The Metamorphosis by Franz Kafka

The hunger artist had not however lost his sense of fundamental reality and accepted it as a matter of course that his cage was not placed in the middle of the ring as a star attraction but outside by the stables in a spot that was, after all, still accessible. Large brightly painted placards framed his cage and proclaimed what was to be seen inside. When the public came pouring out during intermissions to see the animals, they almost inevitably passed the hunger artist’s cage and stopped there for a moment; they might have loitered longer if the crowds pressing them from behind in the narrow passageway, who did not understand the delay in seeing the keenly anticipated menagerie, did not render further contemplation unfeasible. This was also the reason why the hunger artist, who had naturally been looking forward to these visiting hours as the culmination of his life’s work, trembled at their prospect. At first he could hardly wait for the intermissions; he had delighted in watching the crowds surge toward him, until all too quickly it was firmly impressed upon him—and even the most obstinate and half-deliberate self-deception could not obscure the fact—that these people, judging from their actions at least, were again and again without exception on their way to visit the stables. And that first sight of them from a distance remained the most cherished. For as soon as they reached him he was promptly deafened by the shouting and cursing that welled up from the two contending factions, the ones that wanted to pause and stare at him—and the hunger artist soon found them the more distasteful of the two—out of no true interest but from nastiness and defiance, and the others, who only wanted to go straight to the animals. After the first rush was over, along came the stragglers, and although there was nothing to prevent them from stopping as long as they liked, these folks hurried by with long strides and nary a glance at him as they hastened to reach the stables in time. And all too rarely he had a stroke of luck when the father of a family arrived with his children, pointed to the hunger artist, and gave a detailed explanation of the phenomenon, telling tales of earlier years when he had attended similar but far grander exhibitions, and the children, since neither their lives nor their schools had sufficiently prepared them for this, remained uncomprehending—what was hunger to them?—but the gleam in their inquisitive eyes spoke of new and better and more merciful times to come. The hunger artist sometimes remarked to himself that perhaps things might look a little brighter if he were not located quite so near the stables. That made it too easy for people to choose their destination, not to mention how the stench of the stables, the restlessness of the animals at night, the conveyance of raw slabs of meat for the beasts of prey, and the roars at feeding time all continually oppressed him. But he did not dare complain to the management; after all he had the animals to thank for the numerous visitors who did pass his cage, among whom there always might be the one who was there just to see him, and lord knew where they might tuck him away if he called attention to his existence and thereby to the fact that, strictly speaking, he was no more than an obstacle in the path to the animals.

A slight obstacle to be sure, an obstacle growing slighter by the day. One has grown accustomed in this day and age to finding it strange to call attention to a hunger artist, and in accordance with this custom the verdict was carried against him. He might fast as well as only he could, and indeed he did, but nothing could save him, everyone passed him by. Just try to explain the art of fasting to someone! Without a feeling for it, one cannot be made to understand it. The colorful placards became dirty and illegible, they were torn down and no one thought to replace them; the little signboard tallying the number of days fasted, which was at first carefully altered each day, had long remained unchanged, for after the first few weeks the staff had already tired of even this small task, and so the hunger artist just fasted on as he had once dreamed of doing, and it was indeed no trouble for him, as he had always predicted, but no one counted the days, no one, not even the hunger artist himself, knew the extent of his achievement, and his spirits sank. And once in a while when a random passerby lingered, ridiculed the outdated number posted, and hinted at fraud, it was the stupidest lie in a sense, born of malice and brute indifference, for the hunger artist did not cheat; he worked with integrity, but the world cheated him of his reward.

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