a wearisome tangle, isn’t it? ‘Take the cash and let the credit go.'”

By this time Carlotta had heard enough of Eugene’s life to understand what his present condition was. She knew he was sick though not exactly why. She thought it was due to overwork. She knew he was out of funds except for certain pictures he had on sale, but that he would regain his art ability and re-establish himself she did not doubt. She knew something of Angela and thought it was all right that she should be away from him, but now she wished the separation might be permanent. She went into the city and asking about at various art stores learned something of Eugene’s art history and his great promise. It made him all the more fascinating in her eyes. One of his pictures on exhibition at Pottle Frères was bought by her after a little while and the money sent to Eugene, for she had learned from him how these pictures, any pictures, were exhibited on sale and the painter paid, minus the commission, when the sale was made. She took good care to make it clear to the manager at Pottle Frères that she was doing this so that Eugene could have the money and saw to it that the check reached him promptly. If Eugene had been alone this check of three hundred dollars would have served to bring Angela to him. As it was it gave him funds to disport himself with in her company. He did not know that she had been the means of his getting it, or to whom the picture had been sold. A fictitious name was given. This sale somewhat restored Eugene’s faith in his future, for if one of his pictures would sell so late in the day for this price, others would.

There were days thereafter of the most curious composition. In the morning he would leave dressed in his old working suit and carrying his lunch box, Carlotta waving him a farewell from her window, or, if he had an engagement outside with Carlotta, wearing a good suit, and trusting to his overalls and jumper to protect it, working all day with John and Bill, or Malachi Dempsey and Joseph—for there was rivalry between these two groups as to which should have his company—or leaving the shop early and riding with her a part of the time, coming home at night to be greeted by Carlotta as though she had not seen him at all. She watched for his coming as patiently as a wife and was as eager to see if there was anything she could do for him. In the shop Malachi and Joseph or John and Bill and sometimes some of the carpenters up stairs would complain of a rush of work in order that they might have his assistance or presence. Malachi and Joseph could always enter the complaint that they were in danger of being hampered by shavings, for the latter were constantly piling up in great heaps, beautiful shavings of ash and yellow pine and walnut which smelled like resin and frankincense and had the shape of girl’s curls or dry breakfast food, or rich damp sawdust. Or John and Bill would complain that they were being overworked and needed someone in the car to receive. Even Big John, the engineer, tried to figure out some scheme by which he could utilize Eugene as a fireman, but that was impossible; there was no call for any such person. The foreman understood well enough what the point was but said nothing, placing Eugene with the particular group which seemed to need him most. Eugene was genial enough about the matter. Wherever he was was right. He liked to be in the cars or on a lumber pile or in the plane room. He also liked to stand and talk to Big John or Harry Fornes, his basket under his arm—”kidding,” as he called it. His progress to and fro was marked by endless quips and jests and he was never weary.