THE KEY TO REBECCA BY KEN FOLLETT

the distances he was traveling, and scanning the horizon as if searching for a lone tree in whose shade he could rest during the beat of the day. He had to forget R11 that now, and think instead of policemen and papers and locks and lies. He resolved to take more care, and climbed into the jeep. The captain got in beside him and said to the driver: “Back into town.” Wolff decided to bolster his story. As the jeep turned in the dusty road he said: “Have you got any water?” “Of course.” The captain reached beneath his seat and pulled up a tin bottle covered in felt, like a large whiskey flask. He unscrewed the cap ind handed it to Wolff. Wolff drank deeply, swallowing at least a pint. “Thanks,” he said, and handed it back. “Quite a thirst you had. Not surprising. Oh, by the wayI’m Captain Newman.” He stuck out his hand. Wolff shook it and looked more closely at the man. He was young-early twenties, at a guess-and fresh-faced, with a boyish forelock and a ready smile; but there was in his demeanor that weary maturity that comes early to fighting men. Wolff asked him: “Seen any action?” “Some.” Captain Newman touched his own knee. “Did the leg at Cyrenaica, that’s why they sent me to this one-horse town.” He grinned. “I can’t honestly say I’m panting to get back into the desert, but I’d like to be doing something a bit more positive than this, minding the shop hundreds of miles from the war. The only fighting we ever see is between the Christians and the Moslems in the town. Where does your accent come from?” The sudden question, unconnected with what had gone before, took Wolff by surprise. It had surely been intended to, he thought: Captain Newman was a sharp-witted young man. Fortunately Wolff had a prevared answer. “My ?.arents were Boers who came from South Africa to Egypt. I grew up speaking Afrikaans and Arabic.” He hesitated, nervous of overplaying his hand by seeming too eager to explain. “The name Wolff is Dutch, originally; and I was christened Alex after the town where I was born.” Newman seemed politely interested. “What brings you here?” Wolff had prepared for that one, too. “I have business in- 14 Ken Follett

terests irk several towns in Upper Egypt.” He smiled. “I like to pay them surprise visits.” They were entering Assyut. By Egyptian standards it was a large town, with factories, hospitals, a Muslim university, a famous convent and some sixty thousand inhabitants. Wolff was about to ask to be dropped at the railway station when Newman saved him from that error. “You need a garage,” the captain said. “We’ll take you to Nasif’s: he has a tow truck.” Wolff forced himself to say: “Ibank you.” He swallowed drily. He was still not thinking hard enough or fast enough. I wish I could pull myself together, he thought; it’s the damn desert, it’s slowed me down. He looked at his watch. He had time to go through a charade at the garage and still catch the daily train to Cairo. He considered what he would do. He would have to go into the place, for Newman would watch. 1hen the soldiers would drive away. Wolff would have to make some inquiries about car parts or something, then take his leave and walk to the station. With luck, Nasif and Newman might never compare notes on the subject of Alex Wolff. The jeep drove through the busy, narrow streets. The familiar sights of an Egyptian town pleased Wolff: the gay cotton clothes, the women carrying bundles on their heads, the officious policemen, the sharp characters in sunglasses, the tiny shops spilling out into the rutted streets, the stalls, the battered cars and the overloaded asses. They stopped in front of a row of low mud-brick buildings. The road was half blocked by an ancient truck and the remains of a cannibalIzed Fiat. A small boy was working on a cylinder block with a wrench, sitting on the ground outside the entrance. Newman said: “I’ll have to leave you here, rm. afraid; duty calls.” Wolff shook his hand. “Youve been very kind.” “I don’t like to dump you this way,” Newman continued. ‘You’ve had a bad time.” He frowned, then his face clearedL ‘vrell you what-I’ll leave Corporal Cox to look after you.” Wolff said: “It’s kind, but reafly–2’ Newman was not listening. “Get the man’s bags, Cox, and look sharp. I want you to take care of him-and don’t you leave anything to the wogs, understand?” THE KEY TO REBECCA is

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