‘Come on,’ said Jordan. ‘Cover me.’ He aimed his crossbow in front of him, swung his leg across the window sill . .
In the barn Ben Trask pulled up short, his square face alert, ears attentive to the silence. The silence said there w as no one here, but it was lying. Trask knew it as surely is if he sat behind a one-way window and listened in on an important interrogation by police of big-time criminals. The picture here was false, a lie.
Old farm implements were strewn everywhere. The mist, billowing in through the open ends of the building, had turned old steel slick with a sort of metallic sweat; chains and worn tyres hung from hooks in the walls; a stack of tongue-and-groove boards teetered uncertainly, as if recently disturbed. Then Trask saw the wooden steps ascending into gloom, and at the same time a single stem of straw where it came drifting down.
He drew air in a sharp gasp, turned his face and crossbow up towards the badly gapped boarding overhead — and was just in time to see a woman’s insanely working face framed there, and hear her hiss of triumph as she launched a pitchfork at him! Trask had no time to aim but simply pulled the trigger.
The pitchfork’s sharp offside tine missed him but its twin scraped under his collar bone and passed through his right shoulder, driving him down and backwards. At the same time there came a mad, babbling shriek to end all shrieks, and Anne Lake crashed through rotten boards in a cloud of dust and powdery straw. She landed square on her back, with Trask’s bolt sticking out of her chest dead centre. The bolt alone should have done for her, and the fall certainly, but she was no longer entirely human.
Trask lay against the side wall and tried to pull the pitchfork out of his shoulder. There was no strength in him; he couldn’t do it; pain and shock had left him weak as a kitten. He could only watch and try to keep from blacking out as Yulian Bodescu’s ‘auntie’ crept towards him on all fours, grabbed the pitchfork and yanked it viciously free. And then Trask did black out.
Anne Lake drew back the pitchfork, growling like a big cat as she aimed it at Trask’s heart. Behind her, Guy Roberts grabbed the fork’s wooden handle, hauled on it and threw her off balance. She howled her frustration, fell on her back again, grasped the bolt in her chest with both hands and tried to draw it out. Roberts, impeded by the apparatus on his back, lumbered by her, took hold of Trask by the front of his jacket and somehow managed to drag him clear of the barn. Then he turned back, aimed his hose, and applied a firm and steady pressure to the trigger.
The barn was at once transformed into a gigantic oven; heat and fire and smoke filled it floor to tiled roof, spilling out of its open ends. And in the middle of it all something screamed and screamed, a wildly hissing, rising scream that finally shut itself off as the upper floor collapsed and tipped blazing hay down into the roaring inferno. And still Roberts kept his finger on the trigger, until he knew that nothing — nothing — could have survived in there .
At the back of -the house Ken Layard found Gower burning Vlad. Jordan had just stepped in through the open window and Newton was about to follow him. ‘Hold it!’ Layard shouted. ‘You can’t work two crossbows together!’ He came forward. ‘I’ll go in this way,’ he told Newton, ‘with Jordan. You stick with Gower and go round the front. Go now!’
As Layard clambered awkwardly in through the window, Newton dragged Gower away from the cindered, smoking thing that had been Vlad and jerked his thumb towards the far corner of the house. ‘That thing’s finished,’ he shouted, ‘so now get a grip of yourself! Come on the others will be inside by now.’
They quickly made their way through the mist-wreathed gardens on the south side of the house, and saw Roberts turn away from the blazing barn and drag Trask out of the danger area. Roberts saw them, yelled: ‘What the hell’s going on?’