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The Genius by Theodore Dreiser

Eugene, once he was settled, realized this. He had the notion, somehow, that the printer’s trade was all over for him. He wanted no more of that. He wanted to be an artist or something like that, although he hardly knew how to begin. The papers offered one way, but he was not sure that they took on beginners. He had had no training whatever. His sister Myrtle had once said that some of his little thumb-nail sketches were pretty, but what did she know? If he could study somewhere, find someone who would teach him… . Meanwhile he would have to work.

He tried the newspapers first of course, for those great institutions seemed the ideal resort for anyone who wanted to get up in the world, but the teeming offices with frowning art directors and critical newspaper workers frightened him. One art director did see something in the three or four little sketches he showed, but he happened to be in a crusty mood, and did not want anybody anyway. He simply said no, there was nothing. Eugene thought that perhaps as an artist also, he was destined to be a failure.

The trouble with this boy was really that he was not half awake yet. The beauty of life, its wonder, had cast a spell over him, but he could not yet interpret it in line and color. He walked about these wonderful streets, gazing in the windows, looking at the boats on the river, looking at the ships on the lake. One day, while he was standing on the lake shore, there came a ship in full sail in the offing—the first he had ever seen. It gripped his sense of beauty. He clasped his hands nervously and thrilled to it. Then he sat down on the lake wall and looked and looked and looked until it gradually sank below the horizon. So this was how the great lakes were; and how the great seas must be—the Atlantic and the Pacific and the Indian Ocean. Ah, the sea! Some day, perhaps he would go to New York. That was where the sea was. But here it was also, in miniature, and it was wonderful.

One cannot moon by lake shores and before store windows and at bridge draws and live, unless one is provided with the means of living, and this Eugene was not. He had determined when he left home that he would be independent. He wanted to get a salary in some way that he could at least live on. He wanted to write back and be able to say that he was getting along nicely. His trunk came, and a loving letter from his mother, and some money, but he sent that back. It was only ten dollars, but he objected to beginning that way. He thought he ought to earn his own way, and he wanted to try, anyhow.

After ten days his funds were very low, a dollar and seventy-five cents, and he decided that any job would have to do. Never mind about art or type-setting now. He could not get the last without a union card, he must take anything, and so he applied from store to store. The cheap little shops in which he asked were so ugly they hurt, but he tried to put his artistic sensibilities aside. He asked for anything, to be made a clerk in a bakery, in a dry goods store, in a candy store. After a time a hardware store loomed up, and he asked there. The man looked at him curiously. “I might give you a place at storing stoves.”

Eugene did not understand, but he accepted gladly. It only paid six dollars a week, but he could live on that. He was shown to a loft in charge of two rough men, stove fitters, polishers, and repairers, who gruffly explained to him that his work was to brush the rust off the decayed stoves, to help piece and screw them together, to polish and lift things, for this was a second hand stove business which bought and repaired stoves from junk dealers all over the city. Eugene had a low bench near a window where he was supposed to do his polishing, but he very frequently wasted his time here looking out into the green yards of some houses in a side street. The city was full of wonder to him—its every detail fascinating. When a rag-picker would go by calling “rags, old iron,” or a vegetable vender crying “tomatoes, potatoes, green corn, peas,” he would stop and listen, the musical pathos of the cries appealing to him. Alexandria had never had anything like this. It was all so strange. He saw himself making pen and ink sketches of things, of the clothes lines in the back yards and of the maids with baskets.

On one of the days when he thought he was working fairly well (he had been there two weeks), one of the two repairers said, “Hey, get a move on you. You’re not paid to look out the window.” Eugene stopped. He had not realized that he was loafing.

“What have you got to do with it?” he asked, hurt and half defiant. He was under the impression that he was working with these men, not under them.

“I’ll show you, you fresh kid,” said the older of the two, who was an individual built on the order of “Bill Sykes.” “You’re under me. You get a move on you, and don’t give me any more of your lip.”

Eugene was startled. It was a flash of brutality out of a clear sky. The animal, whom he had been scanning as an artist would, as a type, out of the corner of his eye, was revealing himself.

“You go to the devil,” said Eugene, only half awake to the grim reality of the situation.

“What’s that!” exclaimed the man, making for him. He gave him a shove toward the wall, and attempted to kick him with his big, hob-nailed boot. Eugene picked up a stove leg. His face was wax white.

“Don’t you try that again,” he said darkly. He fixed the leg in his hand firmly.

“Call it off, Jim,” said the other man, who saw the uselessness of so much temper. “Don’t hit him. Send him down stairs if you don’t like him.”

“You get to hell out of here, then,” said Eugene’s noble superior.

Eugene walked to a nail where his hat and coat were, carrying the stove leg. He edged past his assailant cautiously, fearing a second attack. The man was inclined to kick at him again because of his stubbornness, but forebore.

“You’re too fresh, Willie. You want to wake up, you dough face,” he said as Eugene went.

Eugene slipped out quietly. His spirit was hurt and torn. What a scene! He, Eugene Witla, kicked at, and almost kicked out, and that in a job that paid six dollars a week. A great lump came up in his throat, but it went down again. He wanted to cry but he could not. He went downstairs, stovepolish on his hands and face and slipped up to the desk.

“I want to quit,” he said to the man who had hired him.

“All right, what’s the matter?”

“That big brute up there tried to kick me,” he explained.

“They’re pretty rough men,” answered the employer. “I was afraid you wouldn’t get along. I guess you’re not strong enough. Here you are.” He laid out three dollars and a half. Eugene wondered at this queer interpretation of his complaint. He must get along with these men? They musn’t get along with him? So the city had that sort of brutality in it.

He went home and washed up, and then struck out again, for it was no time now to be without a job. After a week he found one,—as a house runner for a real estate concern, a young man to bring in the numbers of empty houses and post up the “For Rent” signs in the windows. It paid eight dollars and seemed to offer opportunities of advancement. Eugene might have stayed there indefinitely had it not failed after three months. He had reached the season of fall clothes then, and the need of a winter overcoat, but he made no complaint to his family. He wanted to appear to be getting along well, whether he was or not.

One of the things which tended to harden and sharpen his impressions of life at this time was the show of luxury seen in some directions. On Michigan Avenue and Prairie Avenue, on Ashland Avenue and Washington Boulevard, were sections which were crowded with splendid houses such as Eugene had never seen before. He was astonished at the magnificence of their appointments, the beauty of the lawns, the show of the windows, the distinction of the equipages which accompanied them and served them. For the first time in his life he saw liveried footmen at doors: he saw at a distance girls and women grown who seemed marvels of beauty to him—they were so distinguished in their dress; he saw young men carrying themselves with an air of distinction which he had never seen before. These must be the society people the newspapers were always talking about. His mind made no distinctions as yet. If there were fine clothes, fine trappings, of course social prestige went with them. It made him see for the first time what far reaches lay between the conditions of a beginner from the country and what the world really had to offer—or rather what it showered on some at the top. It subdued and saddened him a little. Life was unfair.

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Categories: Dreiser, Theodore
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